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Nathan Fielder Made a Dishonest Movie

26 October 2026 at 17:55
Nathan Fielder and Elizabeth Holmes | A24

Is Nathan Fielder interested in making something innovative and great, or does he only really care about making money?

That's technically the question You Can See Everything, the new A24 documentary co-directed by Fielder and Lance Oppenheim, asks about its subject, Elizabeth Holmes, the Theranos founder and convicted fraudster currently in federal prison. 

As the documentary progresses, however, it's a question one increasingly asks about Fielder himself. 

You Can See Everything was billed as an intimate look at the day-to-day life of Holmes, her romantic partner Billy Evans, and their two children, in the days before she reports for her 11-year prison sentence.

In truth, that only describes the first half of the three-hour-long film, in which Fielder and his camera crews are embedded in Holmes and Evans' cramped San Diego beach house in the month preceding her incarceration.

In part one, we truly do see everything, from Holmes making breakfast for the kids and talking to lawyers about last-minute appeals to Evans showering naked. 

All the while, Fielder obsessively explores in his own meta-comedy style a question many have asked about Holmes: Were the lies she told about Theranos' diagnostic machines merely a scam to rip off investors? Or had she actually convinced herself that these falsehoods were at most white lies in the service of a great and revolutionary technology on the cusp of becoming a reality?

Then, after 90 minutes of this exploration, Holmes checks in to prison, and Fielder's primary subject disappears from the film. The focus then shifts to Evans and whether or not he's solely responsible for a new unethical scheme Holmes has found herself enmeshed in.

In a Fielderesque reenactment, it's revealed to the audience that Evans conditioned the documentary's access to him and Holmes on the couple being paid a percentage of the film's profits.

Any ethical documentarian would have to say no to this ask. 

Subjects being economically disinterested in the films they're appearing in is what separates real documentaries, which are supposed to accurately portray real life, from fictional films and public relations puff pieces. 

Incredibly, however, Fielder, Oppenheim, and A24 eventually agree to Evans' demand for a cut of the film's profits.

Once this crooked bargain is made, You Can See Everything then shifts to exploring whether Holmes was aware that she'd be profiting from the film or whether this was a deal the domineering Evans secured without her knowledge. 

Fielder tells us that he believes the answer will shed light on whether Holmes actually sees herself as a world-changing inventor or whether she really is just out for the money. 

Fielder eventually makes this point directly to Evans during an on-camera confrontation and in a reenactment of his unfilmed meeting with Holmes in prison. By accepting payment for the documentary, the two are undercutting their case that Holmes is more than a wealth-obsessed fraudster, he tells them.

And by forfeiting their rights to back-end profits, they can make the audience more sympathetic to their case that Holmes did have motivations beyond a paycheck. 

As a humble viewer, I confess I found this investigation somewhat boring. For starters, it seemed obvious to me that Holmes was in on the scheme to get paid for the documentary from the beginning.

Moreover, it's all kind of beside the point. Once the deal to pay Evans was inked, the documentary has been irrevocably changed into an elaborate rip-off. The only question remaining is whether the subjects or the audience will be the ultimate sucker. 

When Fielder pointedly pushes Evans and Holmes to surrender profits they're contractually entitled to, he's no longer a disinterested filmmaker exploring the couple's psyches. He's an economically interested party pressuring business partners to back out of money they've been contractually promised or else risk extreme embarrassment in the film he's making.

If Fielder fails to convince the couple to surrender their rights, moviegoers are left with the knowledge that a portion of their ticket revenue is benefiting a convicted fraudster. 

If the director does succeed in his pressure campaign, it means that there's more profit to go around for the makers of the film. 

A documentary about conmen itself becoming a con would not be an uncharacteristic Fielder bit.

His projects frequently feature a deliberate, escalating blurring of the lines between art and reality. See, for instance, the second season of his show The Rehearsal, in which an investigation into airline pilots' mental well-being culminates in Fielder becoming a licensed 737 pilot while waiting on an autism diagnosis. 

Something similar can be said for the connection between the themes in the documentary and co-director Oppenheim's recent feature film Primetime about the making of the reality show To Catch a Predator. That movie was also about how TV producers can script reality and invent crimes all for the benefit of a show that's allegedly meant to merely document them.

You Can See Everything pulls off something similar. Its investigation into Holmes' motives leaves one seriously questioning the filmmaker's probity. Perhaps that makes it a genius bit of meta commentary on the unreality of documentaries.

Ultimately, it doesn't really matter. There's no getting around the fact that Fielder made a crooked bargain to get his documentary made and then used his power as a director who did, in fact, see everything to screw people out of money they had been promised. 

One can imagine that the victims of Holmes' Theranos scam will find You Can See Everything a frustrating film to watch. At the end of the day, this woman defrauded them of hundreds of millions of dollars. Her precise motives for doing so probably aren't all that interesting to them.

I certainly feel a similar way as a paying viewer of the unethical travesty that is You Can See Everything.

The post Nathan Fielder Made a Dishonest Movie appeared first on Reason Magazine.

The 25 biggest documentary film openings of all time

23 October 2026 at 10:06
Two men in suits shake hands.
Nathan Fielder and Lance Oppenheim directed "You Can See Everything," a documentary that centers on Theranos founder Elizabeth Holmes in the 34 days before reporting to federal prison.

JC Olivera/Getty Images

  • The Elizabeth Holmes documentary "You Can See Everything" earned $15.6 million in its debut weekend.
  • That makes it the second-highest-grossing traditional docufilm opening weekend of all time.
  • Business Insider compiled the 25 biggest documentary opening weekends using Box Office Mojo data.

Something unusual is happening right now: a documentary is drawing crowds to theaters at a level rarely seen for the genre.

The Elizabeth Holmes documentary "You Can See Everything," directed by Nathan Fielder and Lance Oppenheim, grossed $15.6 million in the US and Canada during its opening weekend in October.

That makes it the second-biggest theatrical docufilm debut ever, behind director Michael Moore's "Fahrenheit 9/11," which saw a nearly $24 million opening in 2004. "You Can See Everything" was filmed in the month before Holmes reported to prison in May 2023 after she was convicted of defrauding investors in connection with her now-defunct blood-testing company, Theranos.

Theatrical documentary premieres have become rarer since the streaming era began, as the genre has found a major audience on streaming services such as Netflix and Hulu. Besides the new Holmes docufilm, only two others on the list were from this decade: "Melania" debuted to $7.1 million in January 2026, and "After Death," a documentary about near-death experiences, opened to $5 million in 2023.

Still, theatrical docufilms were once a cultural force, especially in the 2000s and 2010s, when a wave of nature-, political-, and celebrity-focused ones premiered in theaters to much fanfare.

Here are the 25 highest-grossing traditional documentary film openings at the box office, using data from Box Office Mojo. Several hit concert docufilms, like "Taylor Swift: The Eras Tour" and "Justin Bieber: Never Say Never," earned more but were omitted from this list to focus on traditional nonfiction documentaries.

25. Whitney (2018)
Two people attend a movie premiere.
Director Kevin MacDonald and Executive Producer Pat Houston attend the "Whitney" premiere on June 27, 2018, in New York City.

Theo Wargo/Getty Images

Opening weekend domestic gross: $1,265,572

Directed by Kevin Macdonald, "Whitney" chronicles the life and career of singer Whitney Houston.

The documentary uses archival footage and interviews with people close to Houston to explore her rise to fame, personal struggles, and her death in 2012.

24. Imagine: John Lennon (1988)
Two men pose for a photo.
Richard Gere and photographer Herb Ritts attend the "Imagine: John Lennon" premiere on October 6, 1988 in New York City.

Ron Galella, Ltd./Ron Galella Collection via Getty Images

Opening weekend domestic gross: $1,412,213

The documentary, directed by Andrew Solt, looks back on John Lennon’s life and career through archival footage, home movies, interviews, and recordings.

It covers Lennon's time with the Beatles, his solo work, and his relationship with Yoko Ono.

23. That's Dancing! (1985)
Two people attend a movie premiere.
Actress Lindsay Wagner and American director and producer Jack Haley Jr. attend the premiere of 'That's Dancing!' on January 18, 1985, in New York City.

Vinnie Zuffante/Getty Images

Opening weekend domestic gross: $1,506,802

Directed by Jack Haley Jr., "That's Dancing!" chronicles how dance evolved in Hollywood films through clips from musicals.

It features performances by Fred Astaire, Gene Kelly, Judy Garland, and more.

22. Rize (2005)
Two people attend a movie premiere.
Christina Aguilera and David LaChapelle attend the premiere of "Rize" on June 21, 2005, in Hollywood.

Jeff Kravitz/FilmMagic

Opening weekend domestic gross: $1,574,787

David LaChapelle directed the documentary that focuses on the different dance styles across Los Angeles, including krumping and clowning.

It follows dancers who use dance as an outlet in South Central LA.

21. Babies (2010)
Two people attend a movie premiere.
NEW YORK - APRIL 27: Hoda Kotb and Bobbie Thomas attend the premiere of "Babies" at the Tribeca Grand Screening Room on April 27, 2010 in New York City. (Photo by Jerritt Clark/WireImage)

Jerritt Clark/WireImage

Opening weekend domestic gross: $2,160,460

Directed by Thomas Balmès, the documentary follows four infants from birth through their first year in Namibia, Mongolia, Japan, and the US.

20. Penguins (2019)
People attend a movie premiere.
Jeff Wilson, Ed Helms, Dr. Jane Goodall, Alastair Fothergill, and Roy Conli attend DisneyNature's "Penguins" premiere on April 14, 2019, in New York City.

Roy Rochlin/Getty Images for Disney Studios

Opening weekend domestic gross: $2,282,593

Directed by Alastair Fothergill and Jeff Wilson, the Disneynature documentary, narrated by Ed Helms, follows a penguin as he searches for a partner and starts a family in Antarctica.

19. The Real Cancun (2003)
A man in a suit.
Rick De Oliveira during "The Real Cancun" Premiere at The Egyptian Theater in Hollywood, California, United States. (Photo by Jon Kopaloff/FilmMagic)

Jon Kopaloff/FilmMagic

Opening weekend domestic gross: $2,300,000

"The Real Cancun" follows 16 American college students on spring break in Mexico.

The documentary captures the students as they party, hook up, argue, and more during a 10-day stay in Cancún's Hotel Zone.

18. Death of a Nation (2018)
A movie theatre.
Death of a Nation was written and directed by Dinesh D'Souza and Bruce Schooley.

Greg Doherty/Getty Images

Opening weekend domestic gross: $2,356,522

Conservative commentator Dinesh D'Souza co-directed "Death of a Nation" with Bruce Schooley.

The documentary uses reenactments and interviews to argue that Donald Trump is comparable to Abraham Lincoln and that the Democratic Party has historical ties to racism and fascism.

17. Meet the Mormons (2014)
People attend a movie premiere.
The cast of "Meet the Mormons" attend the documentary's premiere on October 7, 2014, in Sandy, Utah.

Photo by The Church of Jesus Christ of Latter-day Saints

Opening weekend domestic gross: $2,509,808

Produced by The Church of Jesus Christ of Latter-day Saints, the documentary follows six church members around the world, including the US, Costa Rica, and Nepal, to depict their daily lives and beliefs.

16. Expelled: No Intelligence Allowed (2008)
A man in a suit speaks.
WASHINGTON - OCTOBER 19: Actor Ben Stein speaks during the Family Research Council's 2007 Washington briefing October 19, 2007 in Washington, DC. The legislative action arm of the Family Research Council held the yearly event at which 2008 U.S. presidential hopefuls spoke, including Rep. Tom Tancredo (R-CO), former Massachusetts Gov. Mitt Romney and others. (Photo by Brendan Smialowski/Getty Images)

Brendan Smialowski/Getty Images

Opening weekend domestic gross: $2,970,848

Directed by Nathan Frankowski, "Expelled: No Intelligence Allowed" challenges the teaching of evolution and includes interviews with scientists, writers, and religious figures.

15. Fahrenheit 11/9 (2018)
A man in a suit smiles.
Michael Moore, Director/Writer/Producer, seen at Michael Moore's 'Fahrenheit 11/9' Los Angeles Premiere at the Samuel Goldwyn Theater, Beverly Hills, CA, USA - 19 September 2018 (Photo by Eric Charbonneau/Getty Images for Briarcliff Entertainment)

Eric Charbonneau/Getty Images for Briarcliff Entertainment

Opening weekend domestic gross: $3,008,563

Director Michael Moore's "Fahrenheit 11/9," a follow-up to his 2004 documentary "Fahrenheit 9/11," examines the political climate surrounding Donald Trump's election and presidency.

The documentary ranges from the Flint water crisis to the Parkland school shooting and criticism of Democratic leaders.

14. Religulous (2008)
Two men speak.
TORONTO, ON - SEPTEMBER 07: (L-R) Director Larry Charles and Bill Maher speak at the "Religulous" press conference during the 2008 Toronto International Film Festival held at the Sutton Place Hotel on September 7, 2008 in Toronto, Canada. (Photo by Malcolm Taylor/Getty Images)

Malcolm Taylor/Getty Images

Opening weekend domestic gross: $3,409,643

Comedian Bill Maher travels the world questioning believers, clergy members, and religious institutions in "Religulous," directed by Larry Charles.

The documentary takes a comedic and confrontational look at Christianity, Judaism, Islam, and other religions.

13. Terror in the Aisles (1984)
New York streets in the 1980s at night.
People standing on the street in front of the Criterion Center Movie Theatre marquee in Times Square in New York City, New York in 1984. (Photo by Thomas McGovern/Getty Images)

Thomas McGovern/Getty Images

Opening weekend domestic gross: $4,009,866

Directed by Andrew J. Kuehn, "Terror in the Aisles" dives into the history of horror cinema.

Actors Donald Pleasence and Nancy Allen introduce clips from films including "Psycho," "The Exorcist," "Halloween," and "The Shining," while discussing why audiences enjoy being scared.

12. Monkey Kingdom (2015)
People pose at a movie premiere.
LOS ANGELES, CA - APRIL 12: (L-R) President of the Environmental Media Association (EMA) Debbie Levin, Conservation scientist and writer M. Sanjayan, and director Mark Linfield attend the world premiere Of Disney's "Monkey Kingdom" at Pacific Theatres at The Grove on April 12, 2015 in Los Angeles, California. (Photo by Charley Gallay/Getty Images for Disney)

Charley Gallay/Getty Images for Disney

Opening weekend domestic gross: $4,577,861

"Monkey Kingdom" follows Maya, a toque macaque, as she raises her son within the Sri Lankan jungle.

Mark Linfield and Alastair Fothergill directed the Disneynature documentary, narrated by Tina Fey.

11. Tupac: Resurrection (2003)
Men in suits smile.
LOS ANGELES - NOVEMBER 4: Producers David Gale (L) and Van Toffler (R) arrive at the premiere of "Tupac: Resurrection" at the Cinerama Dome on November 4, 2003 in Los Angeles, California. (Photo by Kevin Winter/Getty Images)

Kevin Winter/Getty Images

Opening weekend domestic gross: $4,632,847

Director Lauren Lazin's documentary examines the life of Tupac Shakur through archive footage, home videos, interviews, and Shakur's own voice recordings.

The documentary lets Shakur's recordings guide the audience through his childhood, music career, activism, legal troubles, and his death in 1996.

10. Bears (2014)
People speak at a movie premiere.
NEW YORK, NY - APRIL 15: (L-R) Producer Alastair Fothergill, Dr. Jane Goodall and producer Keith Scholey attend Dr. Jane Goodall, Alastair Fothergill, and Keith Scholey, Disneynature's "Bears" at Apple Store Soho on April 15, 2014 in New York City. (Photo by Monica Schipper/FilmMagic)

Monica Schipper/FilmMagic

Opening weekend domestic gross: $4,776,267

"Bears" follows a brown bear mother as she emerges from hibernation in Alaska with her two cubs.

Directed by Alastair Fothergill and Keith Scholey and narrated by John C. Reilly, the Disneynature documentary tracks the family's search for food and protection as they face wolves, rival bears, and the wilderness.

9. Born in China (2017)
People pose at a movie premiere.
NEW YORK, NY - APRIL 08: Producer Roy Conli, Primatologist Jane Goodall and Director Lu Chuan attends the Disneynature With The Cinema Society Host The Premiere Of "Born In China" at Landmark Sunshine Cinema on April 8, 2017 in New York City. (Photo by Nicholas Hunt/Getty Images)

Nicholas Hunt/Getty Images

Opening weekend domestic gross: $4,790,367

Director Lu Chuan takes viewers across China's mountains and forests in "Born in China," a Disneynature documentary narrated by John Krasinski.

It follows a giant panda mother and cub, a golden snub-nosed monkey family, and a snow leopard raising her young in the highlands.

8. After Death (2023)
Angel logo.
"After Death" was released through the American media and technology company, Angel.

Angel

Opening weekend domestic gross: $5,051,950

"After Death" interviews people who say they had near-death experiences and returned to life.

The documentary, co-directed by Stephen Gray and Chris Radtke, also includes interviews with doctors, scientists, and others about consciousness, death, and the possibility of an afterlife.

7. African Cats (2011)
People speak at a film premiere.
LONDON, ENGLAND - APRIL 25: A general view of the Q and A session after the "African Cats" UK film Premiere in Aid of Tusk at the BFI Southbank on April 25, 2012 in London, England. (Photo by Jon Furniss/WireImage)

Jon Furniss/WireImage

Opening weekend domestic gross: $6,003,200

Set in Kenya, the Disneynature documentary, directed by Alastair Fothergill and Keith Scholey, focuses on a family of lions and a cheetah raising her cubs.

It was nominated for documentary awards by the Environmental Media Awards and the Phoenix Film Critics Society.

6. Oceans (2010)
People pose at a movie premiere.
HOLLYWOOD - APRIL 17: (L-R) Disney Studios CEO Robert Iger, Consul General of Monaco Maguy Maccario-Doyle, President of The Walt Disney Studios Alan Bergman, musician Kevin Jonas, Chairman of The Walt Disney Studios Rich Ross, and musicians Joe Jonas and Nick Jonas arrive at the premiere of Walt Disney Pictures' 'Oceans' at the El Capitan Theatre on April 17, 2010 in Hollywood, California. (Photo by Mark Sullivan/Getty Images)

Mark Sullivan/Getty Images

Opening weekend domestic gross: $6,058,958

"Oceans," directed by Jacques Perrin and Jacques Cluzaud, is a portrait of marine life around the world.

The documentary is largely filmed underwater, showcasing whales, sharks, schools of fish, and more.

5. Melania (2026)
Two people attend a movie premiere.
President Donald Trump and First Lady Melania Trump attend the world premiere of "Melania" at the Kennedy Center in Washington, DC, on January 29, 2026.

Alex WROBLEWSKI / AFP via Getty Images

Opening weekend domestic gross: $7,161,605

Directed by Brett Ratner, "Melania" follows first lady Melania Trump during the 20 days before Donald Trump’s second presidential inauguration in January 2025.

The film offers behind-the-scenes footage of her preparations to return to the White House, including meetings, travel, and intimate moments among family members.

4. Earth (2009)
Men pose at a movie premiere.
HOLLYWOOD, CA - APRIL 18: Disney's Mark Zoradi, DisneyNature Jean-Francois Camilleri, Disney's Dick Cook, Disney's Robert Iger, Director Alastair Fothergill and Director Mark Linfield at the World Premiere of DisneyNature's "EARTH" on April 18, 2009 at the El Capitan Theatre in Hollywood, California. (Photo by Eric Charbonneau/Le Studio/Wireimage)

Eric Charbonneau/Le Studio/Wireimage

Opening weekend domestic gross: $8,825,760

Disneynature directors Alastair Fothergill and Mark Linfield directed "Earth," which follows polar bears, elephants, and humpback whales across the different seasons.

The documentary was the first release from Disneynature in the US and was among the highest-grossing nature documentaries at the time.

3. Chimpanzee (2012)
People pose at a movie premiere.
LAKE BUENA VISTA, FL - APRIL 13: (L-R) Alan Bergman, President The Walt Disney Studios, Mark Linfield, Director and Producer, Alastair Fothergill, Director and Producer, Dr. Jane Goodall, founder of the 'Jane Goodall Institute', Bob Iger, President and CEO The Walt Disney Company and Don Hahn, Executive Producer attend the World Premiere Of Disneynature's Chimpanzee on April 13, 2012 at Disney World in Lake Buena Vista, Florida. (Photo by Gerardo Mora/Getty Images for Disney)

Gerardo Mora/Getty Images for Disney

Opening weekend domestic gross: $10,673,748

"Chimpanzee" centers on a young chimp living in the forests of Ivory Coast who is orphaned after a rival troop attacks his group.

The Disneynature documentary was directed by Alastair Fothergill and Mark Linfield, with Tim Allen as the narrator.

2. You Can See Everything (2026)
People stand at a movie premiere.
NEW YORK, NEW YORK - SEPTEMBER 30: Nathan Fielder and Lance Oppenheim speak onstage at the "You Can See Everything" premiere during the 64th New York Film Festival at Alice Tully Hall, Lincoln Center on September 30, 2026 in New York City. (Photo by Cindy Ord/Getty Images for FLC)

Cindy Ord/Getty Images for FLC

Opening weekend domestic gross: $15,601,418

Directed by Nathan Fielder and Lance Oppenheim, the documentary offers a revealing portrait of Elizabeth Holmes, who was convicted of fraud and conspiracy connected to her fallen company, Theranos.

Holmes allowed the directors into her life during the 34 days before she reported to federal prison to serve an 11-year sentence. It's receiving wide critical acclaim and sparking online debate about its portrayal of Holmes.

1. Fahrenheit 9/11 (2004)
A man stands in front of two movie posters.
Michael Moore during "Fahrenheit 9/11" Press Conference - July 6, 2004 at Essex House Hotel in New York City, New York, United States. (Photo by J. Countess/WireImage)

J. Countess/WireImage

Opening weekend domestic gross: $23,920,637

Director Michael Moore's "Fahrenheit 9/11" takes a close look at President George W. Bush, the September 11 attacks, the war in Iraq, and the connections between American political and business leaders.

The documentary won the Palme d'Or at the Cannes Film Festival and became the highest-grossing traditional documentary in US box-office history.

Read the original article on Business Insider

Gaza’s disabled left behind: ‘All our dreams are gone’

In Gaza, everyone is struggling to survive. For disabled people in Gaza, that struggle is multiplied. Rabab Nawfal and Suha Maqat, both wheelchair users, were champion athletes on Palestine’s national teams before Israel’s US-backed genocidal war. Two days before it began, they were playing qualifiers to represent Palestine abroad.

In this TRNN documentary report, they describe living through famine, fleeing bombardment in wheelchairs that no longer work, and asking for help that never comes. With 81% of Gaza’s roads damaged or destroyed and the UN documenting thousands of amputations, Israel is not only making life impossible for disabled Palestinians; it is creating a new generation of them.

Editor’s Note: This documentary report was filmed in Gaza City three weeks before the ceasefire in Gaza was shakily implemented beginning on October 10, 2025. Since the “ceasefire” began, Israeli forces have killed over 1,300 Palestinians, including 301 children, according to the Gaza Ministry of Health.

Credits:

  • Producers: Belal Awad, Leo Erhardt
  • Videographers: Ruwaida Amer, Mahmoud Al Mashharawi
  • Video Editor: Leo Erhardt
Transcript

Suha Maqat, Palestinian Athlete: 

I’m in a wheelchair—how am I going to escape? 

Rabab Nawfal, Palestinian Athlete: 

There were days when we ate animal food, bird food. 

Suha Maqat, Palestinian Athlete: 

I lost my eye. What more do you want? 

Rabab Nawfal, Palestinian Athlete: 

My dreams have been shattered. 

Narrator: 

In Gaza, everyone is struggling to survive. But for people with disabilities, that struggle is multiplied. Rabab Nawfal and Suha Maqat – both wheelchair users – were champion athletes before this war. 

Rabab Nawfal, Palestinian Athlete: 

I’m one of those people who didn’t go to the south. I lived through famine twice. I lived it twice. No one asked after me. There were days when we didn’t eat anything. There were days when we ate animal food, bird food. We ate everything—animals, birds. Even those things were expensive, and then they were cut off. The day they were cut off, we stopped eating anything. 

Ramadan came during the famine. We didn’t eat anything. A long day passed, and we didn’t eat anything. We used to crave drinking water. We used to crave a piece of bread. We were hoping that the famine would never come back. But unfortunately, it did—and it’s still coming back. 

We’ve suffered a lot in life. I was abandoned. No one took responsibility for me. My mother and father used to take care of me, but they left. These days, my brother takes care of me—and he is injured. My life is ruined. No one is with me. No one cares. And the one person standing by me is injured. He can barely carry his own family. 

When we were displaced, he couldn’t help us. He wasn’t able. For people with disabilities like me, it’s been difficult to live through this war. Those who are not disabled can maybe manage their lives. They can move, walk long distances—but I can’t. 

Suha Maqat, Palestinian Athlete: 

The closest people to me abandoned me—they didn’t stand by me. They left me to fend for myself. I feel like I live in a forest with wolves and monsters. I can’t. I try to make things work,

but I can’t. I’m mentally exhausted. The circumstances of this war are incredibly difficult. Even the word displacement is difficult for the injured and disabled. 

When we left, my brother was injured and my sister was in a bad state. Even though he was injured, he was pushing my sister, as I pushed myself along. I got stuck in the sand, and they wanted to bomb the building next to us. It was the most difficult moment. I said to myself, now I’m going to be killed. It was the hardest moment of my life. 

I thought—how will I escape? How will I, in my wheelchair, escape? How am I going to get out? My brother was injured and couldn’t carry me. I thought, I’m done; there’s no life for me anymore. That’s it. I’m going to be killed. 

Rabab Nawfal, Palestinian Athlete: 

The hardest thing I’ve experienced in this war has been displacement. I woke up one day and saw the Israelis in front of us. I was all by myself. I rushed out, but I couldn’t continue. There was a lot of shelling, shooting, bombs. It was a miracle I got out alive. It happened again and again—the same scenario repeated a thousand times. 

Narrator: 

Both Suha and Rabab rely entirely on their wheelchairs to move. Without them, the most basic tasks become impossible. Israel’s blockade has meant that access to this crucial item has been cut off. 

Even with functioning wheelchairs, with 81% of roads in Gaza now damaged or destroyed, access and movement is extremely limited. 

Rabab Nawfal, Palestinian Athlete: 

There are no wheelchairs in Gaza. And without a wheelchair, I can’t move. The wheelchair takes me to my medicine, my food, my drink—I need it for everything. Right now, my chair is broken. I’ve lost all means of life. 

Suha Maqat, Palestinian Athlete: 

As you can see, my chair is broken. I push myself in it, I fall off all the time, I cut and bruise my legs. If someone kind is around, then I can move. Otherwise, I can’t. 

We requested wheelchairs, but it was no use. We asked and asked, and they said no. Rabab Nawfal, Palestinian Athlete: 

My life before the war was very beautiful. I was a champion of Palestine’s disabled national team for strength games—basketball, tennis. I used to do all kinds of sports that suited my disability. I was a success story. I was a hero. These days, I feel worthless. Nothing in life. I can’t even get from here to there. I can’t move from here to there in a wheelchair. My life is 

gone. There is no life.

These days, we only dream of having the most basic things: flour, water. The simplest things—we can’t get. Drinking water—we can’t get it. 

Suha Maqat, Palestinian Athlete: 

Suha before is different from Suha today. I used to be a champion of Palestine. Today, I’m nothing. Today, just a daughter who needs her mother—who needs her mother to help her. 

Rabab Nawfal, Palestinian Athlete: 

Two days before the war, we were playing qualifiers to represent Palestine internationally. But we didn’t manage it. On the day of the championship, the war erupted. So our dreams are gone. All our dreams are gone. My dreams have been shattered. 

I wanted to raise my son. I wanted to raise him well and teach him. Before the war, I wanted to enroll him in karate. I wanted him to become something. I couldn’t. I wanted him to be into sports like me—to become a doctor. I wanted him to grow up and help me in the future. But my dreams were shattered. I couldn’t do any of it. I can’t do anything. 

Narrator: 

According to the UN 4,800 amputations of limbs had been documented since the beginning of the war. Ten children were losing one or both legs every day. Gaza had become home to the largest group of child amputees in modern history. Not only is Israel making the lives of existing disabled people impossible, it is also creating an entirely new generation of people with disabilities. 

Suha Maqat, Palestinian Athlete: 

Gaza has become a city of ghosts. There is no life in Gaza. As you can see—look at how people are living. On sand! How can people live on sand? How can they occupy Gaza? How? 

We want peace of mind. We don’t want to lose any more loved ones. We’ve lost enough. Is it not enough that I lost my eye? What’s left? What more do you want? I lost my eye—what more do you want? What else should I lose? Nothing’s left. There’s nothing left in this world that I can lose. My family has left. I wish I could see my mother. See my father. 

Rabab Nawfal, Palestinian Athlete: 

Life has become unbearable. No matter how much I talk, I can’t describe what I am feeling or the life we are living. I used to be someone. Now I am nothing.

💾

Champion athletes Rabab Nawfal and Suha Maqat, two of Gaza's disabled people now in broken wheelchairs, on famine, displacement, and being forgotten by the world.

Israel bombed a hospital. It separated a family for three years.

Screenshot by TRNN

When Israeli forces besieged Al-Shifa Hospital in November 2023, eight premature babies in incubators were evacuated to Egypt under fire. One of them was Joud. His mother, Fatima Dakkeh, spent the next two years and eight months searching for him and fighting to bring him home.

Fatima tells the story of giving birth just months before October 7, losing contact with her son during the first Israeli raid on Al-Shifa, learning a year later that he was alive in Egypt, and a bittersweet reunion with a child who no longer recognized her.

According to the International Rescue Committee, at least 17,000 children in Gaza are unaccompanied or separated from their parents. For many families, there will be no reunion.

Credits:

Producers: Belal Awad, Leo Erhardt
Videographers: Ruwaida Amer, Mahmoud Al Mashharawi
Video Editor: Leo Erhardt

Transcript

Narrator:

Al-Shifa hospital is the largest medical complex in Gaza. Since October 7, it’s been repeatedly raided, occupied and targeted by Israeli forces. Over the course of the Genocide, hundreds were killed in and around the building and the hospital itself was completely destroyed.

In November 2023, under Israeli fire, 8 premature babies in incubators were hurriedly evacuated to Egypt. Joud was one of those babies.

Fatima Dakkeh:

I gave birth to my son, Joud, in July. Joud needed neonatal care at Al-Shifa Hospital. We placed him in the neonatal unit, but then the war started and Joud was there in the hospital. We couldn’t get in touch with Joud because of the shelling and the war.

Narrator:

Fatima Dakkeh and her son Joud have been unable to have a regular mother-son relationship. Joud was born in Gaza just a few months before October 7th 2023 and so, their story has been shaped by war, displacement and separation. Shaped that is, by Israel’s war on Gaza.

Fatima Dakkeh:

When we tried to get to the hospital to get Joud, we weren’t able to get to him and take him out, because of the situation—things had gotten really bad. There was a lot of shelling and there were airstrikes and quadcopters. We planned to go back another day to get Joud, once the situation calms down. But the situation just kept getting worse. The Israelis entered Al-Shifa Hospital and occupied it— that was the first invasion of Al-Shifa Hospital, and my son was inside.

About a year later, I found out my son was in Egypt. I mean, I didn’t give up; I kept going to hospitals, I went to the Red Cross and places like that to search for news about my son, no one could help me. I went to a doctor I know. I told him my story, he said, “I’ll try to get in touch with your son and see where he is.” Thank God, he was the one who discovered my son was in Egypt. After a few days, they sent us pictures of my son, and we found out he was OK. Thank God. They knew he was our son through my name—they had my name on file. We started communicating with him more through my sister-in-law—my sister-in-law in Egypt. We told her the story, and of course she didn’t hesitate; she visited him in hospital, sent us pictures and reassured us about him, thank God.

Honestly, I was happy and upset at the same time because my son was in Egypt, if he would have been here in Gaza he would have suffered a lot. We were starved, even nappies were cut off. Most children were using scraps of cloth as nappies. And milk too, was cut off—we had no milk at all in northern Gaza. I said to myself thank God my son is in a better place than Gaza. But at the same time, I was upset that my son was far from me. I would see mothers playing with their kids, dressing them, carrying them—and I would feel these feelings. I would miss my son. I wished my son was with me. At the same time, I’d look at my situation—how we’re living, in tents, in all this difficulty. I’d say to myself, hopefully he will return to us in a better situation, there will be a ceasefire and we will make up for the days we lost.

I had lost hope that he would return. With the crossing closed and the Israelis were not letting people return. When they first told us he was returning, I was shocked. My husband and I both. We were surprised—how could he come back just like that, overnight? He’s just going to come back, all of a sudden, after we’d lost hope all these years. I was overjoyed with the news that I would see my son again, it was the best news. When we went to the hospital to collect him, it took a really long time for them to bring him to us—many hours. With each passing hour, I would get more and more excited: about seeing him and about how I would greet him. I mean it was really hard, but at the same time, the moment when I saw him was really beautiful.

Yeh, honestly, when I first saw my son, he wouldn’t come to me; he’d cry and avoid me. He would go to his dad before me. he didn’t want to come to me, so I was afraid that he’d stay that way uncomfortable around us And afraid of living with us, and afraid of the situation we’re in— that he wouldn’t accept us Thank God, little by little, he started to accept us.

Narrator:

According to estimates by the International Rescue Committee, 20,000 children are still living separated from their parents in Gaza. Fatima was reunited with Joud and though their separation which lasted 2 years and 8 months impacted both mother and child, they are now reunited. As for the thousands of other survivors in Gaza, for many there will be no reunion.

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When Israeli forces raided Al-Shifa Hospital, Fatima Dakkeh’s newborn baby was evacuated to Egypt without her — one of thousands of Gaza's children separated from their families by Israel's war.

Community marches into 7-11 where 74-year-old was brutally beaten in Baltimore

29 July 2026 at 17:36
(LEFT) Surveillance video shows 74-year-old Ade Oba Tokunbo (Stephen King) on the ground, being assaulted by a group of young males in front of the 7-11 location on Liberty Heights Avenue in Northwest Baltimore, Maryland, on July 7, 2026. Surveillance video released by Baltimore Police. (RIGHT) Local residents gather in protest outside the same 7-11 where Ade Oba Tokunbo was assaulted on July 26, 2026. Photo credit: Maximillian Alvarez/TRNN.

A 7-11 on Liberty Heights Avenue in Northwest Baltimore, Maryland, has become a flashpoint of community rage and resistance after Ade Oba Tokunbo (Stephen King), a 74-year-old resident, was attacked and brutally beaten there by six teenagers on July 7, 2026. The same location is also the site of multiple robberies and the murder of Victorious Swift in March of 2017. In response, “A Clarion Call,” a new coalition of local community organizations and residents, organized a rally at the 7-11 on Sunday, July 26, and led a community march into the store to demand the company implement policies that will keep customers safe and aid in the apprehension of the youth responsible for the July 7 attack. In this on-the-ground report, TRNN takes you inside the community rally held at the 7-11, near Mondawmin Mall, on July 26. 

Additional links/info:

Credits:

  • Production: Maximillian Alvarez
  • Post-Production: Maximillian Alvarez, Cameron Granadino, David Hebden
Transcript

The following is a rushed transcript and may contain errors. It will be updated.

Crowd Chants:

We are we. We are we. We are we. We are we. We are we.

Gwendolyn Levi:

We need to be able to say that we in our community are willing to stand up. We’re standing up for our young people. We’re standing up for our seniors. We are standing up for our communities.

Queen Mother Victory Swift-Gye Nyame:

On July 7th of this year, 2026, a comrade in my brother was brutally beaten by six youth at this same said 7-Eleven, brutally beaten for over 10 minutes. He was able to get into his vehicle and only go a few blocks before he had to stop. He was in so much pain that he had to call the police and have them to take him to the emergency room at Sinai Hospital. A few days later, the video was exposed and it was something that you couldn’t believe you were seeing. When he got out of the vehicle, those brothers was laying right there.

There’s a stack of crates that they got from this 7-Eleven. Look at it. I want you to see it. That’s why we had it here. What they call ground zero. When he got out of his vehicle, they saw him. They weren’t laying for him. They were laying for somebody to come that way. They were willing and waiting for somebody to come down Towanda or Tioga, like my son did in 2017 when he left the 7-Eleven. So after walking 20 feet with my son, he put not one, not two, not three, not four, but five bullets into his body over a cell phone. Victorias fought for his life and it was stolen from him. It wasn’t taken because he fought back. It was stolen. On July 17th of this year, my comrades, this Black Panther veteran fought back.

Speaker 4:

Children today lost respect. You know what I’m saying? And I’m not saying all our children. I’m not saying that. But these little young men that came and jumped Bob and when I seen that, I said to myself, wow, they are chumps. They are cowards and they don’t have no dignity.

Speaker 5:

I don’t want it to be a blanket thing where like all our children are bad. I once was one of the little brothers out here running them up, but I’m telling you, we are misunderstood, uneducated, misguided, and easily let us stray. We need the community to gather around these young men. We don’t believe in throwing our peoples away.

Queen Mother Victory Swift-Gye Nyame:

I am commissioning the entire city. There’s a $50,000 reward. Here’s a QR code. Do not call yourself an organization or revolutionary or anybody else until you click this and donate so we can find those babies. We have to find them. No one else can find them. We have to find them. We will find them. But we’re not finding them so that they can be locked up and we throw away the key. I heard that. We’re not finding them so we can throw away a key. We’re finding them so that we can follow them, hold them, love them. We’re taking whatever these demons have for them off the table. They can’t have our children anymore. That’s over. They’re our children. As hard as that is to say with what we saw, they’re still ours. They are still we are we. We’re going to walk with them every step of the way.

Yes, we’re going to walk them to the police station. They have to be accountable for their behavior, but we will never let them go.

Gwendolyn Levi:

We need to teach our community the difference between snitching and protecting our community. There’s a difference. There is a difference. If your grandmother walks down the street, she can’t even go to the store. That’s not snitching. That’s saying, I want that community. I want my storefront cleaned off so my grandma can go to the store. That’s protecting your community. That’s protecting your loved ones. If you see something, say something. That’s not snitching. Snitching is when you and I go rob the 7-Eleven and not go tell on you. You need to know what snitching is. This is not snitching. This is happening ourselves.

Speaker 6:

You young. You haven’t lived enough life to understand anything. So when you hear elder up here talk about snitching and all this, I see your faces twisting up because you’re not intellectually understanding that these things that are being said are true in fact. But the arrogance in who you are as a person won’t allow you to listen to the truth until you’re old enough to have a child and somebody takes it from you. And now you want justice. Now you want peace. Now you want understanding. I used to be your age. You never been my age. My job or responsibility is to guide you.

Speaker 7:

Yo, people just need to be taught y’all. We’ve been there done that. Let’s not be so quick to forget. But one of the things I can say, I’m 63 years old. That’s something I’ve never done. Jump on it. Y’all, an older man. No, we ain’t do that. We ain’t do that. We guarded them to factor them even though we did our little stuff on the side, but we ain’t do that.

Queen Mother Victory Swift-Gye Nyame:

I watched that video over and over and over and over. Even though I kept watching it, when that baby pulled that sword out like he was a samurai, all I could think about was please don’t stab him. Even though I knew he was home, I knew he was safe. The pain is so real. The visual is so vile that even when you know they’re safe, you still fear for them. When I turned that off, I said to myself, if he can fight, we can fight. If he’s not afraid to fight, even if he dies, we can fight until we’re not afraid to die. I saw it. He proved it. You can say what should have or could have happened, but what happened is he fought back. They beat him. They kicked him. They knocked him. They tormented him for 10 minutes. Do you know what 10 minutes feel like when someone is attacking you?

All the time. It feels like forever, queen.

Speaker 8:

I was inspired when I looked at the fact that you just kept getting up. You just kept getting up! And if I take anything from that, here’s what we must continue to do as a people. We got to keep getting up. They talk about black people hate each other. Black people hate black people. And I often say to them, you can’t get this

Queen Mother Victory Swift-Gye Nyame:

If we hate each other. It’s time. One of the flyers say, if not us, then who? If not now, then when? We are going into that 7-Eleven and we’re telling those people, because I called them all week. I went in and got the phone number. I called them all week with no response. We tried. No response. We tried to no avail. Now we’re going full throttle. We’re not taking any prisoners. We’re not walking backwards. We’re going in there. We’re letting them know what they need to do to protect this community.

Ujimma Masani :

We want to walk over to this store. We want you to walk with us. We’re not going to tear up the store. We’re not going stealing anything. We just over there to let them know we ain’t playing. We write to you, not as adversaries, but as neighbors who share this corner with you every day. This location has witnessed a brutal assault of a 74 year old man, elder, an overnight break in and years of prior tragedy at the same address, including a loss of a young man’s life in March 2017. We believe you want this corner to be safe as much as we do. It is in that spirit, cordial but firm that we present the following list of demands. Number one, we are giving you a 72 hour notice to post your hours of operation in lettering large enough to be read clearly from the street.

Number two, cut down the overgrown bushes that create a hidden nook where perpetrators can wait and hide to attack unsuspected customers and install brighter lighting throughout the parking lot. Number three, we urge you to donate toward the community reward fund established to help apprehend the assailants and toward the medical costs of the 74 year old elder who was attacked. Number four, invest in stronger security measures, including roll down security grates when the store is closed to deter further break-ins. And number five, acquire off-duty police presence to enforce a no latering policy and help assure the safety of your customers and this community. This is not a request made lightly and it is not one we intend to let go unanswered. We ask for a response and a plan of action within a reasonable time and we will report back to the we. Until then, we will continue to stand on this corner in agreement until this community is safe.

Respectfully, the we community.

Ade Oba Tokunbo (Stephen King):

This gathering here is important because the community around us can see it. And they need to know that this is what needs to be done. These killings and these robberies and these auto thefts, we, I believe, can decrease it by teaching our people that hoodrats are not appreciated and should not be tolerated. I’m a veteran of the Black Panther Party. My paternal grandfather was a member of the UNIA. We are more than just a group of organizations. What I feel, because you have concern for me and care for me, this is my family.

Queen Mother Victory Swift-Gye Nyame:

When I realized who it was and where it was, it brought back the night that my son Victorius walked out of this same 7-Eleven, down those steps, down to Tioga Parkway and was approached by a young man who demanded his phone. A fight pursued. The young man took out his gun and he brutally murdered my son, victorious. He shot him five times, one in the stomach, then the kneecap. Then when he fell, he shot him in the head, shot him into his eardrum, which hit his jugular vein. And as he was falling over, he shot him again and that bullet grazed his back. He left him for dead. Someone who witnessed the entire event ran over to my son, held him and told him to hold on. He called the ambulance. They took him to the hospital. And he was pronounced dead at 3:43 AM on March 26th, 2017, four days after my birthday.

That was enough for me to say I’ve had enough. The next morning, Sister Ujimma called me and asked me how the Bible was doing when she had heard about it. We talked about what had happened. I shared with her what had happened to Victoria’s and telling her that that was the same location where Victorius came out of before he was murdered. Almost the same time of night, about three Victoria’s, I think it was like 3:15, 3:20, somewhere around that same time almost. And we said we have to do something. She called Mama Gwen. And once we came into what the Sister Queen always says, we have an agreement. That was it for us. We had decided that we were going to take no more, that we were going to do the same thing that Baba did, fight back. And that’s what we started doing. So we created the we organization mindset that we were going to communicate with every organization that we could in this city to let them know, to meet us here, where the assault happened and begin the process of changing how we think and how we look at the city and how to move forward as a collective, as a we, in agreeance, in agreement.

Ujimma Masani :

In agreement.

Queen Mother Victory Swift-Gye Nyame:

And that’s what we did.

Gwendolyn Levi:

Thank you. I think one of the most significant things about this gathering that we had today is that it was not retaliatory or negative. It was not we against them or – Pointing fingers. Pointing fingers. It was to say we are here. We didn’t point fingers at our young people because we know we got some good young people in the city. Many of them that were out here with us today. But we all got some troubled young people. Sister said it best when she said it early. Some are broken. Some are just bent. Hopefully we can get to the bent ones before they get broken. That’s what this cry is about. That’s what the querying cry was for all organizations to say, “Hey, we are here for our young people. We are here for our elders. We’re here for our neighbors in the community. We are here.

All you got to do is just look around your community. If you don’t see us in your community, call one of our older. We’ll come. We got brothers who can walk the streets with us. We got brothers who could go up in the alleys with us. We got sisters who know that our young sisters who are running up in stores and just grabbing stuff. No, no, no. You don’t have to do that. We know how to go get your nails done.

We can get your hair done. Come see us. Come see us. That’s what we’re saying to our young people. We are here for them. And yes, you must be held accountable for your actions. I did. I served 16 years of a sentence. Guess how many years I was supposed to serve? How many? 400 months. I’m going to let you all add it up. And the ones who can’t add it up, that’s why we need to change our board of education. That’s a whole nother source. But I’m not going to tell you how many that the 400 months is figured out. But I did 16 years over 400 months sentence. I was transformed. And if old as I was can transform, I know we can help these young people who have a whole life ahead of themselves. And that’s what we’re trying to do. Save our youngsters mainly before they get into the system.

But even the ones that get into the system, we’re here to help you so that when you come out of that system, you will come out and do what we’re doing. Do what the Tandea family, do what some of these other young or the cry organization, do what they’re doing. Help each other. Tell your story. Your story is impactful. Your story can help somebody.

You have a store, young man. You have a store young lady. And I know some of you might be mad, not mad at me. Look in the mirror. Tell yourself who you’re mad at and address that situation before you come out here and get into some trouble that you really don’t want to get into. We are here.

Queen Mother Victory Swift-Gye Nyame:

We are here.

Gwendolyn Levi:

For those six men who assaulted my brother, we are here.

Queen Mother Victory Swift-Gye Nyame:

We are here.

Gwendolyn Levi:

Call one of us. Yes, you have to be held accountable, but in that accountability, you will have support. You will have support so that you won’t become broken. We don’t need more broken kids in our community. This is a healing city. This is a city that can be healed. And we are here to say that the healing has begun by the we. Thank you.

Ujimma Masani :

That was beautiful. Thanks. So in our effort to address this, I guess, our trust that hangs over our city with youth being not accountable in what it is that needs to happen. We’re looking for our first step, which is to be a place where you deposit information. This is an information bank. We are a repository for every organization that’s out here helping families, youth, and elders. So if you have resources, if you have services or programs, this is the one stop shop that you come to. We are not saying at this moment that we are doing anything other than that. What we want to do is when we connect with families, elders, and youth, we could point them in a direction of where they may can go. We won’t select your program for them, but we’ll tell them where they can go to get that service.

And we’re going to aggregate all the information and make it user friendly. And you’ll be able to obtain it through our social media. We’re going to be able to obtain it through our website. And most of all, we’re going to be boots on the ground. The next event that we hope to kind of commandeer everyone together is that we’re going to be at the March on Washington on August 28th. There’s a free bus available by the National Action Network provided by the local chapters, community and city of NAN through the Reverend Al Sharpton. And we are going to take our voice across this country because I believe that other communities need the same kind of help. So we want to show that what it looks like, we’re not just the wire, we’re not just the corner. We’re not just the dancing, numbing and snowballs and the bikes.

We are more than that. And people need to see us as a whole. And we have to take this as an organic approach to what we need to be getting done. And that’s what we’re here to do. I’m a graduate from the Morgan State University School of Social Work, and I’m calling on all my social workers, all my counselors, everybody who’s doing that work in this city. This is not about the dime or the doubt. This is about remembering how to bring community together. And with that, we are a we. And when we are we, we are in agreement. With that, I say

Queen Mother Victory Swift-Gye Nyame:

Ashe. I think the most important aspect

Of what we are doing is to specifically reach out to families. We want the mothers and fathers of this city to know that their children are loved, that there is help available, there are resources available. Like mama said earlier, we’re not blaming anybody. There are no finger pointing. This is not anyone’s fault. If it is, it’s all of our faults. There’s no one person we can blame for this situation. I heard someone say we need to lock them up and throw away the key. I think, I hope, and I believe that we’ve had enough of that. There’s a system set up that eats, that sets up retirement funds, that sets up vacation time for our children being incarcerated. Being in a system where they’re abused, where they’re raped, where they’re tormented, where their lives literally stop. That has to stop. That has to stop. We can no longer accept our children being put into these systems and saying, lock them up and throw away the key.

Ujimma Masani :

I want to say one important thing. People say that things start in the home. Some people don’t have a home. We have so many people who are homeless, families that are living out here in these woods. People who have no resources whatsoever, no family in foster care. We have the largest number of foster care people in the system, youth in the system, but we’re only 13% of this whole national population. So if you keep saying that it begins at the home, did you check out whose home life you’re talking about? Because everybody don’t have a home. We

Queen Mother Victory Swift-Gye Nyame:

Don’t even know if these young men had a

Ujimma Masani :

Home. Right. We don’t know where they come from. And we don’t know that if their home is safe and protected and wholesome. How do we know if they’re not being abused or abandoned or – Neglected. Neglected or molested? We don’t know what that is. It’s in the body. It’s in the body. And so what we’re going to teach them is something called clean talk. We’re going to teach them about facts, feelings, judgments and outcomes. We’re going to change the dynamic of how we communicate with these people, with our babies. And that is where we’re going with this clarion call Baltimore.

Queen Mother Victory Swift-Gye Nyame:

Changing our journey to change their journey.

Crowd Chants:

We are we. We are we. We are we. We are we. We are we. We are we. We are we. We are we.

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