Faced with a stagnant jobs market, many are spurning children or pets in favour of ‘raising bricks’

Young adults in China looking for a cheaper, low-maintenance alternative to having children or pets have found an answer: raising bricks.

Bricks may not be as cuddly as cats or as life-affirming as human offspring, but they also cost next to nothing. “No cats, no dating, I started raising a brick,” wrote one brick parent on social media.

Maka Gogaladze’s debut feature looks at generational differences in the context of Georgia’s education system and emphasis on collectivism

The scars imprinted on impressionable young minds can never fully fade away. Aiming her lens at a rocky beach thrashed by crashing waves, Maka Gogaladze opens her intimate film with a painful anecdote from her adolescent years. Through on-screen texts against a stormy sky, the Georgian film-maker recalls the time she dumped all of her poems into the garbage. The impulsive decision was a gesture of rebellion against her domineering mother; Gogaladze had wanted her to feel guilty.

This debut feature would appear, at first glance, to be another act of revolt. Putting her mother in front of the camera, Gogaladze asks probing, at times blunt, questions about the strict education thrust on her in childhood. Together, they talk about piano lessons that ended in tears, and tough academic exams that continued to haunt the director well into her adulthood. Their contrasting personalities are fascinatingly revealed across these conversations in all their tension, yet these sequences also represent a moving effort to reach across generational differences.