Tractors swarm across Iowa’s cornfields. Farmers are rushing the harvest before rains arrive and ruin their season. Chip Hoffman is among the lucky ones. He has already gathered nearly the entire crop from the family farm, which spans several dozen hectares. It’s Wednesday morning and the 66-year-old farmer is helping his older brother position a hopper to unload grain from the truck into the silo. “These are hard times. Fuel, insurance, even machinery repairs have gone up and they’re extremely expensive,” says Chip. He blames tariffs and the war with Iran for the surge in inflation and the squeeze on profit margins that has hit Iowa’s farmers.

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The U.S. midterm elections come after aggressive efforts by both Democrats and Republicans to redraw district maps in their favor, a practice known as gerrymandering.

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The ad opens with James Talarico, the Democratic candidate for the U.S. Senate from Texas, seated at a desk, apparently rewriting the Book of Genesis from the Old Testament. “In the beginning,” Talarico says, hunched over as he writes, “God was nonbinary. And was not Christian. And God said: ‘Let there be six genders’; and there were.”

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The United States Drug Enforcement Administration (DEA) neither forgets nor forgives. On its official website it hosts a microsite called “Justice for Kiki” dedicated to agent Enrique Camarena, who was killed in Guadalajara in February 1985. In the welcome message for the memorial, the DEA names Rafael Caro Quintero as the principal perpetrator of the kidnapping, torture and murder of its most famous agent, describing him as “a cartel kingpin who unleashed violence, destruction, and death.” The “Narco of narcos” is back in the headlines as he negotiates a deal that could lead him to plead guilty for events that took place 41 years ago. The story of this drug trafficker — one of the founders of the powerful Guadalajara Cartel in the 1980s — could end with an image far removed from the terrifying legend that surrounds Mexican kingpins of that era: a 74-year-old, battered man with a head full of gray hair, asking forgiveness for his sins before a jury in the U.S. Federal Court in Brooklyn.

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For decades, lithium has been the most coveted element in energy storage. It has been called “white gold,” a label that has brought major problems, including soaring prices, fragile supply chains and a geopolitical dependence that worries both governments and industry. Enter sodium: abundant, cheap and a major promise for a more sustainable energy revolution.

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The recyclability factor

When we talk about more sustainable batteries it’s important to ask how their recycling works. “[Sodium batteries] are much easier to recycle, but also much less interesting from an economic perspective,” says Jon Ajuria of CIC energiGUNE. They typically contain fewer high-value metals, so technologically there is less need to recover materials for second use. Paradoxically, that also means recovering less money from recycling. “This makes it especially important to design batteries from the outset to be easy to disassemble and recycle,” says Professor José Luis Tirado, although Ajuria says policies that truly promote recycling will be essential.

“This is a story about the family that sustains you when all your other family ties break,” says Julián Delgado Lopera, a 38-year-old trans writer from Bogotá, Colombia. His latest novel, Pretend You’re Dead and I Carry You (2026), is a finalist for the National Book Award, one of the most prestigious literary prizes in the United States.

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Mikey Madison burst onto the scene, won an Oscar and disappeared. Just a couple of seasons ago, the 27-year-old Los Angeles actress was everywhere in Hollywood. After a long awards campaign in which Demi Moore seemed poised to triumph at every ceremony, the Oscars delivered a surprise. Madison, still virtually unknown to the wider public, took home the Academy Award for Best Actress for her role in Anora, in which she played a sex worker in a gritty portrayal far removed from Pretty Woman and other fairy tales.

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Studio Ghibli took shape in 1984 when Hayao Miyazaki and Isao Takahata made the film Nausicaä of the Valley of the Wind, based on a manga by Miyazaki. A year later, they founded the studio with the support of producer Toshio Suzuki, and in early 2026 the Princess of Asturias Foundation announced it had awarded Studio Ghibli the 2026 Princess of Asturias Award for Communication and Humanities. The jury justified the award thus: “Employing a highly imaginative artisanal process, they have created universal stories brimming with sensitivity and humanistic values: friendship, empathy and tolerance, as well as respect for people and nature. The studio’s films transcend generations and borders, and serve as a reference for the challenges of globalized society and the protection of the environment.”

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