Jorge Guales saw the food cart arrive. He was in car 7 of the Iryo and the train had stopped. Staff passed by offering drinks and snacks. He felt relaxed. What came next was the impact: “The hit, the deafening crash.” He tries to reconstruct what happened afterward. It’s difficult for him. Some passengers were thrown against the seats and several objects fell to the floor. He saw and heard everything, but it’s blurry. He, a 53-year-old Colombian, looked out the window and saw smoke. He stood up. The door was open. He got out and helped others to exit the train. Once outside, they walked together along a ditch and several local residents broke down a fence so they could pass through. He turned and saw the wrecked carriages. He had just walked out of one of them unharmed.

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How long has it been since a documentary dominated public conversation, the box office, chats between friends and social media memes? You might have to go back to 2004 and Fahrenheit 9/11, by Michael Moore, or that hybrid (but a film, nonetheless) that blew many minds — The Blair Witch Project in 1999 — to see something similar to what’s happening in the United States surrounding You Can See Everything, this season’s cultural phenomenon.

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In the race for the mayoralty of Los Angeles, the second-largest city in the United States, two things are certain: a woman will win, and she will be a Democrat. But with a high share of undecided voters and only days remaining before the election, it is still unclear whether Karen Bass will win another term or whether the progressive challenger Nithya Raman will take the post.

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Mikey Madison burst onto the scene, won an Oscar and disappeared. Just a couple of seasons ago, the 27-year-old Los Angeles actress was everywhere in Hollywood. After a long awards campaign in which Demi Moore seemed poised to triumph at every ceremony, the Oscars delivered a surprise. Madison, still virtually unknown to the wider public, took home the Academy Award for Best Actress for her role in Anora, in which she played a sex worker in a gritty portrayal far removed from Pretty Woman and other fairy tales.

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The magic of cinema is made in the most unexpected places. In an industrial park on the outskirts of Portland, Oregon, past small woods and residential neighborhoods, several gray warehouses hide eagles, castles, monsters and mice. You wouldn’t guess it, but there sits Laika which, alongside the British studio Aardman, is the most famous film studio specialized in stop motion animation.

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The American singer and writer Patti Smith, this year’s recipient of the Princess of Asturias Award for the Arts, said Tuesday at a news conference following the ceremony in Oviedo, Spain that “sometimes it feels like we don’t have power, but we do have power,” and that what the U.S. needs right now is “for people to use that power, to rise up, think for ourselves and then unite.” She added that for her it is difficult to talk about her country’s current situation, describing it as having “deplorable leadership.”

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