• YouTube's ad revenue fell short of analysts' expectations for the third quarter.
• Its parent reported $11.2 billion in Q3 ads revenue, under analysts' $11.43 billion estimate.
• The company said it now has 150 million YouTube Music and Premium subscribers, up from 125 million in March 2025.

YouTube's ad revenue growth slowed down, missing analysts' estimates in the third quarter.

Its parent company, Alphabet, reported $11.2 billion in third-quarter YouTube ads revenue, a 9% increase from a year ago. That falls below the $11.43 billion analyst consensus estimate. Its ads revenue growth also slowed from the previous quarter, when it pulled in about $11.1 billion, a 13% increase from the previous year.

Beyond YouTube, Alphabet missed expectations in other areas of its business, including on overall revenue. In a bright spot, it beat revenue estimates for its cloud business.

The company's shares were down over 10% in after-hours trading.

While YouTube's ad revenue was weaker than expected, it wasn't all bad news. The company said it now has over 150 million YouTube Music and Premium subscribers, up from 125 million in March 2025. The company said its subscriptions business was growing faster than ads.

YouTube has also been the envy of rivals in key areas like TV viewership. Its share of US television viewership was about twice that of Netflix in August, according to recent Nielsen estimates. Over a third of YouTube's third-quarter ad revenue came from the living room, Google's chief business officer Philipp Schindler said on Wednesday.

Netflix, meanwhile, walked back its full-year ad revenue expectations during last week's earnings. The streamer lowered its ad revenue forecast from $3 billion to $2.7 billion after experiencing delays around the rollout of its ad products. It laid off about 1,000 workers earlier this month.

This week, Instagram unveiled an overhaul of long-form video features seemingly designed to counter YouTube and bolster its presence on TV screens.

"Everyone in streaming is chasing YouTube, and even Instagram is going to pivot their strategy based on the success that YouTube's had," said Ross Benes, a senior analyst at EMARKETER, Business Insider's sister company.

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Oozing panache and bagging awards already, La Bola Negra is an eye-popping war and prejudice epic starring Penélope Cruz in a blond wig and Glenn Close speaking Spanish. We meet the ex-lovers who dreamed it up

When Javier Ambrossi and Javier Calvo – the directing duo known in their native Spain as “Los Javis” – began writing their queer epic La Bola Negra, they weren’t thinking about whether it would be stylish (which it is) or win numerous awards (which it has) or capture what they refer to as “the anti-fascist zeitgeist” (which it does). Instead, they thought only of scale. “I’m done with LGBTQ+ movies being niche,” says Ambrossi. “I was like, ‘Let’s make the biggest, gayest war movie ever.’” Job done.

At Cannes this year, the best director prize was awarded jointly to them and to Paweł Pawlikowski, who made the Thomas Mann road trip film Fatherland. La Bola Negra is now an Oscars frontrunner, with best picture and best director nominations all but guaranteed. Brimming with panache, the movie darts back and forth between three stories set in Spain: in 1932, a young man applying for membership of an exclusive casino is rejected on the grounds of his suspected homosexuality; in 1937, a callow nationalist soldier develops tender feelings for the injured republican prisoner under his watch; and in 2017, a queer historian inherits an unfinished story by Federico García Lorca. That story lends the movie its title and provides the thread that sews its strands together.

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© Photograph: Everett Collection Inc/Alamy

© Photograph: Everett Collection Inc/Alamy

© Photograph: Everett Collection Inc/Alamy

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