Germany appears to have dropped plans to directly procure the larger, Block 3 version of Boeing’s MQ-28 Ghost Bat collaborative combat aircraft (CCA), leaving doubts over Berlin’s ambitions to field uncrewed combat aircraft alongside its crewed fighters before the end of the decade.

Boeing confirmed to Breaking Defense that Germany’s Ministry of Defense had informed the company it would not proceed with a direct acquisition of the drone, which had previously been lined up. The decision, first reported by Politico, represents a setback for Boeing’s effort to position the Ghost Bat as a candidate for Berlin’s planned CCA capability, something that had seen it announce a partnership with Rheinmetall, the largest arms manufacturer in Germany, earlier this year.

“With Boeing Defense Australia as a partner, we are laying the groundwork to optimally tailor the MQ-28 to the Bundeswehr’s requirements,” said Armin Papperger, CEO of Rheinmetall AG, in March of this year. “As a system integrator, we ensure that integration, operation, and further development come from a single source while simultaneously strengthening industrial value creation in the form of an industrial hub in Germany and Europe. We see revenue potential for Rheinmetall in the range of three-digit millions of euros.”

The move does not necessarily mean the MQ-28 is out of contention for Germany’s wider program. Instead, Berlin appears set to move toward a different acquisition approach, with competing designs potentially having an opportunity to demonstrate their capabilities before a selection is made.

A Boeing spokesperson told Breaking Defense the company “stands ready to support” its German customer on the next steps, while referring questions about the decision to the German Ministry of Defense.

The ministry declined to discuss the specific procurement with the same outlet, citing regulations governing public contracting and the need for such matters to be addressed by parliament.

“[As a] matter of principle — and regardless of the specific case in question — we cannot provide information regarding potential procurement projects,” a ministry spokesperson told Breaking Defense.

Germany has set an ambitious goal of fielding CCAs by 2029. These uncrewed aircraft are intended to operate alongside crewed fighters such as the Eurofighter, extending their reach, adding sensors and weapons, and giving air forces additional options for conducting high-risk missions.

However, the reported change in Berlin’s acquisition plans raises questions about whether that deadline remains achievable.

According to Politico, Germany is now looking toward the early 2030s for the capability to arrive, with flight testing expected to begin in 2027. That would suggest the original target was based around the introduction of the MQ-28, which has already undergone extensive testing, rather than a newer design. The reshuffle could now give prospective suppliers additional time to demonstrate their designs.

The reported new timeline suggests that Germany’s CCA effort could be entering a more competitive and potentially longer development phase.

There is also a question about the degree of operational capability that will initially be fielded by the given date. Getting a CCA into meaningful frontline service is a very significant task, calling for integration with crewed fighters, communications systems, mission-planning networks, weapons, and sensors. Then there is also testing, certification, training, and the establishment of supporting infrastructure. For Germany in particular, getting a military drone, let alone an armed one, cleared to operate routinely in commercial airspace has long been an issue.

If Germany acquired the Ghost Bat directly, it would have offered a route to a CCA capability without having to begin an entirely new aircraft development effort.

However, the MQ-28 was always one of a larger field of candidate aircraft.

A week ago, Airbus and Kratos Defense & Security Solutions announced the first flight of their U740 Valkyrie uncrewed combat aircraft, a Europeanized version of the XQ-58A Valkyrie. Airbus is simultaneously working on its larger U760 Ravenstorm, intended for service in the early 2030s, and the company has previously pitched a stealthy CCA-like concept known as Wingman.

Other entrants include Anduril, General Atomics partnered with Germany’s INTEC, as well as Lockheed Martin. Meanwhile, Helsing and Hensoldt are pursuing the homegrown CA-1 Europa, very much an MQ-28 lookalike.

Germany may not be looking for a single drone to do everything, a point we have discussed in the past:

“One option might be a split high-low approach that could pair more capable, longer-range systems for deep-strike missions with cheaper, attritable collaborative combat aircraft that can fly alongside crewed fighters. At this point, it should also be noted that CCAs could also give older fourth-generation fighters a new lease on life, boosting their lethality and survivability by extending their sensor reach, adding weapons capacity, and allowing uncrewed aircraft to take on more dangerous tasks.”

At the same time, Germany continues to define its requirements for a capability described in media reports as a Jagdbomberdrohne, or fighter-bomber drone. Berlin has yet to publicly clarify its intended concept of CCA operations, including whether the Luftwaffe envisions an uncrewed wingman operating alongside crewed fighters, a platform capable of carrying out long-range strike missions independently, or a system designed to perform both roles.

There are signs that the strike mission is being prioritized, at least initially, with a reduced emphasis on air-to-air missions. This is essentially the reverse of the U.S. Air Force’s CCA effort.

Since Germany is set to receive the F-35 stealth fighter, there is also an argument that Berlin could place more orders for the crewed jet. This could have the dual role of filling the gap left by the collapse of the pan-European Future Combat Air System (FCAS), specifically its sixth-generation crewed fighter, and the delayed introduction of the first operational CCAs. Germany is also looking forward to receiving more Eurofighters.

Germany’s evolving CCA plans form part of a broader effort by Western air forces to develop uncrewed aircraft capable of working alongside advanced fighters. These systems are intended to expand the number of available platforms, distribute sensors and weapons across a larger force, and potentially take on missions that would otherwise expose pilots and expensive crewed aircraft to greater risk.

Boeing’s Ghost Bat could still have an opportunity to compete, depending on the structure of the eventual acquisition process and the requirements Berlin establishes.

However, with testing reportedly planned from 2027 and operational fielding potentially slipping into the early 2030s, the original 2029 ambition for an operational German CCA appears increasingly uncertain.

Contact the author: thomas@thewarzone.com

The post Germany Drops Boeing MQ-28 Ghost Bat Rapid Procurement Plan appeared first on TWZ.

• Actors James Van Der Beek, Hayden Panettiere, Robert Duvall, Chuck Norris, Patrick Stewart, and Eva Marie Saint died in 2026.
• So did musicians Dolly Parton and Duncan Sheik.
• Civil rights leader Rev. Jesse Jackson, activist Gloria Steinem, and NFL Hall of Famer Mike Ditka also died this year.

Below, we look back at the celebrities we lost in 2026, listed in alphabetical order.

Scott Adams, 68

Scott Adams worked at a telephone company in the 1980s. The experience inspired his beloved comic strip, "Dilbert."

By the end of the decade, the character and his satirical office humor began appearing in comic strips.

At its peak, "Dilbert" was syndicated in over 2,000 newspapers. A cartoon series debuted in 1999, running for two seasons.

Adams gained notoriety when he began writing blog posts praising Donald Trump during his 2016 presidential run. In 2023, "Dilbert" was pulled from newspapers across the US following racist comments made by Adams.

Adams died on January 13 from metastatic prostate cancer.

Brad Arnold, 47

The lead singer of 3 Doors Down, Brad Arnold launched the group into fame with the 2000 rock anthem "Kryptonite," which peaked at No. 3 on the Billboard Hot 100 that year.

The success led to other hits like "Loser," "Here Without You," and "When I'm Gone." Arnold's vocal range and lyrics focused on love and love lost, which fueled the group to stardom.

Arnold died on February 7 from a type of kidney cancer.

Afrika Bambaataa, 68

A hip-hop pioneer during the 1970s and 1980s, Lance Taylor, known professionally as Afrika Bambaataa, first gained attention as a DJ in the Bronx.

He signed with Tommy Boy Records in 1981 and released landmark songs like "Jazzy Sensation" and "Planet Rock." He would go on to influence the likes of Queen Latifah and A Tribe Called Quest throughout his career.

Bambaataa founded the hip-hop awareness group, Universal Zulu Nation, in the 1970s to steer kids away from gang life. Bambaataa stepped down as the head of the organization in 2016 after accusations of sexual abuse.

Bambaataa denied all claims.

He died on April 9 due to prostate cancer.

Rob Bass, 59

One of the icons responsible for bringing hip-hop to the mainstream, Rob Bass crafted the iconic track "It Takes Two" alongside DJ E-Z Rock.

The track, released in 1988, reached No. 3 on the Billboard Hot Dance/Club Songs chart and later went certified platinum. In 1989, it was voted the greatest single of all time by Spin magazine.

Bass died on May 22 following cancer.

Nicholas Brendon, 54

Nicholas Brendon was a television actor, best known for playing Xander Harris in all seven seasons of "Buffy the Vampire Slayer."

He also starred in "Criminal Minds" and "Kitchen Confidential."

Brendon died in his sleep on March 20 due to natural causes, according to his family's statement.

In 2023, Brendon suffered a heart attack and was diagnosed with a congenital heart defect. He also had cauda equina syndrome, which led to several spinal surgeries.

"While it's no secret that Nicholas had struggles in the past, he was on medications and treatment to manage his diagnosis, and he was optimistic about the future at the time of his passing," the statement to The Hollywood Reporter read. "Our family asks for privacy during this time as we grieve his loss and celebrate the life of a man who lived with intensity, imagination, and heart."

Peabo Bryson, 75

Two-time Grammy winner Peabo Bryson is best known for his classic love ballads.

Bryson began releasing music in the late 1970s, but one of his first major hits was opposite Roberta Flack on the 1983 duet, "Tonight, I Celebrate My Love." He continued hit-making a year later with the smash "If Ever You're in My Arms Again," and in 1991, he topped the R&B charts with "Can You Stop the Rain."

Bryson found global stardom with his renditions of two Disney classics. In 1991, he released the pop version of "Beauty and the Beast," alongside Céline Dion, and a year later, he duetted with Regina Belle on "A Whole New World" from the 1992 release of "Aladdin."

Bryson died on June 2. No cause was given.

James Burrows, 85

An 11-time Emmy winner and co-creator of "Cheers," director James Burrows helped shape modern TV comedy through his work on iconic sitcoms including "Will & Grace," "Friends," and "Frasier."

Known for his comedic timing and elaborate blocking, Burrows got his start directing episodes of "The Mary Tyler Moore Show." Throughout his career, he directed episodes of "Frasier" (winning an Emmy for the pilot episode), "Will & Grace," "Friends," and "The Big Bang Theory." He directed over 50 pilot episodes.

Burrows died on June 19. No cause was given.

Kyle Busch, 41

Two-time NASCAR Cup Series champion Busch was considered one of the greatest racers of all time.

Busch was hospitalized on May 21, before two upcoming races. Hours later, he was pronounced dead.

Busch died from severe pneumonia that progressed into sepsis.

Robert Carradine, 71

Robert Carradine was best known for his roles as Lizzie McGuire's dad and as the iconic geek Lewis Skolnick in the 1980s franchise "Revenge of the Nerds."

As a member of Hollywood's famed Carradine family, Robert was destined for an onscreen career.

He received one of his first screen credits starring in his brother David Carradine's popular 1970s TV series "Kung Fu" and went on to land roles in everything from Samuel Fuller's World War II classic "The Big Red One" to the "Lizzie McGuire" series.

Carradine's family shared statements with Deadline that emphasized being open about his struggles with mental illness.

"We are bereft at the loss of this beautiful soul and want to acknowledge Bobby's valiant struggle against his nearly two-decade battle with Bipolar Disorder," Carradine's family said. "We hope his journey can shine a light and encourage addressing the stigma that attaches to mental illness."

Carradine died by suicide on February 23.

If you or someone you know is experiencing depression or has had thoughts of harming themself or taking their own life, get help. In the US, call or text 988 to reach the Suicide & Crisis Lifeline. Help is also available through the Crisis Text Line — just text "HOME" to 741741. The International Association for Suicide Prevention offers resources for those outside the US.

Bud Cort, 77

Most famous for his role as Harold in the 1971 cult-classic "Harold and Maude," Bud Cort became the epitome of 1970s counterculture thanks to his baby-faced looks, wit, and sophisticated persona.

The dark comedy starred Cort as Harold, a man in his 20s who is obsessed with suicide until he meets 79-year-old eccentric Maude (Ruth Gordon).

Before that, Cort scored bit parts in Robert Altman's "M*A*S*H*" (1970) and "Brewster McCloud" (1970).

After "Harold and Maude," Cort worked steadily for the rest of his life, occasionally showing up in hit movies like Michael Mann's "Heat" (1995) and Wes Anderson's "The Life Aquatic with Steve Zissou" (2004).

Cort died on February 11 following a long illness.

Tim Curry, 80

Curry is best known for playing Dr. Frank-N-Furter in the cult-classic musical "The Rocky Horror Picture Show," after originating the role in the original stage production.

Over six decades, Curry carved out a niche playing outlandish villains like Rooster Hannigan in the 1982 film "Annie" and Pennywise in the 1990 miniseries "It." Other notable roles include Wadsworth the Butler in "Clue" (1985) and Mr. Hector in "Home Alone 2: Escape from New York."

Curry suffered a major stroke in 2012, which required brain surgery. He said in 2025 that he was "still recovering."

Curry died at his Los Angeles home on August 26. No cause was given.

Eric Dane, 53

Long before becoming one of TV's most recognizable heartthrobs, Eric Dane was building his career with guest roles on series like "Saved by the Bell" and "Married… with Children."

He later gained wider attention with appearances on "Charmed" before landing his breakout role as Dr. Mark "McSteamy" Sloan on "Grey's Anatomy." He most recently starred in HBO's "Euphoria," where he played Cal Jacobs, the father of Jacob Elordi's character, Nate Jacobs.

Dane has two children with his wife, Rebecca Gayheart. In April 2025, the actor said that he was diagnosed with amyotrophic lateral sclerosis, or ALS.

Dane died on February 19 at age 53, his publicist confirmed in a statement to Business Insider.

"He spent his final days surrounded by dear friends, his devoted wife, and his two beautiful daughters, Billie and Georgia, who were the center of his world," his publicist said.

Clive Davis, 94

A legend in the music world, Davis was responsible for elevating pop music to unthinkable heights by discovering talents like Aretha Franklin, Barry Manilow, Bruce Springsteen, Billy Joel, Whitney Houston, and Alicia Keys, to name a few.

Over his 50-year career, along with being an executive behind millions of album sales, he also won five Grammys, including two for Album of the Year ("The Bodyguard" soundtrack and "Supernatural" by Santana).

Davis died on June 22. No cause was given.

Mike Ditka, 86

Mike Ditka was the first tight end ever inducted into the Pro Football Hall of Fame. As a coach for the Chicago Bears, he led the team to its only Super Bowl win to date in 1986.

Ditka's success turned him into a celebrity who showed up in commercials, TV shows, and movies in cameo roles.

One of his most famous was starring opposite Will Ferrell in the 2005 comedy "Kicking and Screaming."

His persona became the long-running "Saturday Night Live" sketch called "Bill Swerski's Superfans," in which cast members dressed up as Ditka and spoke about their love for "Da Bears."

Ditka died on October 9; no cause was given.

Robert Duvall, 95

Robert Duvall starred in a plethora of timeless classics, including "The Godfather," "The Godfather Part II," "Apocalypse Now," "THX 1138," "The Natural," "Days of Thunder," and "The Apostle."

Duvall will be best remembered for starring in three of director Francis Ford Coppola's iconic films: playing Tom Hagen in the first two "Godfather" movies and Lieutenant Colonel Bill Kilgore in "Apocalypse Now," in which he delivers one of the most memorable lines in movie history: "I love the smell of napalm in the morning."

Duvall was lauded for his acting talent, from not saying a word while playing Boo Radley in his first big screen role in the 1962 classic "To Kill a Mockingbird" to his portrayal of a country singer dealing with alcoholism in 1983's "Tender Mercies," which earned him an Oscar.

He died on his ranch in Virginia on February 15. No cause was given.

Brenda Fricker, 81

This Irish actress was a fixture on the stage and screen for six decades. But she's most known for showing up in the "Home Alone" sequel.

As The Pigeon Lady in 1992's "Home Alone 2: Lost in New York," Fricker has become a fixture for families during the holiday season for decades (and in 2020 became the subject of a popular meme).

But Fricker's acting talents go beyond playing a spooky wanderer of Central Park.

In 1990, she became the first Irish actress to win an Academy Award, as she was given the best supporting actress Oscar that year for her performance in "My Left Foot."

Fricker died on July 16; no cause was given.

Mark Fuhrman, 74

Fuhrman cemented his place in popular culture as one of the lead LAPD detectives on the 1995 murder case of O.J. Simpson's ex-wife, Nicole Brown Simpson, and her friend Ronald Goldman.

Fuhrman found the famed bloody glove on the Simpson estate, and during the trial, he gained infamy when Simpson's defense team used his past racist language to discredit him as a witness.

Fuhrman retired from the LAPD after the Simpson trial and moved to Idaho, where he wrote true crime books.

Fuhrman died on May 12 of throat cancer.

Valentino Garavani, 93

For over six decades, one name has been synonymous with women's high fashion: Valentino.

The Italian designer launched his fashion business in Rome in 1960 and never looked back. Soon, every star wanted to be seen in his creations. They've been worn by icons like Elizabeth Taylor, Joan Collins, Jackie Kennedy, Princess Diana, Sharon Stone, and more.

Though Garavani retired from designing in 2008, his label is still a red carpet staple, as is his famous shade of bright red dubbed "Valentino Red."

Garavani died on January 19. No cause was given.

Donald Gibb, 71

No one defined a bully for a generation more than Gibb's hulking fraternity character Ogre in the "Revenge of the Nerds" movies of the 1980s.

Since the original raunchy comedy was released in 1984, Gibb's intimidating size and loud yells of "NERDS!" have become as memorable as the pocket protectors worn by the movie's geeks.

Gibb went on to star opposite Jean-Claude Van Damme in his classic 1988 action movie "Bloodsport." He also landed guest star roles through his career on shows like "Quantum Leap," "Magnum P.I.," "MacGyver," "Night Court," and "Cheers."

Gibb died on May 12 following health complications.

Chad Gilbert, 45

Gilbert was the guitarist and backing vocalist for the punk band New Found Glory.

The band's hit albums include 2002's "Sticks And Stones" and 2004's "Catalyst." Both showed up in the top 10 on the Billboard 200 chart.

Gilbert died on September 20; no cause was given, but Gilbert told People in April he was battling stage 4 adrenal cancer.

Glen Hansard, 56

Irish singer-songwriter Hansard was the frontman of the rock band The Frames and one-half of the band The Swell Season. But he was perhaps best known for writing and starring in the hit 2007 indie film "Once," in which he and his Swell Season bandmate Markéta Irglová play two struggling musicians who fall in love. The duo won an Oscar for best original song for the film's standout track, "Falling Slowly."

Hansard also embarked on a solo career; his 2015 album, "Didn't He Ramble," was nominated for a Grammy for best folk album.

Hansard died on July 29 in a motorcycle crash in Dublin.

Dennis Haskins, 75

For those who grew up in the '90s, Dennis Haskins was your favorite high school principal, Mr. Belding.

Starring in the hit TV series "Saved By The Bell," Haskins' Belding character traveled the halls trying to be a step ahead of the hijinks inflicted by Zack Morris (Mark-Paul Gosselaar) and his friends. But unlike many school principals in pop culture who were mean and seemed to hate kids, Haskins played his authority role with a playful, good-natured style.

He was on the show's full four-season run from 1989 to 1993, and also starred in the spin-off, "Saved By The Bell: The New Class," from 1993 to 2000.

Haskins' other credits include "The Bold and the Beautiful," "Mad Men," "It's Always Sunny in Philadelphia," and "New Girl."

Haskins died on September 27; no cause was given.

Anthony Head, 72

Rising up through the UK stage scene in the 1980s, Head found fame when he was cast as Rupert Giles, who became a father figure to Sarah Michelle Gellar's Buffy Summers in all seven seasons of "Buffy the Vampire Slayer."

Most recently, he played the bitter former owner of AFC Richmond on "Ted Lasso."

Head's death was announced by his family on June 5. They stated the cause was "complications due to pneumonia."

David Hockney, 88

British painter David Hockney was renowned for his striking portraits and figurative pop art. Many of his best-known paintings, including 1966's "The Splash" and 1972's "Portrait of an Artist (Pool with Two Figures)," were inspired by the bright colors and sun-dappled pools of Los Angeles.

Hockney moved to Los Angeles in the late '60s, and his work became synonymous with the warmth and leisure of Southern California. He was also one of the few popular artists at the time to depict openly gay scenes, and Hockney was outspoken about anti-gay censorship.

Throughout his career, Hockney split time between California, England, and France. He died at his home in London on June 12 at age 88, his publicist confirmed to The New York Times. No cause of death was given.

Jesse Jackson, 84

The Rev. Jesse Jackson was a leader of the Civil Rights Movement, a minister, and an activist icon who twice ran for president.

Born on October 8, 1941, in Greenville, South Carolina, Jackson experienced Jim Crow segregation on public buses and at school firsthand. It would shape the rest of his life.

His fight for civil rights began in the 1960s, when he helped organize protests and demonstrations across the US and worked closely alongside civil rights icon Dr. Martin Luther King Jr.

His decadeslong career as a leading civil rights activist included support for modern national movements, such as the push for voting rights, the fight against racism, and a higher minimum wage.

Jackson ran for president twice, both times as a democrat. He placed third for the party's nomination in 1984 and second in 1988. This marked the most successful presidential runs of any Black candidate prior to Barack Obama.

Jackson announced in 2017 that he'd been diagnosed with Parkinson's disease. In November 2025, Jackson was treated in a Chicago hospital after complications from progressive supranuclear palsy (PSP), a rare neurodegenerative condition.

Jackson died on February 17.

Walter Koenig, 90

As the boyish Russian crewman Pavel Chekov on "Star Trek," Walter Koenig left an indelible mark in the minds of sci-fi fans for generations as one of the key crew members of Captain Kirk's ship, the USS Enterprise.

First appearing in the show's second season, Koenig played Chekov in 36 of the 50 episodes that aired in 1967-68 and 1968-69. He also starred in the first seven releases of the movie franchise, from 1979 through 1991.

Koenig died on October 25 of natural causes.

Yayoi Kusama, 97

Kusama was a famed Japanese pop artist who often used polka-dot motifs in her work, initially rising to prominence in Japan in the 1950s.

In 1959, Kusama presented her first solo exhibition in New York: a collection of abstract paintings that an ARTnews review praised as "strong, advanced in concept and realized."

Kusama later branched into sculptures, performances, and immersive installations. She continued to expand her influence and relevance into the social media era, when her mirrored "Infinity Room" installations became Instagram-friendly attractions that inspired many copycats.

Kusama died on August 14 in Tokyo. She was 97.

Bob Mackie, 87

As one of Hollywood's most renowned costume designers, Bob Mackie's eye set the style for decades.

Known as the Sultan of Sequins, the Rajah of Rhinestones, or the Guru of Glitter, a signature of Mackie's work was its use of sparkle, which made everyone from Cher to Elton John to Dolly Parton to Sabrina Carpenter shine on stage.

He also was the costume designer on "The Carol Burnett Show" for all eleven seasons through the 1970s. He won nine Emmys, a Tony Award, and was nominated for three Academy Awards for his work.

Mackie died on September 14; no cause was given.

RJ Mitte, 34

Mitte was best known for playing the son of Bryan Cranston's Walter White in the hit series "Breaking Bad."

Mitte, who was diagnosed with cerebral palsy when he was 3 years old, became a disability rights activist after finding fame with "Breaking Bad."

His other credits include the 2021 movie "Triumph," in which he played a high school student with cerebral palsy who tries out for the wrestling team. He also starred in the 2024 thriller "Love Me Dead" opposite Dove Cameron.

Mitte died by suicide on October 12.

Patrick Muldoon, 57

In the 1990s, you couldn't escape the piercing eyes of Patrick Muldoon.

He played Austin Reed on "Days of Our Lives" for most of the decade, and when he wasn't on the soap, he was over on "Melrose Place" playing the villain role of Richard Hart.

If being on two iconic shows wasn't enough, he also showed up on "Saved by the Bell" and had a role in the cult classic movie "Starship Troopers."

Muldoon died on April 19 after a heart attack.

Sam Neill, 78

With a career spanning more than five decades and including countless memorable performances in movies and television, Sam Neill was one of the most versatile actors of his generation,

The New Zealand actor starred opposite Nicole Kidman in the 1989 thriller "Dead Calm," played the loyal first officer opposite Sean Connery in 1990's "The Hunt for Red October," played the lead in John Carpenter's 1994 horror "In the Mouth of Madness," and most recently starred in the hit series "Peaky Blinders."

But Neill is best known for playing the brave and all-dinosaur-knowing Dr. Alan Grant in the "Jurassic Park" franchise.

Neill died on July 13; no cause was given. Neill was battling a rare and aggressive form of blood cancer, but was cancer-free at the time of his death, according to a post on his Instagram account announcing his passing.

Tom Noonan, 74

Standing at a towering 6' 5", Tom Noonan was born to play the bad guy. And he did just that, starring as the villain in movies like "Manhunter," "RoboCop 2," and "Last Action Hero."

But this actor had more to show off. He showcased his comedy chops as Rodney Dangerfield's degenerate gambling friend in the 1983 comedy "Easy Money," and set up the heist for Robert De Niro in Michael Mann's 1995 classic "Heat."

His knack for storytelling also translated behind the camera. Noonan wrote, directed, and starred in the drama "What Happened Was," which won the grand prize at the 1994 Sundance Film Festival.

Noonan died on February 14; no cause was given.

Chuck Norris, 86

Few action stars have Chuck Norris' credentials.

Before he ever stepped in front of a camera, he was a martial arts champion and a black belt in Karate, judo, Brazilian Jiu-Jitsu, Taekwondo, and Tang Soo Do.

His talents would become known the world over in 1972, when he faced off against Bruce Lee in "The Way of the Dragon."

Through the 1980s, Norris became one of the biggest action stars in the world thanks to movies like "A Force of One," "The Octagon," and the "Delta Force" and "Missing in Action" franchises.

In the 1990s, he took over the small screen, playing the lead in the "Walker, Texas Ranger" TV show, which aired in over 100 countries during its run from 1993 to 2001.

Norris was hospitalized on March 19 in Hawaii and died the following day, according to his family. No cause was given.

Catherine O'Hara, 71

O'Hara, who was best known for her roles in "Beetlejuice" and "Home Alone," got her start in the Canadian comedy scene, appearing in the now-legendary cast of "SCTV."

It would mark the beginning of a fruitful partnership with fellow actor Eugene Levy, who became her frequent costar and collaborator in memorable appearances in Christopher Guest films like "A Mighty Wind" and "Best in Show" and television series like "Schitt's Creek," which earned her an Emmy Award for outstanding lead actress in 2020.

O'Hara's representative confirmed her death to Business Insider on January 30. The Los Angeles County Department of Public Health confirmed in a death certificate viewed by People that O'Hara died of a pulmonary embolism, with rectal cancer listed as an underlying cause.

Hayden Panettiere, 36

Panettiere began acting as a child, landing one of her earliest major roles as Sarah Roberts on the ABC soap opera "One Life to Live," on which she appeared from 1994 to 1997.

As her career progressed, she became best known for portraying Claire Bennet on "Heroes" and Juliette Barnes on "Nashville."

Over the years, Panettiere had spoken openly about her struggles with alcoholism and postpartum depression. She detailed those experiences in her memoir, "This Is Me: A Reckoning," which was released in May.

Panettiere died on August 16. A final autopsy report by the Greenville County Coroner's Office ruled her death an accident caused by the toxic effects of fentanyl and other drugs.

Dolly Parton, 80

Parton released her debut album, "Hello, I'm Dolly," in 1967 and went on to pen country hits like "I Will Always Love You" and "Jolene," both of which were released as singles in 1974.

In addition to her music, Parton was beloved for her flamboyant style and her philanthropy. She founded the Dollywood Foundation in 1988, a charitable organization focused on education and community initiatives in her home state of Tennessee. She continued to fund scholarship programs and donate to hospitals, public health initiatives, and disaster relief programs throughout her life.

Parton is known as the best-selling female country music artist of all time. She was inducted into the Country Music Hall of Fame in 1999, the Songwriters Hall of Fame in 2001, and the Rock & Roll Hall of Fame in 2022.

Parton's 49th and final solo studio album, "Rockstar," was released in 2023. The tracklist included both original material and covers of classic rock songs, featuring an array of guests like Paul McCartney, Ringo Starr, Sting, Joan Jett, and Parton's goddaughter, Miley Cyrus.

News broke on August 25 that Parton died following unspecified health issues. She was 80.

Vincent Pastore, 80

This character actor found fame appearing in a string of mob movies in the 1990s, like "Goodfellas," "Carlito's Way," and "Men of Respect." But Pastore truly became a star when he was cast in the hit HBO series "The Sopranos."

As Salvatore "Big Pussy" Bonpensiero, Pastore was part of the main cast for the first two seasons of the show, playing Tony Soprano's mob enforcer-turned-FBI informant. Bonpensiero's shocking death was one of the most famous in the show's history and proved that no one was safe from getting whacked.

Pastore died on August 1. No cause was given.

Valerie Perrine, 82

Perrine found herself cast alongside the biggest stars of the 1970s.

She played the love interest opposite Jeff Bridges in 1973's "The Last American Hero" and Robert Redford in 1979's "The Electric Horseman." She earned an Oscar nomination for starring alongside Dustin Hoffman in 1974's "Lenny."

For most, she'll be remembered best for sharing the screen with Gene Hackman as the secretary to his evil Lex Luthor in 1978's "Superman." She also starred in the sequel. As Ms. Teschmacher, her loyalty to Luthor is questioned when she rescues Superman (Christopher Reeve) after he's chained with Kryptonite.

Perrine died in her home in Beverly Hills on March 23. She was diagnosed with Parkinson's disease in 2015.

Richard Riehle, 78

A prolific character actor, Riehle has over 400 screen credits, appearing in everything from "Casino" to "Bridesmaids" over his career.

He's best known for playing the worker in "Office Space" who, after being laid off, wins a large payout from a lawsuit after a suicide attempt.

Other credits include "The Fugitive," "Fear and Loathing in Las Vegas," and "Transformers: Age of Extinction."

Riehle died on October 15; no cause was given.

Sonny Rollins, 95

One of the most influential jazz musicians in history, Rollins recorded more than 60 albums over his seven-decade career.

His live album, "A Night at the Village Vanguard," is considered one of the greatest jazz albums ever made.

Rollins died on May 25; no cause was given.

Eva Marie Saint, 102

An Oscar and Emmy winner, Eva Marie Saint appeared in classic movies in Hollywood history.

She made her film debut starring opposite Marlon Brando in Elia Kazan's 1954 classic "On the Waterfront," which won her the Oscar for best supporting actress. In 1959, she heated up the screen with Cary Grant in Alfred Hitchcock's defining thriller "North by Northwest."

In 1990, she won an Emmy for her work in the miniseries "People Like Us."

Saint died on October 6 of natural causes.

Susan Saint James, 80

Saint James was a fixture in television from the late 1960s through the 1980s, starring in "The Name of the Game," "McMillan & Wife," and "Kate & Allie."

She was Emmy-nominated eight times and won an Emmy for lead actress in 1985 for "Kate & Allie."

Saint James' movie credits include "Outlaw Blues" (1977), "Love at First Bite" (1979), and "How to Beat the High Cost of Living (1980).

Saint James died on October 26 after being diagnosed with pancreatic cancer.

Neil Sedaka, 86

Sedaka is responsible for some of the biggest pop songs of the 1960s and 1970s.

The Brooklyn native wrote over 500 songs, including classic hits like "Laughter in the Rain," "Breaking Up Is Hard to Do," "Bad Blood" and the Captain & Tennille song, "Love Will Keep Us Together."

Sedaka died on February 27; no cause was given.

Gene Shalit, 100

Before there was Rotten Tomatoes or even Siskel & Ebert, movie lovers got their recommendations from Gene Shalit.

The iconic movie critic could be seen sporting his signature look of glasses, bushy hair, and big mustache as a staple on the "Today" show from 1973 to 2010. If he wasn't interviewing the biggest movie stars, he was reviewing movies with incredible puns ("'Ishtar' is Ish-terrible.")

His larger-than-life presence left a mark on pop culture: he was parodied as a Muppet and on countless episodes of "SCTV" and "Saturday Night Live."

Shalit died on June 12; no cause was given.

Duncan Sheik, 56

Sheik found success in the late 1990s with his hit song "Barely Breathing." He later pivoted from alt-rock to a career on Broadway, composing the music for the Tony-winning musical "Spring Awakening." His other stage credits include "American Psycho" (2013) and "The Secret Life of Bees" (2019).

Sheik died on September 17 after a cardiac arrest.

Kiki Shepard, 74

In her 15-year tenure as a co-host on "Showtime at the Apollo," Kiki Shepard was considered royalty at Harlem's famed Apollo Theater.

Known in the building as "Apollo Queen of Fashion" thanks to her dazzling outfits, Shepherd was a fixture on the show from 1987 to 2002.

Throughout her career, Shepard also appeared on TV shows like "Baywatch," "A Different World," "NYPD Blue," and "Grey's Anatomy."

Shepard died on March 16 after suffering a heart attack.

Tom Skerritt, 93

A beloved actor in Hollywood for over six decades, Tom Skerritt appeared in some legendary movies and television.

Robert Altman gave Skerritt his big break when he cast him as the womanizing and sarcastic surgeon Captain "Duke" Forrest in the classic 1970 movie "M*A*S*H." Skerritt followed it up with a string of hits, including Altman's "Thieves Like Us" (1974), "The Turning Point" (1977), and a hilarious cameo in Cheech & Chong's classic debut movie "Up in Smoke" (1978).

Then, Skerritt went sci-fi when Ridley Scott cast him as Captain Arthur Dallas in 1979's "Alien." Skerritt also scored a memorable role as Tom Cruise's flight instructor "Viper" in 1986's "Top Gun."

On the small screen, Skerritt earned an Emmy for playing Sheriff Jimmy Brock on the hit series "Picket Fences," which ran from 1992 to 1996.

Skerritt died on October 21 of natural causes.

Gloria Steinem, 92

An icon in the women's liberation movement of the 1970s, Steinem dedicated most of her life to fighting sexism.

Starting her career as a journalist, she became a columnist for the newly founded New York Magazine in 1968. She cofounded Ms. magazine in 1971, which focused on women's issues. She also helped launch the Women's Action Alliance, which focused on tackling sexism.

Steinem was awarded the Presidential Medal of Freedom in 2013.

Steinem died on September 2, according to a post on her social media. No cause was given.

Patrick Stewart, 86

In a career spanning over 60 years on stage and screen, Stewart is responsible for some of the most memorable characters in the biggest franchises.

After getting his start with the Royal Shakespeare Company in the late 1960s, he found acclaim on the stage, performing Shakespearean classics like "Antony and Cleopatra" and "Hamlet," both of which earned him Laurence Olivier Awards.

Hollywood soon came calling, leading him to star in epics like "Excalibur" (1981) and David Lynch's "Dune" (1984). But he would get his big break in 1987 when he was cast as Captain Jean-Luc Picard in "Star Trek: The Next Generation." Fans quickly gravitated to this new captain of the USS Enterprise, and the show ran until 1994. He also reprised the Picard role in four movies in the franchise: "Star Trek Generations" (1994), "Star Trek: First Contact" (1996), "Star Trek: Insurrection" (1998), and "Star Trek: Nemesis" (2002), as well as in the TV series "Star Trek: Picard" (2020-2023).

In 2000, he joined the comic-book world when he was cast as mutant Professor Charles Xavier, founder of the X-Men in the Marvel Comics. Stewart portrayed Xavier in several more "X-Men" films, and will reprise the role in the forthcoming MCU film "Avengers: Doomsday," out this December.

Stewart died on October 28 after suffering from Alzheimer's and Lewy Body Dementia.

Béla Tarr, 70

Hungarian filmmaker Béla Tarr became a legend in the arthouse world for his unflinching work featuring several-minute-long takes.

With movies like "Family Nest" (1979) and "The Turin Horse" (2011), Tarr showcased his slow cinema style while focusing on marginalized characters living bleak lives. Tarr pushed the envelope with his style when he made "Sátántangó" in 1994, which had a run time of 450 minutes.

His work influenced several arthouse filmmakers, including Jim Jarmusch and Gus Van Sant's "Death Trilogy" ("Gerry," "Elephant," and "Last Days").

Tarr died on January 6 following a battle with a "long and serious illness."

James Tolkan, 94

You might not recognize the name, but if you're a movie fan, you know the face.

Tolkan's tough-guy persona made a mark on movie history in films like "Top Gun" and the "Back to the Future" franchise.

In "Top Gun," he played Commander Tom "Stinger" Jardian, who famously gives Tom Cruise's character a tongue lashing, saying, "Your ego is writing checks your body can't cash."

In "Back to the Future" and its sequels, he played Principal Strickland, who had zero tolerance for "slackers."

Other credits include "Serpico," "WarGames," "Masters of the Universe," and "Dick Tracy."

Tolkan died on March 26; no cause was given.

Ted Turner, 87

Ted Turner changed the television landscape thanks to his maverick maneuvers to harness the 24-hour news cycle.

After taking over his father's advertising company in the 1960s at the age of 24, Turner embarked on a path to change the media landscape by buying up radio and TV stations around the South. He even bought sports teams including the Atlanta Braves MLB team and the Atlanta Hawks NBA team.

All of that programming would eventually become part of TBS, a "super station" that showed old movies, reruns, and Braves and Hawks games.

Turner then set his sights on the news. He founded CNN, the first 24-hour news channel, in June of 1980.

Over the decades, Turner gained celebrity status, particularly after marrying Jane Fonda, a union that lasted from 1991 to 2001. In 1991, he was named Time's "Man of the Year." He sold his networks to Time Warner for $7.5 billion in 1996.

Turner died on May 6; no cause was given.

Bonnie Tyler, 75

Welsh singer Bonnie Tyler became one of the biggest artists of the 1980s thanks to her legendary power ballads.

Tyler was behind hits like "Total Eclipse of the Heart" and "Holding Out for a Hero," which was also featured on the 1984 "Footloose" soundtrack. Both songs were chart-toppers that have since become two of the best-selling singles of all time.

Over her career, Tyler was nominated for three Grammys and was appointed a Member of the Order of the British Empire (MBE) by Queen Elizabeth II in 2022.

Tyler died on July 8 in Portugal, where she was being treated for an illness, according to a statement posted on her social media.

James Van Der Beek, 48

Van Der Beek was beloved all over the world for his role as the titular teen Dawson Leery on the WB series "Dawson's Creek."

The series, which ran from 1998 to 2002, turned Van Der Beek into a star and a teen heartthrob. While "Dawson's Creek" was still airing, he'd cement his stardom playing the lead role of high school quarterback "Mox" Moxon in the 1999 coming-of-age drama "Varsity Blues."

Van Der Beek found steady work the rest of his career in movies like "Texas Rangers" and "The Rules of Attraction, and memorably played a fictional version of himself on the TV series "Don't Trust the B---- in Apartment 23," and performed on "Dancing with the Stars" in 2019.

Van Der Beek learned he had stage 3 colon cancer in 2023, and publicly announced his diagnosis in late 2024.

Van Der Beek previously told Business Insider that the news came as a shock, given the subtleness of his symptoms and his efforts to stay as healthy as possible.

"I was doing everything," he said. "I was doing sauna, cold plunge, weightlifting, Pilates. I would dance and also do football training."

Van Der Beek died on February 11.

Bob Weir, 78

Weir was one of the founding members of the Grateful Dead.

The singer-songwriter wrote and/or sang on songs like "Sugar Magnolia," "Playing in the Band," "Truckin,'" "I Need a Miracle," and "The Other One."

After the Grateful Dead disbanded in 1995, Weir went on to form several other bands, including Kingfish, Bobby and the Midnites, RatDog, The Other Ones, and, alongside John Mayer, Dead & Company.

In the summer of 2025, Weir was diagnosed with cancer.

Weir died on January 10.

Victor Willis, 74

Willis was the lead singer of the iconic disco band the Village People.

Along with being the lead vocalist and dressing as the police officer (and sometimes naval officer), Willis was also the cowriter on many of the band's hits, including "In the Navy," "Macho Man," and the song that will keep the Village People in pop culture lore until the end of time, "Y.M.C.A."

Willis left the band to embark on a solo career in 1979, then re-formed the Village People in 2017.

Willis died on June 30 following a "short but aggressive illness," according to the Village People Facebook page.

Frederick Wiseman, 96

For over five decades, Wiseman's brand of non-fiction storytelling put a spotlight on everyday people.

From high schoolers to hospital workers to Air Force cadets training for nuclear war, Wiseman's close to 50-film catalogue is an unvarnished reflection of America over the last half century.

Wiseman died on February 16. No cause was given.

Olivia Colman goes vulpine, Rupert Grint’s newborn is a monster and Joko Anwar makes a warmhearted violent ghost story set in an Indonesian prison

If I’d ever wanted children, the films showing at the 59th edition of the International Fantastic film festival of Catalonia in the coastal town of Sitges, south of Barcelona, would have soon set me straight. This year’s recurring themes were explosive parturition, chewed-up nipples and the fruit of the womb turning out to be at best sociopathic, at worst inhuman.

The theme was celebrated in an evil-kiddy exhibition at the Miramar Cultural Centre, marking the 50th anniversary of Narciso Ibáñez Serrador’s “fantaterror” classic Who Can Kill a Child?, some of which was filmed in Sitges itself. The expo traced the subgenre from 1956’s The Bad Seed, via Rosemary’s Baby and The Exorcist, to this year’s Nightborn, in which poor Rupert Grint, as the hapless husband, is no match for the developing folk-horror bond between his depressed wife, their newborn “child”, and the spooky forest surrounding their house. Finnish director Hanna Bergholm, in her introduction, confessed it was inspired by her experiences of motherhood. Only up to a point, one hopes.

Mohammed bin Salman is learning a lot about being a leader, although it is the Houthis who are giving him the lessons.

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Mohammed bin Salman is learning a lot about being a leader, although it is the Houthis who are giving him the lessons. The first one is that in the Arab world all promises of military support from neighbours are worthless. The second: only Iran has the power to stop the war in Yemen.

It’s hard to define Donald Trump’s legacy in the Middle East when, since the end of February this year, everything seems to point to him and the U.S. being a huge loser in a war against Iran. But one decision he did make more recently can be considered quite smart: not to hit the Houthis.

This group in Yemen has cultivated the model of how to stay in power even in the face of airstrikes from the U.S. They remain in mountainous regions, scattered as much as possible, and are the toughest fighters in the entire region. Trump’s decision in March 2025 to halt his own bombing campaign against them was probably the smartest thing the Donald has done in the region. He knew that they were just too tough, too resilient, and the price of U.S. shipping being hit in the Red Sea was just too great.

Tough times now for Saudi Arabia’s young crown prince, Mohammed bin Salman, who can’t be sleeping very well at night – if he is getting any sleep at all. His own decision back in 2015 to launch a bombing campaign against civilians mainly in Sanaa (and often wedding ceremonies) might be one he is regretting now. The Crown Prince’s own air force is still bombing the Houthis, but this time along the coastline in a bid to break their stranglehold on the Bab el-Mandeb straits. But the response by the Houthis – to bomb the living daylights out of Saudi Arabia’s main airport in Riyadh – has not only shocked leaders of the entire region but underlines a point that media based in Dubai, too used to writing flattering copy about the Crown Prince, might not make: the fate of this young country, with its young leader, is balancing on the edge of a knife. Many experts point out why the Crown Prince is so paranoid about security and the threat of a coup d’état by pointing out that it is only a matter of time before one of these Saudi pilots drops his payload on the Crown Prince’s palace instead – which would be the tinderbox moment for a regime to fall, for a leader to slip away in the dead of night and arrive perhaps somewhere in London, Tangiers or even California. While MbS is fretting about the state of the war with the Houthis, which is not going at all well, his main worry is not that this group enters KSA and does anything politically to destabilise the country. It is rather that the lack of confidence within the royal family – by enough princes – reaches a tipping point and he is either assassinated or given the opportunity to flee at a moment’s notice. The attack on the airport was really such a tipping point, as it showed not only how MbS’s leadership and the poor decisions he makes are evident (the airport should have been closed months ago, but it would look like a defeatist move) but also how vulnerable the entire country is to any attack by the Yemeni group. Such a vulnerability is the issue, given that it was the young Crown Prince himself who upped the ante with the conflict with the Houthis – and he has hundreds of princes whom he locked up in a five-star hotel and held hostage while extracting huge amounts of money from, as one of his first policy initiatives as leader, who all hold mock reverence to him as the country’s leader. But for how long?

“This could turn out to be existential for Bin Salman,” argues London-based MENA commentator Sami Hamdi. “UAE and Houthis are hammering him in Yemen, Trump has taken his money and turned his back on him, Netanyahu is violating him by insisting on an official invite for help (normalisation), his best friend Turki Al Sheikh continues to fleece him with unprofitable boxing matches and never-ending raves, and his international allies refuse to fight for him and are pushing him towards a deal that will be interpreted by all as a humiliation for him.”

Solitude seems to come with the job of being MbS in Saudi Arabia – a country always appearing to be on the cusp of being great and significant but never quite managing it. Recently MbS carved out the reputation of being a dynamic regional leader who allowed pop concerts with scantily clad Western performers, while his own mega-projects in the desert quietly get wound down, barely leaving the drawing board.

The real lesson of the Houthis for MbS is that they are simply too tough – and even Turkey and Pakistan, who presented themselves as allies for Riyadh militarily, are remarkably quiet. Some would even go as far as to call it a betrayal of the Arabs.

“Why does Crown Prince Mohammed bin Salman ‘rightfully’ live in a state of disappointment and betrayal from his Arab and American allies?” asks the legendary Egyptian journalist and geopolitical hack Abdel Bariatwan. “Where is Turkey and Pakistan, and where is the Mecca alliance? Isn’t it a disgrace that Iran is the only one volunteering to mediate to stop the war?” he asks.

Russia’s Rubicon drone unit, which is sent to hunt Ukrainian drone pilots, was not used to being hunted itself, Brigadier General Andrii Biletskyi told journalists on 19 October. He was summing up Operation Vivaldi, which his Third Army Corps fought in northern Donetsk Oblast from May to mid-October. Once its pilots realized they were being killed, Rubicon’s morale dropped sharply, he said.

Russia has fought for 12 years to take all of Donetsk Oblast, and Sloviansk and Kramatorsk anchor the fortress belt of cities Ukraine still holds there. Vivaldi retook 277 km² in northern Donetsk Oblast. Biletskyi says it destroyed Russia’s bridgehead on the Chornyi Zherebets River and forced Moscow to drop its plan to bypass Lyman from the north and encircle the two cities. On that front, the Third Corps had flagged Rubicon, Russia’s elite drone unit, as a threat.

Hunting the hunters

Once a Rubicon position was found, the Third Assault Brigade and the KRAKEN drone regiment committed any number of FPV and bomber drones to destroy its crews, Biletskyi said.

The brigade’s commander, Yaroslav Levenets, said his troops prepared for Rubicon’s arrival and concentrated on killing its pilots. He gave no details.

“Not stable in defense,” Levenets said of Rubicon’s troops.

They dislike sitting in trenches, he said, and under pressure they grow nervous and change positions.

Named for four seasons

Biletskyi said the name was chosen at the very start of planning, in winter 2025–2026, many months before the operation began. The original plan had four stages, one for each season, and later grew to slightly more, ArmyInform reported.

When he first unveiled the operation in September, he put it this way:

“Vivaldi, as is known, has four seasons. And this is only the first one.”

He credited two planners, known by the call signs Yurist and Leshyi. Leshyi, an assault soldier wounded seven times who later moved to staff work, was killed. Yurist was seriously wounded.

Explore further

Ukraine blocks Russia from outflanking its fortress cities in Donbas, retaking 277 square kilometers and hitting 8,000 Russian troops

A new hand at the Third Corps

Major Dmytro Rohoziuk is now acting commander of the Third Army Corps, the corps press service said on 20 October. The press service said the move is not a transfer, and Biletskyi keeps his formal post as corps commander while he leads the “Center” grouping of the Third, 11th, and 19th corps.

Rohoziuk took over the 60th Mechanized Brigade in October 2025. Its previous commander was arrested in January after the State Bureau of Investigation accused him of embezzling about $1 million in weapons procurement. The brigade fought in all four phases of Vivaldi and retook Kolodiazi without street fighting.

Biletskyi also declined command of the Ground Forces, which oversee mobilization.

“There’s no point taking on something you don’t truly believe you can improve,” he said.

Biletskyi’s count

Russian losses in Vivaldi topped 8,000 troops, and about 270 Russian soldiers were taken prisoner, Biletskyi said. More than 20 officers surrendered, including a chief of staff and three company commanders.

The territory matters less than disrupting Russia’s strategic plan, he said. Russian forces still press toward Dobropillia, where Ukraine is counterattacking.

The European Union and Turkey are preparing high-level talks before the end of October in an attempt to revive negotiations over Cyprus, following an initiative by United Nations Secretary-General António Guterres.

Cypriot President Nikos Christodoulides announced the planned meeting on 16 October during the European Council summit in Brussels, saying discussions would address both the resumption of negotiations over the island’s division and the possibility of improving relations between Ankara and the EU.

The initiative follows diplomatic contacts in New York involving Guterres, European institutional leaders and the Cypriot government. However, renewed differences over the conditions for negotiations have already cast doubt on whether the process can produce substantial progress.

On Sunday, 18 October, Christodoulides accused Turkish Cypriot leader Tufan Erhürman of imposing preconditions before formal negotiations could resume, particularly concerning arrangements for a rotating presidency in a reunited Cyprus.

The disagreement underlines the difficulties facing an initiative intended to reconnect the UN peace process with the EU’s broader relationship with Turkey.

Brussels seeks a negotiating role

Christodoulides said the planned meeting between the EU and Turkey would examine how to establish the necessary conditions for negotiations to restart within the previously agreed UN framework.

He indicated that any improvement in EU–Turkey relations would be linked to progress over Cyprus.

The president’s announcement in Brussels follows months of diplomatic consultations involving the Commission, European Council and UN.

European Commission President Ursula von der Leyen and European Council President António Costa have urged Turkish President Recep Tayyip Erdoğan to support the renewed peace initiative.

Turkey’s relationship with the EU encompasses trade, customs cooperation, migration and regional security. Ankara remains an EU candidate country, although accession negotiations have been effectively stalled for years.

Cyprus remains one of the principal obstacles to any substantial improvement in that relationship.

The island has been divided since Turkey’s military intervention in 1974. The internationally recognised Republic of Cyprus joined the EU in 2004, but EU law remains suspended in areas where its government does not exercise effective control.

The self-declared Turkish Republic of Northern Cyprus is recognised only by Turkey.

Disagreement over political equality

The UN has traditionally sought a settlement based on a bizonal, bicommunal federation with political equality between the Greek and Turkish Cypriot communities.

Negotiations collapsed at Crans-Montana in Switzerland in 2017 amid unresolved disputes over security guarantees, political representation, territory and the presence of Turkish troops.

Erhürman, who became Turkish Cypriot leader in 2025, has expressed support for renewed negotiations within a federal framework. However, he wants assurances about political equality and the structure of future talks.

The latest dispute concerns whether the principle of a rotating presidency between the two communities should be accepted before negotiations resume.

Christodoulides rejected that demand on 18 October, arguing that substantive questions should be negotiated together rather than settled in advance.

The Turkish Cypriot leadership regards rotating executive power as an essential element of political equality, while the Greek Cypriot side objects to making agreement on that arrangement a prerequisite for restarting discussions.

The disagreement has emerged despite recent efforts by the United Nations to improve relations between the communities.

In a statement issued on 13 October, the UN confirmed that Christodoulides and Erhürman had met in Nicosia and agreed to continue discussions, including participation in bicommunal initiatives.

The two leaders subsequently attended a joint event in Pyla, although their public differences persisted.

Turkey’s position remains decisive

A Cyprus settlement would require agreement not only between the island’s communities but also on Turkey’s military presence and the system of security guarantees established at independence.

Ankara has long maintained that Turkish Cypriots require effective political equality and credible security arrangements.

Greek Cypriot leaders argue that the continuation of foreign intervention rights and Turkish military deployments would be incompatible with a fully sovereign and reunited state.

The EU cannot resolve those differences independently of the UN process, but it can influence the economic and institutional framework within which a settlement might operate.

A comprehensive agreement would affect property ownership, trade, customs arrangements, border administration and the application of European law throughout the island.

The European Commission has sought a greater role in supporting the UN-led peace process, reflecting Brussels’ interest in progress towards a settlement.

Negotiations face immediate test

The UN Secretary-General’s personal envoy, María Ángela Holguín, has warned that the opportunity for renewed negotiations may be narrowing.

Disagreements over diplomatic representation, contacts with foreign missions and the status of Turkish Cypriot institutions have complicated relations between the two communities.

Christodoulides has also referred to a series of proposals intended to advance discussions, including the future of the fenced-off area of Varosha. Their full contents have not been publicly disclosed.

The proposed EU–Turkey meeting offers a separate diplomatic channel through which Brussels can assess Ankara’s willingness to support renewed negotiations.

No final date, detailed agenda or list of participants had been publicly confirmed by 18 October.

The immediate test will be whether the parties can agree on the basis for formal talks without attempting to settle disputed constitutional questions before negotiations begin.

O ator americano Michael Forest, conhecido por interpretar o deus grego Apolo na série “Jornada nas Estrelas”, morreu aos 97 anos, na última quarta-feira. A causa da morte não foi informada.

Ele nasceu Gerald Michael Charlebois em Dakota do Norte, nos Estados Unidos, em 1929, e vivia numa instituição de repouso para idosos em Nevada nos últimos anos. A morte foi confirmada por um amigo numa publicação no Facebook.

Forest era conhecido como um homem de porte atlético e tinha um currículo extenso como ator coadjuvante no cinema e televisão, que iniciou na década de 1950.

Carreira no cinema e na televisão

Além de participações em séries e novelas que inclui ainda “Além da Imaginação” e “The Dick Van Dyke Show”, atuou em diversos filmes do ator e diretor Roger Corman e emprestou a voz a projetos de animação, animes e videogames.

Como dublador, participou de títulos como “Power Rangers” e “World of Warcraft”. Ele era fluente em italiano e dublou centenas de filmes nos anos em que morou em Roma, além de atuar em produções de outros países da Europa.

Entre seus inúmeros papéis, estão particapações em “A Besta da Caverna Assombrada”, “Atlas” e “Náufrago”.

Vida pessoal

Forest foi casado com a atriz Diane Hale por 52 anos, até a morte dela, em 2022. Não há informações se eles tiveram filhos juntos.

The post Morre Michael Forest, ator de “Jornada nas Estrelas”, aos 97 anos appeared first on Diário da Manhã - O Jornal do leitor Inteligente.

Ukrainian infantry encircled and retook the village of Kolodiazi north of Lyman without getting drawn into street fighting, while a drone battalion kept the sky above them shut, the battalion’s chief of staff told Suspilne on 18 October. The village fell during the fourth and final phase of Operation Vivaldi, Ukraine’s counteroffensive in northern Donetsk Oblast.

For years now, Russia has aimed to seize Lyman and cross the Siverskyi Donets River. It needs this area to encircle Ukraine’s fortress belt of Donetsk Oblast cities from the northwest, ISW assesses. Vivaldi’s four phases retook 277 km² and 16 settlements on that approach, and a veteran of the operation has said Ukraine’s assault troops suffered more than ten times fewer casualties than Russian forces doing it.

Drones over the infantry

The 60th Mechanized Brigade fought in all four phases of Vivaldi and took Kolodiazi in the last one, said the chief of staff of the brigade’s Fatum unmanned systems battalion, callsign Krash.

“Our task, as an unmanned systems battalion, was to escort and ‘close’ the air in front of our infantry to make it impossible for the enemy to hit it. To suppress all the firing assets possible,” he said.

The brigade’s 3rd Mechanized Battalion, the main striking force, encircled Kolodiazi and retook it without getting drawn into street fighting, Krash said. The 1st Mechanized Battalion kept Russian reinforcements out of the area, while drone crews suppressed artillery, hit supply runs, and worked against Russian drone operators.

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Vivaldi counteroffensive advanced after Ukraine took Russia’s drones out of the fight, ISW assesses

500 troops and 200-plus vehicles

The drone battalion killed or wounded about 500 Russian troops during the fourth phase and struck Russian armored vehicles, trucks, and motorbikes, its chief of staff said.

“More than two hundred pieces of various equipment: Grad and Uragan multiple rocket launchers, various armored vehicles, tanks, armored combat vehicles. Most of all motorbikes and quad bikes, there the count runs into the hundreds. This is our enemy’s main logistics tool,” he said.

Ghost villages

The villages retaken in northern Donetsk Oblast are nearly empty of civilians, Krash said.

“It’s very typical for de-occupied settlements: these are ghost towns. You can see right away where the occupier stepped. All the settlements are under the control of the Third Army Corps, our forces stand there and prevent enemy infiltration. But civilian life in these towns is either absent or very scarce,” he said.

Third Army Corps commander Brigadier General Andrii Biletskyi reported Kolodiazi’s liberation, along with Zelena Dolyna and Lypove, when he summed up Vivaldi’s fourth phase, which secured 101 km².

Anyone on social media will find infinite references to horoscopes, mediums, tarot and other practices. This seems to contrast with the era in which we live which is hyperconnected and technologically advanced.

Seguir leyendo

Giorgos Vardinoyannis, one of the best-known figures in Greek business and sports, who also had a significant presence in the commercial shipping industry, died on Friday at the age of 90. Widely known by the nickname “The Captain”, Vardinoyannis was associated not only with the Athens soccer team Panathinaikos FC but also with the Vardinoyannis […]

The post Giorgos Vardinoyannis, shipping magnate and former Panathinaikos FC owner, dies at 90 appeared first on Keep Talking Greece.

Highlighting stories by Melanie Challenger, Eve Livingston, M.R. O’Connor, Gordon Peake, and Blair Braverman.

O brasileiro Rafael Câmara foi anunciado nesta quinta-feira (15) como piloto titular da Haas para a temporada 2027 da Fórmula 1. O pernambucano de 21 anos ocupará a vaga do francês Esteban Ocon e dividirá a equipe com o britânico Oliver Bearman.

Natural do Recife, Câmara será o primeiro piloto nascido no Nordeste a disputar a principal categoria do automobilismo mundial. A contratação coroa uma trajetória de destaque nas categorias de formação, com títulos na Fórmula Regional Europeia, em 2024, e na Fórmula 3, em 2025.

O brasileiro também faz parte da Academia de Pilotos da Ferrari desde 2021. Nesta temporada, ele disputa a Fórmula 2 pela Invicta Racing e lidera o campeonato.

Após o anúncio, Câmara afirmou que pretende manter o ritmo de trabalho e se preparar para o desafio na categoria. O piloto também destacou o desejo de representar o país e conquistar bons resultados em sua estreia.

“Vou continuar trabalhando, como sempre vim trabalhando, evoluindo. Se Deus quiser, vou fazer um bom ano no ano que vem e trazer bastante orgulho para o Brasil e todo mundo que estiver acompanhando”, declarou.

Sobre a adaptação à nova equipe, o brasileiro disse que pretende se preparar da melhor maneira possível, aprender sobre o carro e trabalhar em conjunto com os integrantes da Haas.

Brasil terá dois pilotos no grid

A chegada de Câmara fará com que o Brasil volte a ter dois pilotos titulares na Fórmula 1. Ele se juntará a Gabriel Bortoleto, da Audi, e encerrará um intervalo de 11 anos desde a última temporada em que o país contou com dois representantes na categoria.

Em 2016, Felipe Massa corria pela Williams, enquanto Felipe Nasr defendia a Sauber. Desde então, o Brasil passou por períodos sem pilotos titulares, embora Pietro Fittipaldi tenha disputado duas provas pela Haas em 2020.

Câmara será o 34º brasileiro a competir na Fórmula 1. O pioneiro foi Chico Landi, que estreou em 1951.

O país não conquista o título mundial de pilotos desde 1991, quando Ayrton Senna venceu pela terceira vez, pela McLaren. A nova geração brasileira busca recolocar o país entre os protagonistas da categoria.

The post Rafael Câmara é anunciado pela Haas e Brasil terá dois pilotos na F1 em 2027 appeared first on Diário da Manhã - O Jornal do leitor Inteligente.

Suella Braverman says her Asian ancestry means she is British but not English. Clive Pinder argues that Englishness can be ethnic, cultural or both. If we demand assimilation, we should recognise the belonging it creates.

The post You Can Become English appeared first on The Daily Sceptic.

One person has died as stormy weather with high volumes of water is sweeping across Greece, affecting mostly Greek islands. Rhodes is one of the Greek islands severely hit by the bad weather front, while Evia and the Sporades islands (Skiathos, Skopelos and Alonissos) are also at the mercy of the intense weather phenomena. RHODES […]

The post One dead as stormy weather sweeps across Greek islands appeared first on Keep Talking Greece.

A 41-year-old woman has been arrested in Athens on suspicion of attempting to poison her ex-husband, a military doctor, with atropine. According to media, the man had installed security cameras at his apartment in Peristeri suburb of western Athens. Monitoring the cameras remotely, he allegedly saw his ex-wife who had keys entered the apartment and […]

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Louisiana recently started executing death-row prisoners after more than 20 years of not doing so (save a “voluntary” execution in 2010, when a prisoner waived his right to appeal and said he wanted to die). John Corley, an award-winning writer who is incarcerated at Louisiana’s Angola prison, reflects on how MAGA politics have re-invigorated the practice of state killing in Louisiana and elsewhere, and what it means for the tenor of life in institutions like Angola:

Dalton Prejean Jr, who is serving time for manslaughter, found Hoffman’s execution particularly painful. When he was ten years old, in 1990, his father died in the penitentiary’s electric chair. “The day it all went down, it was almost like reliving the moments leading up to my father’s execution,” Prejean told me. “At ten o’clock the news reporter announced that Hoffman was dead. My heart skipped. I couldn’t believe they had actually killed somebody. Was what he did so bad that he just couldn’t be allowed to go on living? Wasn’t there anything about him that was redeemable?”

Twice a week, the inmate counsel substitute Gary Boudreaux makes rounds on the five death row tiers. He knows each of the surviving men housed there. “There was no tension on the row because the guys believed the execution wouldn’t happen,” Boudreaux said. “It had been so long, and they have good lawyers. They just didn’t think executions would come back.”

A week after the execution, Boudreaux returned to the row. The atmosphere was “totally different.” The men now knew that Governor Landry “is serious about executing people, and the state will execute people. There’s no doubt in their minds about that any more.”

As the European Parliament prepares to welcome representatives from six Gulf monarchies, uncomfortable questions are emerging about the moral foundations of Europe’s foreign policy. Can Brussels credibly champion democracy and human rights while deepening relations with governments accused of suppressing dissent, restricting fundamental freedoms and exploiting migrant workers?

The European Union has long presented itself as a global defender of democracy, human rights and the rule of law. Yet its growing enthusiasm for closer relations with the Gulf monarchies raises an increasingly uncomfortable question: how much are those principles worth when substantial economic and strategic interests are at stake?

On October 16th, the European Parliament will host senior parliamentary representatives from the six members of the Gulf Cooperation Council (GCC): Saudi Arabia, the United Arab Emirates, Qatar, Kuwait, Bahrain and Oman.

The conference, chaired by European Parliament President Roberta Metsola, will address parliamentary cooperation, maritime security and the geopolitical consequences of Russia’s war against Ukraine.

On paper, the initiative represents an entirely reasonable diplomatic exercise. Europe needs reliable energy supplies, secure international shipping routes and constructive relations with influential Middle Eastern governments.

But there is another side to this developing partnership, one that Brussels cannot simply dismiss as an inconvenient complication.

Several Gulf governments maintain political systems in which meaningful democratic opposition is severely restricted, freedom of expression is curtailed and individuals can face imprisonment for challenging those in power.

The question is not whether Europe should maintain diplomatic relations with such countries. It plainly must.

The question is whether those relations should be celebrated as strategic partnerships without demanding meaningful improvements in the treatment of their own citizens.

The uncomfortable reality behind Gulf prosperity

Saudi Arabia’s international image has undergone a remarkable transformation in recent years.

Under Crown Prince Mohammed bin Salman, the kingdom has promoted ambitious economic reforms, tourism projects and international sporting events designed to present a modernising society. Yet this carefully cultivated image sits uneasily alongside its human rights record.

Amnesty International and Human Rights Watch have repeatedly documented concerns over executions, restrictions on political dissent, arbitrary detention and the treatment of women’s rights activists.

The murder of journalist Jamal Khashoggi in Istanbul in 2018 remains an enduring symbol of the dangers faced by critics of the Saudi leadership. A 2021 US intelligence assessment concluded that the Crown Prince had approved an operation to capture or kill Khashoggi, an assessment rejected by Saudi Arabia.

Qatar, meanwhile, has attracted sustained criticism over the treatment of migrant workers, particularly during preparations for the 2022 FIFA World Cup. Although labour reforms were introduced, human rights organisations continue to question their implementation and the effectiveness of protections against exploitation.

The UAE, despite its reputation for modernity and commercial sophistication, has similarly faced criticism over restrictions on political expression, detention of dissidents and the absence of meaningful electoral democracy at national level.

Bahrain has been criticised for imprisoning opposition figures and restricting political freedoms, while concerns about migrant labour protections and freedom of expression extend across other Gulf states, albeit with important differences in their individual records.

These are not minor administrative shortcomings. They concern fundamental rights that the European Union claims to regard as universal and non-negotiable.

When strategic interests outweigh principles

There is an unmistakable contradiction in Europe’s approach. The European Parliament routinely condemns authoritarian practices in Russia, Belarus and other countries where political freedoms are suppressed. It demands accountability, democratic reform and respect for international law.

Yet when dealing with wealthy Gulf monarchies, the language often becomes considerably more accommodating. Economic opportunity, investment, energy security and regional stability suddenly dominate the conversation.

Such selective emphasis risks creating the impression that Europe’s commitment to human rights is determined less by universal principle than by the commercial and geopolitical importance of the country concerned.

That is a dangerous perception for an institution whose international credibility depends heavily upon its moral authority.

If the imprisonment of political opponents is unacceptable in Moscow or Minsk, why should comparable abuses become less objectionable when committed by governments possessing substantial sovereign wealth funds or strategically important energy reserves?

Europe cannot reasonably demand consistency from others while appearing unwilling to apply it to itself.

The strategic argument remains compelling

None of this diminishes the genuine importance of cooperation with the Gulf. The Strait of Hormuz and the Red Sea are essential maritime corridors connecting Europe with global energy suppliers and Asian markets. Threats to commercial shipping, regional instability and the activities of Iran-aligned armed groups present legitimate security concerns.

Russia’s invasion of Ukraine has also demonstrated the dangers of excessive dependence upon unreliable external partners. Diversifying energy relationships is therefore a sensible strategic objective.

Moreover, Gulf governments possess considerable diplomatic influence, including relationships with states and political actors that European governments may struggle to engage directly.

But strategic necessity does not automatically confer moral legitimacy.

Indeed, Europe’s previous dependence upon Russian energy offers a particularly sobering lesson. For years, European governments convinced themselves that extensive commercial engagement with Moscow would encourage moderation and political stability.

Instead, economic interdependence failed to prevent Russian aggression, leaving Europe exposed when that relationship collapsed. It would be reckless to assume that expanding commercial relations with authoritarian governments necessarily produces political liberalisation.

What does parliamentary cooperation actually mean?

The proposed conference also raises questions about the meaning of parliamentary dialogue.

The European Parliament is a directly elected institution, accountable to hundreds of millions of citizens through competitive democratic elections.

The political institutions of the Gulf states operate under markedly different arrangements, with varying degrees of appointed representation, limited electoral participation and executive authority concentrated within ruling families.

Describing these relationships simply as parliamentary cooperation risks obscuring fundamental differences in democratic legitimacy.

Dialogue can undoubtedly serve a useful purpose. But it should not be allowed to imply an equivalence between representative democratic institutions and political structures in which citizens have far fewer opportunities to challenge those governing them.

Nor should participation in prestigious European institutional events become an exercise in international reputation management for governments facing serious human rights allegations.

A test of Europe’s credibility

The European Parliament has an opportunity to demonstrate that closer cooperation need not mean abandoning its principles.

It could insist that human rights form a substantive part of future engagement, including scrutiny of political imprisonment, freedom of expression, judicial independence and migrant worker protections.

It could also establish mechanisms for monitoring progress rather than relying upon diplomatic assurances.

Such measures would not necessarily undermine economic cooperation. They would establish that the relationship carries responsibilities as well as benefits.

Ultimately, the issue is not whether Europe should talk to the Gulf monarchies, but whether it possesses the political courage to challenge them.

A European Union that condemns authoritarianism in one part of the world while accommodating it elsewhere risks reducing its professed values to little more than diplomatic convenience.

Europe may need the Gulf’s energy, investment and strategic influence, but it should not have to surrender its conscience to obtain them.

And if Brussels cannot reconcile its commercial ambitions with its democratic principles, it must confront a deeply uncomfortable possibility: that Europe’s foreign policy is increasingly being guided not by the values it proclaims, but by the wealth and influence of those sitting across the negotiating table.

Airbus and Kratos Defense & Security Solutions have completed the first flight of the U740 Valkyrie uncrewed combat aircraft, a Europeanized version of the XQ-58A Valkyrie, advancing their bid to deliver a combat-ready system to Germany by 2029. The flight comes as the German Air Force, or Luftwaffe, moves toward acquiring a new class of jet-powered combat drones, in what could become a major shift in the country’s traditionally limited armed-uncrewed-aircraft capabilities.

The flight took place at an unnamed test facility in northern Europe, Airbus announced on October 12. The aircraft conducted a rocket-assisted takeoff, maneuvers at different altitudes, and flight at speeds of up to Mach 0.8. The test also included in-flight mission adjustments, with Airbus reporting that all objectives were met.

The next phase will introduce Airbus’ Multi-platform Autonomous Reconfigurable and Secure (MARS) mission system, which is intended to provide the aircraft’s European-controlled software and mission-management architecture. Airbus says MARS will support autonomous operations and coordination between multiple uncrewed aircraft while retaining human oversight of critical decisions.

The U740 is based on Kratos’ American-developed XQ-58A, an uncrewed aircraft designed as a relatively affordable combat platform. Airbus is adapting the aircraft with its MARS mission system and presenting the combination as a way to provide Germany with a sovereign European capability without waiting for an entirely new airframe to mature.

Published performance figures for the U740 include a maximum takeoff weight of around 3,000 kilograms (6,600 pounds). Airbus lists a range exceeding 5,000 kilometers (3,100 miles) and a service ceiling of 45,000 feet. It has an internal weapons bay and external payload stations beneath its wings.

One distinctive feature is the U740’s rocket-assisted launch capability, which reduces its dependence on conventional runways. The original Valkyrie design is primarily recovered by parachute, but newer versions can take off with rocket assistance and land on a runway, offering greater flexibility in how and where they operate. That could help the Luftwaffe disperse operations or launch aircraft from locations where established airfields are unavailable or under threat. The XQ-58 family has also shown some potential for scaling to different requirements, as detailed in these earlier reports on runway launch and recovery and further platform development. In particular, the U.S. Marine Corps has been exploring ways to expand the XQ-58’s flexibility, including further development of the Valkyrie to meet its own mission requirements.

If adopted, the rocket-assisted launch capability would provide an intriguing throwback to practical German studies during the Cold War, in which F-104G Starfighter fighter-bombers used the Zero-Length Launch (ZELL) system to take off from dispersed locations.

Airbus says the U740 will be able to operate autonomously or under the direction of crewed fighters such as the Eurofighter. The company sees it as a means of increasing the reach, firepower, and survivability of existing combat aircraft, with uncrewed platforms undertaking higher-risk missions.

With the MARS system, Airbus intends to give European customers control over mission applications, data, and key software functions, while enabling autonomous mission execution and coordination between aircraft. This is particularly relevant for Germany, which will likely want to integrate national weapons, sensors, and operational requirements without becoming dependent on a foreign-controlled mission architecture.

Since the underlying airframe is American, the degree of sovereignty Germany ultimately obtains will depend on the practical ability to control and modify software, integrate national systems, and support the aircraft throughout its service life.

The European flight is an important step for the Valkyrie program, but substantial work remains before it can be considered combat-ready. Mission-system integration, further testing, and the demonstration of effective cooperation with crewed aircraft will be central to meeting the companies’ 2029 target.

The effort is also unfolding as Germany develops its requirements for what has been described in press reports as a Jagdbomberdrohne, or fighter-bomber drone. The precise operational concept has yet to emerge publicly, including whether the Luftwaffe primarily wants an uncrewed aircraft to accompany crewed fighters or a platform capable of conducting independent long-range strike missions.

Germany has historically lagged behind several other major military powers in fielding armed uncrewed aircraft. Previous attempts to acquire larger reconnaissance drones encountered major technical and procurement difficulties, while political resistance to armed drones delayed the development of a strike capability for years.

The Luftwaffe’s current larger uncrewed aircraft fleet remains limited to five leased Israeli-made Heron TP medium-altitude, long-endurance drones. Germany is also participating in the Eurodrone program, while uncrewed systems were expected to form part of the wider Future Combat Air System (FCAS), before that Franco-German-led effort hit the buffers earlier this year.

Russia’s full-scale invasion of Ukraine in 2022 and Germany’s subsequent military buildup have intensified pressure to address these gaps. Berlin has set a goal of being ready for war by 2029, and reports indicate that the Luftwaffe wants a new combat-drone capability on a similarly ambitious timeline.

As well as Airbus and Kratos, the emerging competition reportedly includes Anduril, General Atomics partnered with Germany’s INTEC, as well as Lockheed Martin. Boeing and Rheinmetall are meanwhile pitching the larger, Block 3 version of the Australian-developed MQ-28 Ghost Bat, while Helsing and Hensoldt are pursuing the homegrown CA-1 Europa.

The various proposals reflect a broader shift toward uncrewed aircraft that can deliver additional weapons, sensors, and electronic warfare capabilities without putting a pilot at risk. But Germany’s terminology raises an important question about the intended role.

A conventional collaborative combat aircraft, or CCA, would be designed to work alongside crewed fighters, extending their reach and providing additional combat mass. A platform intended to operate independently against targets deep inside enemy territory would place greater emphasis on range and survivability. These roles are not mutually exclusive, but the Luftwaffe’s final requirements will shape the aircraft it chooses.

Germany may not be looking for a single drone to do everything. One option might be a split high-low approach that could pair more capable, longer-range systems for deep-strike missions with cheaper, attritable collaborative combat aircraft that can fly alongside crewed fighters. At this point, it should also be noted that CCAs could also give older fourth-generation fighters a new lease on life, boosting their lethality and survivability by extending their sensor reach, adding weapons capacity, and allowing uncrewed aircraft to take on more dangerous tasks.

Meanwhile, Airbus is also working on its larger U760 Ravenstorm, intended for service in the early 2030s. The Ravenstorm gives Airbus a longer-term path toward a more advanced European-designed uncrewed combat aircraft as it pursues the nearer-term Valkyrie effort.

In the short term, the Luftwaffe will need to determine which capabilities must be available in an initial operational fleet and which can be introduced later. Even an aircraft based on an established design requires substantial integration, testing, training, and infrastructure before it can be employed effectively in combat.

Germany’s 2029 target leaves little time for a program that still has to integrate its mission system and demonstrate how the aircraft will be used operationally. That is a particular challenge for the Luftwaffe, which has little experience operating large uncrewed aircraft, let alone jet-powered systems intended for combat.

The European flight gives Airbus and Kratos a head start in testing the U740 for German requirements, but the next major milestone will be flying it with the MARS mission system. How quickly that work progresses will help determine whether the Valkyrie can meet the Luftwaffe’s timetable.

Contact the author: thomas@thewarzone.com

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