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Olivia Wilde’s revenge: How she got people to stop talking about everything but her work

21 October 2026 at 19:55

© Marc Piasecki (Getty Images)

Olivia Wilde returns to the screen and the director’s chair with 'The Invite,' a comedy about secrets, desire and the cracks that emerge when a couple believes they know each other a little too well. The film, in which she stars alongside Penélope Cruz and which is already generating Oscar buzz, marks the return of one of the most controversial figures in recent Hollywood history.

An actress turned director, outspoken feminist and central character in one of the entertainment industry's most talked-about sagas, the 42-year-old filmmaker has gone from being the young doctor on 'House' to embodying the contradictions of an industry that applauds women for breaking the rules, but does not always forgive them for doing so on their own terms.

© Gilbert Flores (Variety via Getty Images)

If there is one thing Wilde has made clear during the promotional tour for 'The Invite,' it is her fascination with Penélope Cruz. The director and actress has even joked that she has not washed her hands since touching those of the Madrid-born star, who plays a free-spirited woman capable of turning her neighbors’ relationship upside down. The couple next door are played by Wilde herself and Seth Rogen.

The two have displayed their easy rapport throughout recent promotional appearances, with Wilde at one point describing her co-star as “the sexiest woman alive.” In one scene, Cruz unexpectedly kisses Wilde. The filmmaker has admitted that she completely lost her composure, her mind went blank and she fell hopelessly in love with her co-star.

© Taylor Hill (Getty Images)

Wilde is one of the filmmakers who has openly spoken about the difficulties she encounters when casting her films and trying to find actresses who have not undergone cosmetic procedures.

“As a director, I now am constantly searching for actresses who can still move their faces. And it’s not easy!” she said. “I don’t blame them. I’m a product of the same machine, I’m under the same pressures; I get it.”

“I just pray for technology to allow treatments that just aren’t so aggressive. Like, there’s something so medieval about all these things. Can’t someone come up with something better than Botox?” she continued.

© Karwai Tang (WireImage)

For Wilde, the issue is also personal. In recent years, her own public appearances have been met with cruel remarks about her looks, her age and speculation about possible cosmetic procedures.

In 2026, photos of the actress became fodder for mockery on social media, particularly because of her extreme thinness. Wilde herself responded with humor, acknowledging that in those viral images she really did look “like a little dead sarcophagus man.”

© Neil Mockford (GC Images)

On Jan. 6, 2021, the world woke up to an image that would dominate headlines for months: Olivia Wilde and Harry Styles walking hand in hand. Wilde was directing her second film, 'Don't Worry Darling,' and Styles, the former One Direction member, was one of its stars.

The couple’s 10-year age gap, the singer’s global fame and Wilde’s recent separation turned the relationship into a media phenomenon. The spiral soon became impossible to stop: Shia LaBeouf’s departure from the project, rumors that the film’s lead actress, Florence Pugh, had a strained relationship with Wilde and was unhappy with the displays of affection between the director and Styles during filming, and the supposedly viral incident in which Styles appeared to spit on Chris Pine at the Venice Film Festival.

Wilde has since acknowledged that she perhaps should have pushed back against some of the allegations. At the same time, she has recalled that she was experiencing moments of great happiness in her private life.

“ It was like a tornado was right outside the door, and if you were inside you were like, ‘It’s so nice,’” she said. “And you open the door and be like, ‘Ah,’ like a fucking like cow and a tractor would fly by.”

© Gilbert Carrasquillo (GC Images)

Wilde grew up in Georgetown, Washington, D.C., in a household where current affairs were effectively a member of the family. Her parents, journalists Andrew and Leslie Cockburn, hosted dinner parties attended by guests as prominent as Mick Jagger, Steven Spielberg and writer Salman Rushdie.

Her mother worked as a war correspondent and went on to become a renowned investigative journalist before taking her career in a different direction. In 2018, at the age of 66, she ran as a Democratic candidate for the U.S. House of Representatives, with her daughter’s public support. She lost to the Republican candidate, but her trajectory left Wilde with a powerful example of political engagement and reinvention.

© Gilbert Flores (WWD via Getty Images)

The role that changed everything for Olivia Wilde, who was born Olivia Cockburn and later adopted the surname Wilde in homage to Oscar Wilde, was that of internist Remy Hadley, better known as Thirteen to both Dr. House and the millions of viewers of the medical drama.

Joining the show's fourth season turned her into an international star and one of Hollywood’s most sought-after actresses. After starring in big-budget films such as 'Tron: Legacy' and 'Cowboys & Aliens,' both of which met with limited critical and commercial success, Wilde later said she felt exploited and objectified by the film industry.

“I had become numb to the fact that every meeting I went on — with men and women, by the way — I was going to be judged on my physical appearance,” she said.

© Chelsea Guglielmino (FilmMagic)

Wilde’s feminist commitment predates the controversies that would later put her at the center of the headlines. In 2017, when the #MeToo movement brought the industry’s abuses of power into the spotlight, she joined the growing chorus of voices calling for change. She also became one of the public faces of Time’s Up, the initiative launched by women in Hollywood to combat sexual harassment and promote safer workplaces, and spoke at the 2018 Women’s March in Los Angeles.
“This business belongs to all of us,” she said that year, advocating for an industry in which her peers could work without fear and without having to compete for opportunities that had historically been denied to them.

© Axelle/Bauer-Griffin (FilmMagic)

Wilde’s debut as a feature-film director came in 2019 with a low-budget comedy that quickly achieved cult status among a generation of moviegoers: 'Booksmart.' The film, which follows two high school students on one final night of partying before graduation, was a hit with both critics and audiences.

Wilde had long wanted to stop being just another cog in the industry and take a more active role in the creative process.

“I always assumed acting was the way in, because for many young women … they’re told, ‘You love movies — you should be a movie star,’" she told 'Variety.' "No one tells a little girl, ‘Why don’t you become a director?’ It’s just not a part of the conversation. But if a little boy says he loves movies, it’s like, ‘Maybe one day you’ll direct. Maybe you’ll be the next Steven Spielberg or Martin Scorsese.’”

© Donato Sardella (WireImage)

“Romantic and insane.” That is how Olivia Wilde describes her first great love story, which began in 2003 when she was just 19 years old.

At Burning Man, the unconventional arts and music festival held in Nevada’s desert, the young Wilde said “I do” to her boyfriend of only a few months, filmmaker Tao Ruspoli, the son of an Italian prince. By her own account, it took only seconds for her to realize that the ceremony might have been a little too impulsive.

“Immediately, I was like, 'Wait, what the fuck did I just do?'” she remembers thinking.

The marriage ended in divorce in 2011, although the two have remained on good terms.

© Axelle/Bauer-Griffin (FilmMagic)

The same year she finalized her first divorce, in 2011, Wilde met the man who would become the father of her two children: actor Jason Sudeikis (from 'Ted Lasso'). The two met at a 'Saturday Night Live' party, where Sudeikis was working at the time, and went on to build a family with their children, Otis and Daisy.

In November 2020, after several years together and a long engagement, they ended their relationship, setting off a custody dispute that would later make international headlines. In April 2022, during a film industry convention in Las Vegas, Wilde was interrupted onstage when a person approached to hand her legal documents related to the custody case.

Although Sudeikis maintained that he had no knowledge of how or when the papers would be served, Wilde described the incident as “incredibly traumatizing.”

© BG026/Bauer-Griffin (GC Images)

In her day-to-day life, Wilde is often spotted on the streets of New York wearing far simpler outfits, the kind that are easy for ordinary women to take inspiration from. The look pictured here is a perfect example: a blazer, a basic T-shirt, an oversized bag, trousers and sneakers.

It is the sort of outfit anyone might wear to the office or while running errands.

© Frazer Harrison (WireImage)

On the red carpet, Wilde has also earned international attention for her distinctive sense of style. Her looks strike a balance between understated elegance, as seen in this high-necked black Saint Laurent gown with structured shoulders, and a more daring sensibility, whether through sheer fabrics or outfits that showcase her sculpted midriff.

Tailored suits are another staple of her wardrobe, further proving her flair for sharp suiting. The architect behind a style that has grown increasingly sophisticated and eye-catching over the years is Karla Welch, who also styles Tracee Ellis Ross and Sarah Paulson.

© Valentina Frugiuele (Getty Images)

The actress is also a favorite of fashion houses with markedly different aesthetics, including Chloé (pictured here in one of the brand’s designs), Saint Laurent, Michael Kors, Louis Vuitton and Valentino.

Her regular appearances at international fashion weeks, particularly in Paris and New York, have made her one of the celebrity names every brand wants seated in its front row.

© Stephane Cardinale - Corbis (Corbis via Getty Images)

Earlier this October, Wilde answered the call of fashion’s designer and label of the moment, stepping out in an updated tweed suit by Matthieu Blazy for Chanel. Elegant yet contemporary, the look demonstrated how her trademark bohemian, '70s-inflected style can also take a decidedly classic turn.

It seems that for Wilde, neither in fashion nor in life, much is beyond reach.

Who capped Ukraine’s Starlink? “Ultimately POTUS,” Musk said. Ultimately Musk, reports now say

21 October 2026 at 12:16

musk, trump

Elon Musk ordered the speed cap on Starshield, the military version of SpaceX’s Starlink network that Ukraine’s drones rely on, The Wall Street Journal reported on 20 October. Earlier, Musk said that such limits are decided by the US military and “ultimately POTUS.” Speaking to reporters in Eau Claire, Wisconsin, on 20 October, according to WSJ, US Defense Secretary Pete Hegseth said, “We haven’t made any directives or anything like that,” CBS News reported.

For a week, no one with a hand on the system said the decision was theirs. Musk pointed to the US military and the president, and Trump said he did not know who it was. Meanwhile, Ukrainian officials said the cap has hampered the drones they use to intercept Russian Shaheds and to strike Russian forces in occupied territory. Kyiv says the cap remains in place, and at about 160 km/h it makes intercepting jet-powered drones and missiles that fly about twice as fast virtually impossible.

Musk spoke with administration officials, including Trump, before the cap, a source says

Musk capped the speeds at which Ukrainian hardware could stay connected to the network, people familiar with the matter told WSJ. The slowdown, which began on 14 October, left some of Ukraine’s strike and interceptor drones virtually useless, WSJ said.

WSJ’s sources differ on Trump’s role. Some US officials said Musk acted on his own and that Trump did not specifically order any retribution against Ukraine. One person said Musk spoke with several senior administration officials, Trump among them, before imposing the cap. Two people said Musk and Trump discussed the decision by phone soon after the slowdown became public.

During the uproar, SpaceX representatives called White House counterparts. They asked for a shared message that the company and the administration had coordinated before Musk’s directive, the people said. The White House ran an informal inquiry into who ordered the slowdown, WSJ said.

Musk held several conversations with administration officials before the order to understand the president’s thinking, CBS reported, citing sources. He dislikes his company being seen as profiting from the war, and it is unclear how his order was carried out, CBS said.

Hegseth points to Starlink’s terms of service

Hegseth said the US had not pulled anything back. He said Starlink “has the option” to make decisions under its terms of service, and that from the Pentagon’s view nothing had changed, CBS reported.

Speaking to reporters as he left the White House on 16 October, Trump said he did not think either he or Musk was responsible, The Telegraph reported. On 19 October, he said, “I don’t know who it was, but I’d like to find out.”

Last week, a bipartisan group of senators asked the Pentagon’s inspector general to investigate whether officials “directed” or “authorized” changes to Starlink and Starshield services and intelligence sharing affecting Ukraine.

Earlier reports pointed at the White House

On 15 October, Reuters reported that the order came from inside the White House. The officials said Pentagon leaders received a message that the Starshield service for Ukraine’s military needed to be slowed, but did not say who made the decision or who carried it out. A senior US official said “No such request was ever made by the president.”

On 16 October, The Telegraph reported, citing four sources, that Musk approached Trump with the idea of the speed limits. One of the sources said Trump agreed.

Analysts and Kyiv say the cap is still in place

Michael Kofman, a war analyst at the Carnegie Endowment, said, according to WSJ, that Ukrainian strike and interceptor drones remain limited to 160 km/h. He said actual connections run below 130 km/h, which still hampers strikes and air defense.

On 20 October, Ukraine’s top diplomat in Washington, Denys Sienik, said Kyiv was still waiting for answers from the Pentagon and SpaceX, WSJ reported.

Buying Moscow from Washington: Europe has lost the energy war

By: A A
15 October 2026 at 10:00

The simplest test for recognizing a collective pathology is to ask each of its members whether they would choose on their own to do what the group is doing.

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A pipe and an ocean

A gas pipeline is a pipe. It connects a gas field to a consumer, crosses a few borders, and, once built, transports energy at a very low cost per unit. A supply chain that starts at Russian gas fields, goes through an American contract, crosses the Atlantic on a LNG tanker, and arrives at a European regasification terminal does the same thing but with more steps, more markups, and more friction. No engineer, no accountant, no student of economic geography would choose the second option if they could choose the first. And yet that is where Europe seems headed: according to recent reports, Russian energy could return to European markets with an American stamp on it and a higher price tag attached.

I argue that this situation cannot be explained by Washington’s cunning—which certainly exists—nor by Brussels’ weakness—which certainly exists as well. It stems from a cognitive distortion shared by governments, institutions, and much of the public, which has rendered a geographical truism invisible. I call it the pathology of the absurd: the state in which a system continues to follow its own internal rules even as they produce an outcome that none of its individual components, taken on its own, would ever have wanted. The technical term for this mechanism is collective bias—that is, an error in judgment that does not stem from the stupidity of individuals but from the way a group convinces, rewards, and punishes itself.

How to lose a war without fighting it

A methodological clarification before proceeding. No official documents have been released yet (a treaty, an MoU, nothing public); what has been documented is scant and carries almost symbolic weight. Trump announced that Russia will supply the U.S. and global markets with over 300,000 metric tons of diesel immediately, another 500,000 in November, and one million shortly thereafter. Converted to barrels, that’s about 5.9 million in total—one-fifth of global consumption in a single day—and just over a week’s worth of Russian exports at last year’s rate. As a market transaction, it is insignificant, but as a political signal, it is quite the opposite.

Because politically speaking, the implications are much deeper. Moscow has lifted the ban on diesel exports that had been in place since July. Trump stated that the time has come for Ukraine to have a new president and proclaimed an “energy truce” effective immediately. According to an account by a U.S. official, the peace plan being developed by the White House and several European capitals would freeze the front along the current line of control and provide security guarantees comparable to NATO’s Article 5, a reconstruction mechanism entrusted to the World Bank and BlackRock, and a pipeline to bring Russian gas and oil back to Europe, with profits split between Moscow and Kyiv. Washington, meanwhile, is reported to have suggested suspending intelligence sharing and the PURL mechanism if Kyiv continues to strike Russian refineries.

Zelensky stated that the announcement of the truce was news to him and that Kyiv was awaiting details. Lavrov rejected the idea of a pause; Peskov spoke of ongoing contacts. If we leave it to the “theologians of journalism” to debate whether the chicken or the egg came first, we can focus on what lies behind the facts—namely, that Russian energy will return to Europe through a framework negotiated by Washington, which is a likely prospect in the medium term, with moderate confidence regarding the trajectory and low confidence regarding the details. And, it must be said, anyone reading these pages as the chronicle of a fait accompli is misreading them.

By “energy war,” we mean the contest over who sets the price, the route, and the rules governing a continent’s energy flows. In this contest, Europe set out in 2022 convinced it was fighting a moral battle; it cut off supplies from Russia, presenting the decision first as a necessary sacrifice, then as a strategic victory. The assessment after four years tells a different story: Europe has lost its cheapest and closest supply source, has rebuilt its dependence elsewhere, and the United States—which in the meantime had become the continent’s main supplier of liquefied natural gas—has gained both influence and profit margins as a result. When the European Parliament decides that, as of January 1, 2027, even the last remaining shares of Russian energy will be phased out of the Union’s energy mix, the circle will be complete, and the phase-out will be total—just as the other side of the Atlantic prepares to do business with Moscow.

In the tradition of classical geopolitics, this issue has an age-old name. Europe is the western peninsula of the vast Eurasian continent, and its natural logic of supply is continental: pipelines, long-term contracts, and interdependence with those to the east. The Atlantic logic is maritime, consisting of ships, terminals, and spot prices. Mackinder and Spykman, though by different paths, had understood that whoever separates the two systems profits from both sides of the divide. One need not adopt the entire theoretical framework of the Eurasianist school to recognize that geography does not negotiate here, and that for four years European institutions have acted as if it could.

The intermediary model

According to the model that has emerged so far, the United States would acquire Russian energy assets—starting with Lukoil’s foreign division—through an initial payment and a share of the profits, and could purchase, on competitive terms, the hydrocarbons that Europe no longer buys, in order to resell them to Europeans at full price. Washington’s interest is explicit and evident even in the most cautious sources. Trump faces midterm elections, an energy crisis triggered by the aggression against Iran, rising diesel prices, and low approval ratings. On the other hand, the American consumer has no reason to distinguish between Russian diesel and any other diesel.

What matters is the role assigned to Europe. Officials from the United Kingdom, France, and Germany were present at the talks in Florida. Their task is to ensure post-war security, finance reconstruction through instruments designed elsewhere, and, in the long term, open their own energy markets to a Russia that has, in the meantime, forged a direct relationship with Washington. They are the guarantors and the clients; they do not appear among the beneficiaries of the profits. When the diesel agreement was announced, the Europeans expressed irritation yet remained at the table—which is a good summary of where they stand.

And there is also a strange, biting irony in all of this: Nord Stream—which Washington did not want built and which was sabotaged—would be reactivated under a draft U.S. agreement, and the gas flows that Europe lost as a result of that sabotage would once again pass through U.S. intermediaries. If the pipeline were reactivated, Europe would pay to get back what it already had, at a price set by those who neither produce nor consume it. Pure madness.

Why it’s a pathology, not a mistake

We are facing a collective cognitive bias that has evolved to the point of becoming pathological. And it is not a simple “error in judgment,” since an error is corrected when it is discovered, whereas a pathology persists because it is sustained by the very structures that should be curing it. I identify four such structures, each of which is rational when viewed from within.

The first is moralization. Sanctions began as a tool and have become an identity. Anyone who today proposed reopening direct channels with Moscow would be seen as a traitor, not as an accountant. The accounting objection, however well-founded, has no place in the debate. The second is sunk costs: after years of sacrifices imposed on citizens and businesses, admitting that the plan was flawed costs more—in political terms—than continuing to pay the consequences. The third is the delegation of rationality. If Washington is the one to reopen the channel, no European government will have to admit it was wrong. The premium that Europe would pay to the intermediary is, in essence, the price of not having to admit the mistake. It is a bill that leaders present to their constituents under the heading of “security.”

The fourth is the institutional asymmetry between those who decide and those who pay. A parliamentary vote on sanctions generates immediate visibility for those who cast it, while the cost is spread across millions of utility bills and thousands of industrial plants, faceless and without a specific date. In such a system, the most convenient choice for any decision-maker is almost always the loudest one. There’s no need to hypothesize about a hidden agenda or secret plan to explain the outcome. Washington’s interest is stated openly and perfectly clear; Europe’s blindness is structural. These are two phenomena of different natures that have ended up interlocking.

The most serious criticism of this interpretation comes from countries bordering Russia. For Warsaw, Riga, or Vilnius, dependence on Moscow’s energy is not a matter of price but of exposure. The year 2022 demonstrated that an energy supply can be cut off, and the extra cost paid to diversify sources is an insurance premium like any other—or at least that is what the EU has tried to convince the countries of Northern Europe, spinning the fairy tale of a better world that would soon arrive, achieved through military victory alongside Kyiv. A fascinating fairy tale, to be sure, but one that holds up only to a certain extent. Insurance makes sense when the premium is limited and when the insurer does not profit from the occurrence of the loss. Here, the insurer is also the main beneficiary of the rift between Europe and Russia, as evidenced by the very fact that it is about to mend that rift when it suits its interests. Furthermore, dependence on the United States is a form of dependence like any other. The threats to suspend intelligence sharing and the PURL mechanism with Kyiv—if confirmed—show that Washington makes its available supplies contingent on its current political objectives.

Anyone who thinks that using energy as leverage applies only to Moscow has a selective memory. If Europe were to re-enter the Russian market through American intermediation, it would compound its vulnerabilities: it would be dependent on Russian energy and on the American infrastructure that delivers it. In other words, this objection justifies diversification, but it does not justify the decision to never negotiate on its own.

Scenarios and indicators

We can discern three plausible developments, with a 6- to 12-month timeframe—assuming we manage to get through this winter.

The first is the consolidation of U.S. mediation: sanctions eased in phases, Russian assets acquired by U.S. and Gulf operators, and energy flows returning to Europe under contracts that Europe did not draft. This is the most optimistic scenario, though with only moderate confidence. The second is the failure of the agreement, with Moscow refusing a ceasefire, Kyiv continuing to strike refineries, and Washington shifting its focus elsewhere; Europe would be left with high prices and no supply channels. This is a possible outcome, roughly equally likely. The third is a direct overture from Brussels or certain capitals toward Moscow—highly unlikely in the short term, for the political and psychological reasons already outlined.

Four indicators will help determine which of these scenarios unfolds: the text of any agreement setting the sanctions timeline; the name of the party holding the contracts for Lukoil’s international assets; the status of Nord Stream, if and when it is included in an official draft; The outcome of the U.S. midterm elections, which weigh on the entire situation more than Brussels cares to admit.

Added to these is a factor of uncertainty regarding the U.S. counterpart: the energy agreement does not resolve the structural weaknesses of the U.S. economy, ranging from public debt to rising interest rates to debt-financed artificial intelligence companies. A partner with such finances—and such a packed political calendar—is a mediator who offers little guarantee of longevity.

The simplest test for recognizing a collective pathology is to ask each of its members whether they would choose on their own to do what the group is doing. No European government official responsible for energy policy, if questioned in private, would say that buying Russian energy in Washington is the best solution. They would, it seems, provided that others are the ones making the decision.

The true price of a pipeline is the cost of the pipeline itself.

Everything else that is added—and that Europe would pay—reflects the cost of a choice that has never been made openly.

So far, no one has asked that question on the floor of the chamber.

Kimberly Guilfoyle forced to resign as US Ambassador to Greece

13 October 2026 at 18:23

Stormy developments at the US Embassy in Athens: Ambassador, Kimberly Guilfoyle, resigned from her post as US Ambassador to Greece on Tuesday afternoon Prior to the resignation of the controversial ambassador, there was a public statement by the new White House Press Secretary, Katie Zakaria, who said on Tuesday morning (US time): “We have asked […]

The post Kimberly Guilfoyle forced to resign as US Ambassador to Greece appeared first on Keep Talking Greece.

Ballroom Blitz

9 September 2026 at 14:00

The White House ballroom project is wildly unpopular. Donald Trump doesn’t care. Ben Terris reports on Trump’s obsessive bid for architectural immortality, which is now barreling toward completion, and captures the breathtaking sycophancy required to work for this president:

“We had asphalt going into here,” Trump says, standing on the pathway leading to the residence of the White House. “Now you have the best stone.” He points at a pile of square-cut granite—the type being used to replace the asphalt walkway—and looks to his communications director, Steven Cheung, who is accompanying us on this impromptu tour of the White House grounds en route to the construction site.

“That’s some stone, huh, Steven?” he says.

“It’s incredible,” Cheung concurs.

“Look at the thickness of it,” Trump says. “Normally, you use one inch, as thin as you can. It’s the White House—I said, ‘Fuck it, what’s the best you have?’ They said, ‘We have one that’s four inches.’”

“You’re restoring glory to the White House,” Cheung says, shaking his head in apparent awe.

Memory Architecture

2 September 2026 at 12:00

In a beautiful and vivid essay on home, time, and family, Diane Roberts reflects on the house that her parents built, and their family’s land in Leon County, Florida, to which she feels deeply connected. I especially love Roberts’s thoughts on a home versus a house—the latter is composed of construction materials, but “home implies a complex neural network of family association and feeling, layers of experience, a shared past.” Despite the tragedies the home holds, it is ultimately a place of memory and meaning.

Home and time are as tangled as the skunk vine and Confederate jasmine choking my backyard fence. I suppose that’s to be expected. My house holds our history and the indispensable relics of former houses, objects cherished by the now-dead: the tiny rocking chair my grandfather made for my mother when she was three; the 1960 TR3 in the barn my brother never quite got around to fixing; the two old rosebushes dug up from the Washington County farm, replanted at Great-Aunt Rilla’s house in Chipley, then dug up again and transported to our front yard. The house didn’t simply belong to us, it was us—our mother, our father, Brad, and me.

I Went to the White House Brawl and Watched the Manosphere Go Limp

25 August 2026 at 14:00

I found it easy to resist the early dispatches from “UFC Freedom 250,” the Ultimate Fighting Championship event held in June on the White House South Lawn. But Jon Ronson is the sort of writer I can’t help following into battle. Fresh off a new book about masculinity, Ronson brings a delightfully skewed perspective to the fights and the days that surrounded them. The result is a portrait of a planned media spectacle that can’t quite make sense of itself. The best battle here may be Ronson’s tussle with his own photographer, 79-year-old Bruce Gilden, who is a bit of a hugger.

“I’m pretty certain you hugged Stephen Miller first,” I say. “I don’t see Stephen Miller as initiating a hug.”

“You may be right,” he says. “I don’t remember. Look, I do things maybe other people aren’t comfortable doing, but I felt comfortable and I trust my instincts.”

He acknowledges that “nobody is immune to misreading a situation” and that because of him we were all forced back indoors, but he blames Miller’s entourage for not checking with their boss on whether he minded being hugged.

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