Last July, President Donald Trump imposed 50 percent tariffs on various Canadian goods, a list he subsequently expanded to include additional imports, some of which he banned outright. His legal justification was Section 338 of the Smoot-Hawley Tariff Act, which Congress approved in 1930. Section 338 authorized tariffs in response to discriminatory trade practices. But in the 96 years since it was enacted, no president had ever used it to impose tariffs.

Why is that? According to a lawsuit that the Liberty Justice Center (LJC) filed on Tuesday in the U.S. Court of International Trade (CIT), the answer is clear: Section 338 was superseded by subsequent legislation that likewise targeted discriminatory trade barriers, beginning with the Reciprocal Trade Agreements Act of 1934 and culminating in Section 301 of the Trade Act of 1974. Section 301, the current remedy, includes requirements that Trump apparently sought to dodge by invoking Section 338 instead.

That maneuver is illegal, the LJC argues. "Congress already gave the executive branch a tool for responding to unfair foreign trade practices: Section 301, which requires an investigation, public comment and other safeguards," says Jeffrey M. Schwab, the LJC's director of litigation. "The administration cannot skip those protections by reaching for a 1930 statute that no president had ever used to impose a tariff."

Why not? "Where provisions in two acts are in irreconcilable conflict, the later act, to the extent of the conflict, constitutes an implied repeal of the earlier one," the lawsuit says. "Where a later act covers the whole subject of an earlier one and is clearly intended as a substitute, it operates similarly as a repeal. And a specific policy embodied in a later federal statute controls the construction of an earlier one even absent express amendment."

Even if Section 338 somehow survived congressional approval of contrary laws, the LJC adds, Trump's tariffs exceed the authority it grants. And if Trump's interpretation of Section 338 were correct, the lawsuit says, the provision would violate the nondelegation doctrine, which bars Congress from delegating its tariff power to the president without providing "an intelligible principle" to guide and constrain his exercise of it.

Trump's Section 338 tariffs, in short, are "the Administration's latest attempt to exercise, through a statute never designed for the purpose, the tariff power that the Constitution assigns to Congress." That pattern should be familiar by now.

Shortly after taking office in 2025, Trump claimed to have discovered a previously unnoticed delegation of extensive tariff authority in the International Emergency Economic Powers Act (IEEPA), a 1977 law that does not mention import taxes and had never been used to impose them. That claim was rejected by every court that considered it, and last February the Supreme Court ruled that IEEPA does not authorize tariffs at all.

Trump responded to that decision by immediately announcing similarly broad tariffs under Section 122 of the 1974 Trade Act, which addresses "fundamental international payments problems" caused by "serious United States balance-of-payments deficits." In May, the CIT ruled that the new tariffs were illegal because Trump had failed to "identify balance-of-payments deficits within the meaning of Section 122."

Trump then switched to Plan C, invoking Section 301 of the Trade Act, which authorizes tariffs in response to a foreign "act, policy, or practice" that is "unreasonable or discriminatory" and "burdens or restricts" U.S. commerce. He claimed that provision justified tariffs on 86 trading partners, accounting for nearly all U.S. imports, because they had failed to "impose and effectively enforce a prohibition on the importation of goods produced with forced labor." The CIT is currently weighing challenges to those tariffs, including an LJC lawsuit.

Trump's Section 338 tariffs have now added to the CIT's caseload. The LJC represents Gellert Global Group, an importer that was hit hard by those taxes after Trump added cheese to the list of disfavored Canadian goods. The lawsuit asks the CIT to certify a class of importers, numbering in "the hundreds, if not the thousands," that likewise have been clobbered by Trump's 50 percent tariffs.

Since Trump obviously is aware of Section 301, why did he resort to a never-used, seemingly obsolete provision to justify the tariffs on imports from Canada? As the LJC notes, Section 301 requires an investigation by the Office of the U.S. Trade Representative, "consultation with the foreign country concerned, notice, public comment, a hearing, and determinations within statutory deadlines." It also requires "that action be equivalent in value to the burden imposed, that duties be preferred over other import restrictions, and that actions terminate after four years absent a request for continuation and review."

Can Trump avoid those constraints by invoking Section 338 instead? The LJC thinks not: "Congress did not intend to leave in place a parallel authority that would allow the President to impose the same remedies, for the same conduct, free of every one of those safeguards."

Section 338 has been "impliedly repealed," the LJC argues. "At a minimum, Section 301 controls where, as here, the President seeks to respond to foreign practices within Section 301's scope, and the President may not impose duties in response to such practices while disregarding the procedures and limits Section 301 imposes. Because the President did not proceed under Section 301, the Section 338 Tariffs are unlawful whether or not Section 338 survives."

Even if you ignore subsequent legislation, the LJC argues, the Canadian policies that Trump cited when he announced the tariffs do not qualify as "discrimination" under Section 338. "Canada's motor vehicle surtax and its provinces' alcohol purchasing decisions are responses to tariffs that the United States imposed on Canada, not discrimination by Canada against the United States," it says. Trump also complained that Canada treats European cheese imports more favorably than U.S. cheese imports. But "when Congress enacted Section 338, a preference granted under a reciprocal agreement was not 'discrimination.'"

Section 338 "addresses discrimination: measures that single out United States commerce for worse treatment than the commerce of the world at large," the lawsuit says. "It is not a general authorization to impose tariffs whenever the President disagrees with a trading partner's policies, or whenever a trading partner responds to tariffs the United States has imposed on it."

Trump also was unfazed by Section 338's requirement that the president set duties to "offset" the costs imposed by discriminatory practices, which implies proportionality. Rather than attempt that, the LJC notes, Trump imposed "the statutory maximum rate of 50 percent without tying it to any measured burden."

As interpreted by Trump, the lawsuit warns, Section 338 authorizes the president to "impose tariffs of up to 50 percent on any products of any country that extends better treatment to any other country in any respect—including through any of the hundreds of preferential trade agreements to which the United States is not a party—or that responds to tariffs the United States has imposed on it." Yet Section 338 "contains no clear statement authorizing that power," contrary to the "major questions" doctrine, which applies to assertions of executive authority with "vast economic and political significance."

If Section 338 conferred the sort of unfettered authority that Trump is claiming, the LJC says, it "would supply no intelligible principle constraining the exercise of Congress's power to lay duties." His reading "would convert a narrow, fact-dependent provision into an effectively unrestricted delegation of Congress's tariff power," which would be "an unconstitutional delegation of legislative power."

This case "is not about the president," says LJC CEO Sara Albrecht. "It is about the presidency. No president should have the power to pull a dormant statute off the shelf and use it to impose sweeping tariffs or import bans without the limits Congress required."

The post Trump's 50% Tariffs on Canadian Goods Illegally Rely on a Superseded Statute, a Lawsuit Argues appeared first on Reason Magazine.

Today, the Liberty Justice Center (LJC) filed Gellert Global Group Corp. v. Trump, the first lawsuit challenging President Donald Trump's massive Section 338 tariffs against a variety of Canadian imports. The case was filed in the US Court of International Trade (which has jurisdiction over tariff-related cases); Gellert Global Group is an importer of Canadian cheese subject to the tariffs. LJC is the same public interest group that I worked with on the case challenging Trump's earlier IEEPA tariffs, which ultimate resulted in their invalidation by the Supreme Court. I am not directly involved in the present case. But I support it and believe it deserves to prevail.

LJC has also filed cases challenging Trump's massive Section 122 and Section 301 tariffs. They have become America's premier public interest law group standing up for free trade and enforcing constitutional constraints on executive power over trade restrictions.

Section 338 was part of the infamous Smoot-Hawley tariff act of 1930, which gravely exacerbated the Great Depression. It has never been used before, likely because it was superseded by later laws.

I have previously written about why Trump's Section 338 tariffs are harmful and illegal. See my recent Montreal Economic Institute paper on this topic, and earlier pieces here, here, and here. To briefly summarize, the tariffs on Canada are illegal because 1) Section 338 has been superseded by later legislation, 2) even if Section 338 is still operative, Trump's tariffs do not meet its requirements because the Canadian actions they supposedly respond to do not "discriminate" against US goods, as the law requires, 3) Trump's tariffs do not "offset" the Canadian actions (as Section 338 also requires), but go far beyond that, 4) the administration's interpretation of Section 338 runs afoul of the "major questions" doctrine, and 5) if Section 338 is operative and does authorize the Trump actions, it would violate the constitutional nondelegation doctrine (which restricts delegation of legislative power to the executive).

The LJC complaint advances all five of these arguments. To prevail, they need win on only one. They also add a few more technical points that I will not try to cover here. LJC further seeks a class action certification for a class of all those importers subject to the Section 338 tariffs. If this succeeds, it would block all enforcement of Section 338 tariffs, not just those paid by Gellert.

This lawsuit does not directly challenge Trump's extension of the Section 338 action to categorically ban some Canadian imports, in addition to imposing tariffs. As far as I can tell, Gellert does not import goods subject to the ban (as opposed to the tariffs). However, as I explained here and here, the legality of the bans is dependent on that of the initial tariffs. In a recent Lawfare article, I outline the reasons why executive-imposed import bans are subject to most of the same legal constraints as executive-imposed tariffs.

Like the IEEPA, Section 122, and Section 301 tariffs, Trump's use of Section 338 is an attempt to convert a limited delegation of authority into a blank check enabling the president to impose tariffs whenever he wants. Courts should reject all of these power grabs.

I commend LJC for bringing this important case. And I hope and expect it may not be the last lawsuit challenging the Section 338 measures. Future cases might well challenge the import bans directly, as well as the tariffs.

The post Liberty Justice Center Files First Lawsuit Challenging Trump's Section 338 Tariffs Against Canadian Imports appeared first on Reason Magazine.

• Actors James Van Der Beek, Hayden Panettiere, Robert Duvall, Chuck Norris, Patrick Stewart, and Eva Marie Saint died in 2026.
• So did musicians Dolly Parton and Duncan Sheik.
• Civil rights leader Rev. Jesse Jackson, activist Gloria Steinem, and NFL Hall of Famer Mike Ditka also died this year.

Below, we look back at the celebrities we lost in 2026, listed in alphabetical order.

Scott Adams, 68

Scott Adams worked at a telephone company in the 1980s. The experience inspired his beloved comic strip, "Dilbert."

By the end of the decade, the character and his satirical office humor began appearing in comic strips.

At its peak, "Dilbert" was syndicated in over 2,000 newspapers. A cartoon series debuted in 1999, running for two seasons.

Adams gained notoriety when he began writing blog posts praising Donald Trump during his 2016 presidential run. In 2023, "Dilbert" was pulled from newspapers across the US following racist comments made by Adams.

Adams died on January 13 from metastatic prostate cancer.

Brad Arnold, 47

The lead singer of 3 Doors Down, Brad Arnold launched the group into fame with the 2000 rock anthem "Kryptonite," which peaked at No. 3 on the Billboard Hot 100 that year.

The success led to other hits like "Loser," "Here Without You," and "When I'm Gone." Arnold's vocal range and lyrics focused on love and love lost, which fueled the group to stardom.

Arnold died on February 7 from a type of kidney cancer.

Afrika Bambaataa, 68

A hip-hop pioneer during the 1970s and 1980s, Lance Taylor, known professionally as Afrika Bambaataa, first gained attention as a DJ in the Bronx.

He signed with Tommy Boy Records in 1981 and released landmark songs like "Jazzy Sensation" and "Planet Rock." He would go on to influence the likes of Queen Latifah and A Tribe Called Quest throughout his career.

Bambaataa founded the hip-hop awareness group, Universal Zulu Nation, in the 1970s to steer kids away from gang life. Bambaataa stepped down as the head of the organization in 2016 after accusations of sexual abuse.

Bambaataa denied all claims.

He died on April 9 due to prostate cancer.

Rob Bass, 59

One of the icons responsible for bringing hip-hop to the mainstream, Rob Bass crafted the iconic track "It Takes Two" alongside DJ E-Z Rock.

The track, released in 1988, reached No. 3 on the Billboard Hot Dance/Club Songs chart and later went certified platinum. In 1989, it was voted the greatest single of all time by Spin magazine.

Bass died on May 22 following cancer.

Nicholas Brendon, 54

Nicholas Brendon was a television actor, best known for playing Xander Harris in all seven seasons of "Buffy the Vampire Slayer."

He also starred in "Criminal Minds" and "Kitchen Confidential."

Brendon died in his sleep on March 20 due to natural causes, according to his family's statement.

In 2023, Brendon suffered a heart attack and was diagnosed with a congenital heart defect. He also had cauda equina syndrome, which led to several spinal surgeries.

"While it's no secret that Nicholas had struggles in the past, he was on medications and treatment to manage his diagnosis, and he was optimistic about the future at the time of his passing," the statement to The Hollywood Reporter read. "Our family asks for privacy during this time as we grieve his loss and celebrate the life of a man who lived with intensity, imagination, and heart."

Peabo Bryson, 75

Two-time Grammy winner Peabo Bryson is best known for his classic love ballads.

Bryson began releasing music in the late 1970s, but one of his first major hits was opposite Roberta Flack on the 1983 duet, "Tonight, I Celebrate My Love." He continued hit-making a year later with the smash "If Ever You're in My Arms Again," and in 1991, he topped the R&B charts with "Can You Stop the Rain."

Bryson found global stardom with his renditions of two Disney classics. In 1991, he released the pop version of "Beauty and the Beast," alongside Céline Dion, and a year later, he duetted with Regina Belle on "A Whole New World" from the 1992 release of "Aladdin."

Bryson died on June 2. No cause was given.

James Burrows, 85

An 11-time Emmy winner and co-creator of "Cheers," director James Burrows helped shape modern TV comedy through his work on iconic sitcoms including "Will & Grace," "Friends," and "Frasier."

Known for his comedic timing and elaborate blocking, Burrows got his start directing episodes of "The Mary Tyler Moore Show." Throughout his career, he directed episodes of "Frasier" (winning an Emmy for the pilot episode), "Will & Grace," "Friends," and "The Big Bang Theory." He directed over 50 pilot episodes.

Burrows died on June 19. No cause was given.

Kyle Busch, 41

Two-time NASCAR Cup Series champion Busch was considered one of the greatest racers of all time.

Busch was hospitalized on May 21, before two upcoming races. Hours later, he was pronounced dead.

Busch died from severe pneumonia that progressed into sepsis.

Robert Carradine, 71

Robert Carradine was best known for his roles as Lizzie McGuire's dad and as the iconic geek Lewis Skolnick in the 1980s franchise "Revenge of the Nerds."

As a member of Hollywood's famed Carradine family, Robert was destined for an onscreen career.

He received one of his first screen credits starring in his brother David Carradine's popular 1970s TV series "Kung Fu" and went on to land roles in everything from Samuel Fuller's World War II classic "The Big Red One" to the "Lizzie McGuire" series.

Carradine's family shared statements with Deadline that emphasized being open about his struggles with mental illness.

"We are bereft at the loss of this beautiful soul and want to acknowledge Bobby's valiant struggle against his nearly two-decade battle with Bipolar Disorder," Carradine's family said. "We hope his journey can shine a light and encourage addressing the stigma that attaches to mental illness."

Carradine died by suicide on February 23.

If you or someone you know is experiencing depression or has had thoughts of harming themself or taking their own life, get help. In the US, call or text 988 to reach the Suicide & Crisis Lifeline. Help is also available through the Crisis Text Line — just text "HOME" to 741741. The International Association for Suicide Prevention offers resources for those outside the US.

Bud Cort, 77

Most famous for his role as Harold in the 1971 cult-classic "Harold and Maude," Bud Cort became the epitome of 1970s counterculture thanks to his baby-faced looks, wit, and sophisticated persona.

The dark comedy starred Cort as Harold, a man in his 20s who is obsessed with suicide until he meets 79-year-old eccentric Maude (Ruth Gordon).

Before that, Cort scored bit parts in Robert Altman's "M*A*S*H*" (1970) and "Brewster McCloud" (1970).

After "Harold and Maude," Cort worked steadily for the rest of his life, occasionally showing up in hit movies like Michael Mann's "Heat" (1995) and Wes Anderson's "The Life Aquatic with Steve Zissou" (2004).

Cort died on February 11 following a long illness.

Tim Curry, 80

Curry is best known for playing Dr. Frank-N-Furter in the cult-classic musical "The Rocky Horror Picture Show," after originating the role in the original stage production.

Over six decades, Curry carved out a niche playing outlandish villains like Rooster Hannigan in the 1982 film "Annie" and Pennywise in the 1990 miniseries "It." Other notable roles include Wadsworth the Butler in "Clue" (1985) and Mr. Hector in "Home Alone 2: Escape from New York."

Curry suffered a major stroke in 2012, which required brain surgery. He said in 2025 that he was "still recovering."

Curry died at his Los Angeles home on August 26. No cause was given.

Eric Dane, 53

Long before becoming one of TV's most recognizable heartthrobs, Eric Dane was building his career with guest roles on series like "Saved by the Bell" and "Married… with Children."

He later gained wider attention with appearances on "Charmed" before landing his breakout role as Dr. Mark "McSteamy" Sloan on "Grey's Anatomy." He most recently starred in HBO's "Euphoria," where he played Cal Jacobs, the father of Jacob Elordi's character, Nate Jacobs.

Dane has two children with his wife, Rebecca Gayheart. In April 2025, the actor said that he was diagnosed with amyotrophic lateral sclerosis, or ALS.

Dane died on February 19 at age 53, his publicist confirmed in a statement to Business Insider.

"He spent his final days surrounded by dear friends, his devoted wife, and his two beautiful daughters, Billie and Georgia, who were the center of his world," his publicist said.

Clive Davis, 94

A legend in the music world, Davis was responsible for elevating pop music to unthinkable heights by discovering talents like Aretha Franklin, Barry Manilow, Bruce Springsteen, Billy Joel, Whitney Houston, and Alicia Keys, to name a few.

Over his 50-year career, along with being an executive behind millions of album sales, he also won five Grammys, including two for Album of the Year ("The Bodyguard" soundtrack and "Supernatural" by Santana).

Davis died on June 22. No cause was given.

Mike Ditka, 86

Mike Ditka was the first tight end ever inducted into the Pro Football Hall of Fame. As a coach for the Chicago Bears, he led the team to its only Super Bowl win to date in 1986.

Ditka's success turned him into a celebrity who showed up in commercials, TV shows, and movies in cameo roles.

One of his most famous was starring opposite Will Ferrell in the 2005 comedy "Kicking and Screaming."

His persona became the long-running "Saturday Night Live" sketch called "Bill Swerski's Superfans," in which cast members dressed up as Ditka and spoke about their love for "Da Bears."

Ditka died on October 9; no cause was given.

Robert Duvall, 95

Robert Duvall starred in a plethora of timeless classics, including "The Godfather," "The Godfather Part II," "Apocalypse Now," "THX 1138," "The Natural," "Days of Thunder," and "The Apostle."

Duvall will be best remembered for starring in three of director Francis Ford Coppola's iconic films: playing Tom Hagen in the first two "Godfather" movies and Lieutenant Colonel Bill Kilgore in "Apocalypse Now," in which he delivers one of the most memorable lines in movie history: "I love the smell of napalm in the morning."

Duvall was lauded for his acting talent, from not saying a word while playing Boo Radley in his first big screen role in the 1962 classic "To Kill a Mockingbird" to his portrayal of a country singer dealing with alcoholism in 1983's "Tender Mercies," which earned him an Oscar.

He died on his ranch in Virginia on February 15. No cause was given.

Brenda Fricker, 81

This Irish actress was a fixture on the stage and screen for six decades. But she's most known for showing up in the "Home Alone" sequel.

As The Pigeon Lady in 1992's "Home Alone 2: Lost in New York," Fricker has become a fixture for families during the holiday season for decades (and in 2020 became the subject of a popular meme).

But Fricker's acting talents go beyond playing a spooky wanderer of Central Park.

In 1990, she became the first Irish actress to win an Academy Award, as she was given the best supporting actress Oscar that year for her performance in "My Left Foot."

Fricker died on July 16; no cause was given.

Mark Fuhrman, 74

Fuhrman cemented his place in popular culture as one of the lead LAPD detectives on the 1995 murder case of O.J. Simpson's ex-wife, Nicole Brown Simpson, and her friend Ronald Goldman.

Fuhrman found the famed bloody glove on the Simpson estate, and during the trial, he gained infamy when Simpson's defense team used his past racist language to discredit him as a witness.

Fuhrman retired from the LAPD after the Simpson trial and moved to Idaho, where he wrote true crime books.

Fuhrman died on May 12 of throat cancer.

Valentino Garavani, 93

For over six decades, one name has been synonymous with women's high fashion: Valentino.

The Italian designer launched his fashion business in Rome in 1960 and never looked back. Soon, every star wanted to be seen in his creations. They've been worn by icons like Elizabeth Taylor, Joan Collins, Jackie Kennedy, Princess Diana, Sharon Stone, and more.

Though Garavani retired from designing in 2008, his label is still a red carpet staple, as is his famous shade of bright red dubbed "Valentino Red."

Garavani died on January 19. No cause was given.

Donald Gibb, 71

No one defined a bully for a generation more than Gibb's hulking fraternity character Ogre in the "Revenge of the Nerds" movies of the 1980s.

Since the original raunchy comedy was released in 1984, Gibb's intimidating size and loud yells of "NERDS!" have become as memorable as the pocket protectors worn by the movie's geeks.

Gibb went on to star opposite Jean-Claude Van Damme in his classic 1988 action movie "Bloodsport." He also landed guest star roles through his career on shows like "Quantum Leap," "Magnum P.I.," "MacGyver," "Night Court," and "Cheers."

Gibb died on May 12 following health complications.

Chad Gilbert, 45

Gilbert was the guitarist and backing vocalist for the punk band New Found Glory.

The band's hit albums include 2002's "Sticks And Stones" and 2004's "Catalyst." Both showed up in the top 10 on the Billboard 200 chart.

Gilbert died on September 20; no cause was given, but Gilbert told People in April he was battling stage 4 adrenal cancer.

Glen Hansard, 56

Irish singer-songwriter Hansard was the frontman of the rock band The Frames and one-half of the band The Swell Season. But he was perhaps best known for writing and starring in the hit 2007 indie film "Once," in which he and his Swell Season bandmate Markéta Irglová play two struggling musicians who fall in love. The duo won an Oscar for best original song for the film's standout track, "Falling Slowly."

Hansard also embarked on a solo career; his 2015 album, "Didn't He Ramble," was nominated for a Grammy for best folk album.

Hansard died on July 29 in a motorcycle crash in Dublin.

Dennis Haskins, 75

For those who grew up in the '90s, Dennis Haskins was your favorite high school principal, Mr. Belding.

Starring in the hit TV series "Saved By The Bell," Haskins' Belding character traveled the halls trying to be a step ahead of the hijinks inflicted by Zack Morris (Mark-Paul Gosselaar) and his friends. But unlike many school principals in pop culture who were mean and seemed to hate kids, Haskins played his authority role with a playful, good-natured style.

He was on the show's full four-season run from 1989 to 1993, and also starred in the spin-off, "Saved By The Bell: The New Class," from 1993 to 2000.

Haskins' other credits include "The Bold and the Beautiful," "Mad Men," "It's Always Sunny in Philadelphia," and "New Girl."

Haskins died on September 27; no cause was given.

Anthony Head, 72

Rising up through the UK stage scene in the 1980s, Head found fame when he was cast as Rupert Giles, who became a father figure to Sarah Michelle Gellar's Buffy Summers in all seven seasons of "Buffy the Vampire Slayer."

Most recently, he played the bitter former owner of AFC Richmond on "Ted Lasso."

Head's death was announced by his family on June 5. They stated the cause was "complications due to pneumonia."

David Hockney, 88

British painter David Hockney was renowned for his striking portraits and figurative pop art. Many of his best-known paintings, including 1966's "The Splash" and 1972's "Portrait of an Artist (Pool with Two Figures)," were inspired by the bright colors and sun-dappled pools of Los Angeles.

Hockney moved to Los Angeles in the late '60s, and his work became synonymous with the warmth and leisure of Southern California. He was also one of the few popular artists at the time to depict openly gay scenes, and Hockney was outspoken about anti-gay censorship.

Throughout his career, Hockney split time between California, England, and France. He died at his home in London on June 12 at age 88, his publicist confirmed to The New York Times. No cause of death was given.

Jesse Jackson, 84

The Rev. Jesse Jackson was a leader of the Civil Rights Movement, a minister, and an activist icon who twice ran for president.

Born on October 8, 1941, in Greenville, South Carolina, Jackson experienced Jim Crow segregation on public buses and at school firsthand. It would shape the rest of his life.

His fight for civil rights began in the 1960s, when he helped organize protests and demonstrations across the US and worked closely alongside civil rights icon Dr. Martin Luther King Jr.

His decadeslong career as a leading civil rights activist included support for modern national movements, such as the push for voting rights, the fight against racism, and a higher minimum wage.

Jackson ran for president twice, both times as a democrat. He placed third for the party's nomination in 1984 and second in 1988. This marked the most successful presidential runs of any Black candidate prior to Barack Obama.

Jackson announced in 2017 that he'd been diagnosed with Parkinson's disease. In November 2025, Jackson was treated in a Chicago hospital after complications from progressive supranuclear palsy (PSP), a rare neurodegenerative condition.

Jackson died on February 17.

Walter Koenig, 90

As the boyish Russian crewman Pavel Chekov on "Star Trek," Walter Koenig left an indelible mark in the minds of sci-fi fans for generations as one of the key crew members of Captain Kirk's ship, the USS Enterprise.

First appearing in the show's second season, Koenig played Chekov in 36 of the 50 episodes that aired in 1967-68 and 1968-69. He also starred in the first seven releases of the movie franchise, from 1979 through 1991.

Koenig died on October 25 of natural causes.

Yayoi Kusama, 97

Kusama was a famed Japanese pop artist who often used polka-dot motifs in her work, initially rising to prominence in Japan in the 1950s.

In 1959, Kusama presented her first solo exhibition in New York: a collection of abstract paintings that an ARTnews review praised as "strong, advanced in concept and realized."

Kusama later branched into sculptures, performances, and immersive installations. She continued to expand her influence and relevance into the social media era, when her mirrored "Infinity Room" installations became Instagram-friendly attractions that inspired many copycats.

Kusama died on August 14 in Tokyo. She was 97.

Bob Mackie, 87

As one of Hollywood's most renowned costume designers, Bob Mackie's eye set the style for decades.

Known as the Sultan of Sequins, the Rajah of Rhinestones, or the Guru of Glitter, a signature of Mackie's work was its use of sparkle, which made everyone from Cher to Elton John to Dolly Parton to Sabrina Carpenter shine on stage.

He also was the costume designer on "The Carol Burnett Show" for all eleven seasons through the 1970s. He won nine Emmys, a Tony Award, and was nominated for three Academy Awards for his work.

Mackie died on September 14; no cause was given.

RJ Mitte, 34

Mitte was best known for playing the son of Bryan Cranston's Walter White in the hit series "Breaking Bad."

Mitte, who was diagnosed with cerebral palsy when he was 3 years old, became a disability rights activist after finding fame with "Breaking Bad."

His other credits include the 2021 movie "Triumph," in which he played a high school student with cerebral palsy who tries out for the wrestling team. He also starred in the 2024 thriller "Love Me Dead" opposite Dove Cameron.

Mitte died by suicide on October 12.

Patrick Muldoon, 57

In the 1990s, you couldn't escape the piercing eyes of Patrick Muldoon.

He played Austin Reed on "Days of Our Lives" for most of the decade, and when he wasn't on the soap, he was over on "Melrose Place" playing the villain role of Richard Hart.

If being on two iconic shows wasn't enough, he also showed up on "Saved by the Bell" and had a role in the cult classic movie "Starship Troopers."

Muldoon died on April 19 after a heart attack.

Sam Neill, 78

With a career spanning more than five decades and including countless memorable performances in movies and television, Sam Neill was one of the most versatile actors of his generation,

The New Zealand actor starred opposite Nicole Kidman in the 1989 thriller "Dead Calm," played the loyal first officer opposite Sean Connery in 1990's "The Hunt for Red October," played the lead in John Carpenter's 1994 horror "In the Mouth of Madness," and most recently starred in the hit series "Peaky Blinders."

But Neill is best known for playing the brave and all-dinosaur-knowing Dr. Alan Grant in the "Jurassic Park" franchise.

Neill died on July 13; no cause was given. Neill was battling a rare and aggressive form of blood cancer, but was cancer-free at the time of his death, according to a post on his Instagram account announcing his passing.

Tom Noonan, 74

Standing at a towering 6' 5", Tom Noonan was born to play the bad guy. And he did just that, starring as the villain in movies like "Manhunter," "RoboCop 2," and "Last Action Hero."

But this actor had more to show off. He showcased his comedy chops as Rodney Dangerfield's degenerate gambling friend in the 1983 comedy "Easy Money," and set up the heist for Robert De Niro in Michael Mann's 1995 classic "Heat."

His knack for storytelling also translated behind the camera. Noonan wrote, directed, and starred in the drama "What Happened Was," which won the grand prize at the 1994 Sundance Film Festival.

Noonan died on February 14; no cause was given.

Chuck Norris, 86

Few action stars have Chuck Norris' credentials.

Before he ever stepped in front of a camera, he was a martial arts champion and a black belt in Karate, judo, Brazilian Jiu-Jitsu, Taekwondo, and Tang Soo Do.

His talents would become known the world over in 1972, when he faced off against Bruce Lee in "The Way of the Dragon."

Through the 1980s, Norris became one of the biggest action stars in the world thanks to movies like "A Force of One," "The Octagon," and the "Delta Force" and "Missing in Action" franchises.

In the 1990s, he took over the small screen, playing the lead in the "Walker, Texas Ranger" TV show, which aired in over 100 countries during its run from 1993 to 2001.

Norris was hospitalized on March 19 in Hawaii and died the following day, according to his family. No cause was given.

Catherine O'Hara, 71

O'Hara, who was best known for her roles in "Beetlejuice" and "Home Alone," got her start in the Canadian comedy scene, appearing in the now-legendary cast of "SCTV."

It would mark the beginning of a fruitful partnership with fellow actor Eugene Levy, who became her frequent costar and collaborator in memorable appearances in Christopher Guest films like "A Mighty Wind" and "Best in Show" and television series like "Schitt's Creek," which earned her an Emmy Award for outstanding lead actress in 2020.

O'Hara's representative confirmed her death to Business Insider on January 30. The Los Angeles County Department of Public Health confirmed in a death certificate viewed by People that O'Hara died of a pulmonary embolism, with rectal cancer listed as an underlying cause.

Hayden Panettiere, 36

Panettiere began acting as a child, landing one of her earliest major roles as Sarah Roberts on the ABC soap opera "One Life to Live," on which she appeared from 1994 to 1997.

As her career progressed, she became best known for portraying Claire Bennet on "Heroes" and Juliette Barnes on "Nashville."

Over the years, Panettiere had spoken openly about her struggles with alcoholism and postpartum depression. She detailed those experiences in her memoir, "This Is Me: A Reckoning," which was released in May.

Panettiere died on August 16. A final autopsy report by the Greenville County Coroner's Office ruled her death an accident caused by the toxic effects of fentanyl and other drugs.

Dolly Parton, 80

Parton released her debut album, "Hello, I'm Dolly," in 1967 and went on to pen country hits like "I Will Always Love You" and "Jolene," both of which were released as singles in 1974.

In addition to her music, Parton was beloved for her flamboyant style and her philanthropy. She founded the Dollywood Foundation in 1988, a charitable organization focused on education and community initiatives in her home state of Tennessee. She continued to fund scholarship programs and donate to hospitals, public health initiatives, and disaster relief programs throughout her life.

Parton is known as the best-selling female country music artist of all time. She was inducted into the Country Music Hall of Fame in 1999, the Songwriters Hall of Fame in 2001, and the Rock & Roll Hall of Fame in 2022.

Parton's 49th and final solo studio album, "Rockstar," was released in 2023. The tracklist included both original material and covers of classic rock songs, featuring an array of guests like Paul McCartney, Ringo Starr, Sting, Joan Jett, and Parton's goddaughter, Miley Cyrus.

News broke on August 25 that Parton died following unspecified health issues. She was 80.

Vincent Pastore, 80

This character actor found fame appearing in a string of mob movies in the 1990s, like "Goodfellas," "Carlito's Way," and "Men of Respect." But Pastore truly became a star when he was cast in the hit HBO series "The Sopranos."

As Salvatore "Big Pussy" Bonpensiero, Pastore was part of the main cast for the first two seasons of the show, playing Tony Soprano's mob enforcer-turned-FBI informant. Bonpensiero's shocking death was one of the most famous in the show's history and proved that no one was safe from getting whacked.

Pastore died on August 1. No cause was given.

Valerie Perrine, 82

Perrine found herself cast alongside the biggest stars of the 1970s.

She played the love interest opposite Jeff Bridges in 1973's "The Last American Hero" and Robert Redford in 1979's "The Electric Horseman." She earned an Oscar nomination for starring alongside Dustin Hoffman in 1974's "Lenny."

For most, she'll be remembered best for sharing the screen with Gene Hackman as the secretary to his evil Lex Luthor in 1978's "Superman." She also starred in the sequel. As Ms. Teschmacher, her loyalty to Luthor is questioned when she rescues Superman (Christopher Reeve) after he's chained with Kryptonite.

Perrine died in her home in Beverly Hills on March 23. She was diagnosed with Parkinson's disease in 2015.

Richard Riehle, 78

A prolific character actor, Riehle has over 400 screen credits, appearing in everything from "Casino" to "Bridesmaids" over his career.

He's best known for playing the worker in "Office Space" who, after being laid off, wins a large payout from a lawsuit after a suicide attempt.

Other credits include "The Fugitive," "Fear and Loathing in Las Vegas," and "Transformers: Age of Extinction."

Riehle died on October 15; no cause was given.

Sonny Rollins, 95

One of the most influential jazz musicians in history, Rollins recorded more than 60 albums over his seven-decade career.

His live album, "A Night at the Village Vanguard," is considered one of the greatest jazz albums ever made.

Rollins died on May 25; no cause was given.

Eva Marie Saint, 102

An Oscar and Emmy winner, Eva Marie Saint appeared in classic movies in Hollywood history.

She made her film debut starring opposite Marlon Brando in Elia Kazan's 1954 classic "On the Waterfront," which won her the Oscar for best supporting actress. In 1959, she heated up the screen with Cary Grant in Alfred Hitchcock's defining thriller "North by Northwest."

In 1990, she won an Emmy for her work in the miniseries "People Like Us."

Saint died on October 6 of natural causes.

Susan Saint James, 80

Saint James was a fixture in television from the late 1960s through the 1980s, starring in "The Name of the Game," "McMillan & Wife," and "Kate & Allie."

She was Emmy-nominated eight times and won an Emmy for lead actress in 1985 for "Kate & Allie."

Saint James' movie credits include "Outlaw Blues" (1977), "Love at First Bite" (1979), and "How to Beat the High Cost of Living (1980).

Saint James died on October 26 after being diagnosed with pancreatic cancer.

Neil Sedaka, 86

Sedaka is responsible for some of the biggest pop songs of the 1960s and 1970s.

The Brooklyn native wrote over 500 songs, including classic hits like "Laughter in the Rain," "Breaking Up Is Hard to Do," "Bad Blood" and the Captain & Tennille song, "Love Will Keep Us Together."

Sedaka died on February 27; no cause was given.

Gene Shalit, 100

Before there was Rotten Tomatoes or even Siskel & Ebert, movie lovers got their recommendations from Gene Shalit.

The iconic movie critic could be seen sporting his signature look of glasses, bushy hair, and big mustache as a staple on the "Today" show from 1973 to 2010. If he wasn't interviewing the biggest movie stars, he was reviewing movies with incredible puns ("'Ishtar' is Ish-terrible.")

His larger-than-life presence left a mark on pop culture: he was parodied as a Muppet and on countless episodes of "SCTV" and "Saturday Night Live."

Shalit died on June 12; no cause was given.

Duncan Sheik, 56

Sheik found success in the late 1990s with his hit song "Barely Breathing." He later pivoted from alt-rock to a career on Broadway, composing the music for the Tony-winning musical "Spring Awakening." His other stage credits include "American Psycho" (2013) and "The Secret Life of Bees" (2019).

Sheik died on September 17 after a cardiac arrest.

Kiki Shepard, 74

In her 15-year tenure as a co-host on "Showtime at the Apollo," Kiki Shepard was considered royalty at Harlem's famed Apollo Theater.

Known in the building as "Apollo Queen of Fashion" thanks to her dazzling outfits, Shepherd was a fixture on the show from 1987 to 2002.

Throughout her career, Shepard also appeared on TV shows like "Baywatch," "A Different World," "NYPD Blue," and "Grey's Anatomy."

Shepard died on March 16 after suffering a heart attack.

Tom Skerritt, 93

A beloved actor in Hollywood for over six decades, Tom Skerritt appeared in some legendary movies and television.

Robert Altman gave Skerritt his big break when he cast him as the womanizing and sarcastic surgeon Captain "Duke" Forrest in the classic 1970 movie "M*A*S*H." Skerritt followed it up with a string of hits, including Altman's "Thieves Like Us" (1974), "The Turning Point" (1977), and a hilarious cameo in Cheech & Chong's classic debut movie "Up in Smoke" (1978).

Then, Skerritt went sci-fi when Ridley Scott cast him as Captain Arthur Dallas in 1979's "Alien." Skerritt also scored a memorable role as Tom Cruise's flight instructor "Viper" in 1986's "Top Gun."

On the small screen, Skerritt earned an Emmy for playing Sheriff Jimmy Brock on the hit series "Picket Fences," which ran from 1992 to 1996.

Skerritt died on October 21 of natural causes.

Gloria Steinem, 92

An icon in the women's liberation movement of the 1970s, Steinem dedicated most of her life to fighting sexism.

Starting her career as a journalist, she became a columnist for the newly founded New York Magazine in 1968. She cofounded Ms. magazine in 1971, which focused on women's issues. She also helped launch the Women's Action Alliance, which focused on tackling sexism.

Steinem was awarded the Presidential Medal of Freedom in 2013.

Steinem died on September 2, according to a post on her social media. No cause was given.

Patrick Stewart, 86

In a career spanning over 60 years on stage and screen, Stewart is responsible for some of the most memorable characters in the biggest franchises.

After getting his start with the Royal Shakespeare Company in the late 1960s, he found acclaim on the stage, performing Shakespearean classics like "Antony and Cleopatra" and "Hamlet," both of which earned him Laurence Olivier Awards.

Hollywood soon came calling, leading him to star in epics like "Excalibur" (1981) and David Lynch's "Dune" (1984). But he would get his big break in 1987 when he was cast as Captain Jean-Luc Picard in "Star Trek: The Next Generation." Fans quickly gravitated to this new captain of the USS Enterprise, and the show ran until 1994. He also reprised the Picard role in four movies in the franchise: "Star Trek Generations" (1994), "Star Trek: First Contact" (1996), "Star Trek: Insurrection" (1998), and "Star Trek: Nemesis" (2002), as well as in the TV series "Star Trek: Picard" (2020-2023).

In 2000, he joined the comic-book world when he was cast as mutant Professor Charles Xavier, founder of the X-Men in the Marvel Comics. Stewart portrayed Xavier in several more "X-Men" films, and will reprise the role in the forthcoming MCU film "Avengers: Doomsday," out this December.

Stewart died on October 28 after suffering from Alzheimer's and Lewy Body Dementia.

Béla Tarr, 70

Hungarian filmmaker Béla Tarr became a legend in the arthouse world for his unflinching work featuring several-minute-long takes.

With movies like "Family Nest" (1979) and "The Turin Horse" (2011), Tarr showcased his slow cinema style while focusing on marginalized characters living bleak lives. Tarr pushed the envelope with his style when he made "Sátántangó" in 1994, which had a run time of 450 minutes.

His work influenced several arthouse filmmakers, including Jim Jarmusch and Gus Van Sant's "Death Trilogy" ("Gerry," "Elephant," and "Last Days").

Tarr died on January 6 following a battle with a "long and serious illness."

James Tolkan, 94

You might not recognize the name, but if you're a movie fan, you know the face.

Tolkan's tough-guy persona made a mark on movie history in films like "Top Gun" and the "Back to the Future" franchise.

In "Top Gun," he played Commander Tom "Stinger" Jardian, who famously gives Tom Cruise's character a tongue lashing, saying, "Your ego is writing checks your body can't cash."

In "Back to the Future" and its sequels, he played Principal Strickland, who had zero tolerance for "slackers."

Other credits include "Serpico," "WarGames," "Masters of the Universe," and "Dick Tracy."

Tolkan died on March 26; no cause was given.

Ted Turner, 87

Ted Turner changed the television landscape thanks to his maverick maneuvers to harness the 24-hour news cycle.

After taking over his father's advertising company in the 1960s at the age of 24, Turner embarked on a path to change the media landscape by buying up radio and TV stations around the South. He even bought sports teams including the Atlanta Braves MLB team and the Atlanta Hawks NBA team.

All of that programming would eventually become part of TBS, a "super station" that showed old movies, reruns, and Braves and Hawks games.

Turner then set his sights on the news. He founded CNN, the first 24-hour news channel, in June of 1980.

Over the decades, Turner gained celebrity status, particularly after marrying Jane Fonda, a union that lasted from 1991 to 2001. In 1991, he was named Time's "Man of the Year." He sold his networks to Time Warner for $7.5 billion in 1996.

Turner died on May 6; no cause was given.

Bonnie Tyler, 75

Welsh singer Bonnie Tyler became one of the biggest artists of the 1980s thanks to her legendary power ballads.

Tyler was behind hits like "Total Eclipse of the Heart" and "Holding Out for a Hero," which was also featured on the 1984 "Footloose" soundtrack. Both songs were chart-toppers that have since become two of the best-selling singles of all time.

Over her career, Tyler was nominated for three Grammys and was appointed a Member of the Order of the British Empire (MBE) by Queen Elizabeth II in 2022.

Tyler died on July 8 in Portugal, where she was being treated for an illness, according to a statement posted on her social media.

James Van Der Beek, 48

Van Der Beek was beloved all over the world for his role as the titular teen Dawson Leery on the WB series "Dawson's Creek."

The series, which ran from 1998 to 2002, turned Van Der Beek into a star and a teen heartthrob. While "Dawson's Creek" was still airing, he'd cement his stardom playing the lead role of high school quarterback "Mox" Moxon in the 1999 coming-of-age drama "Varsity Blues."

Van Der Beek found steady work the rest of his career in movies like "Texas Rangers" and "The Rules of Attraction, and memorably played a fictional version of himself on the TV series "Don't Trust the B---- in Apartment 23," and performed on "Dancing with the Stars" in 2019.

Van Der Beek learned he had stage 3 colon cancer in 2023, and publicly announced his diagnosis in late 2024.

Van Der Beek previously told Business Insider that the news came as a shock, given the subtleness of his symptoms and his efforts to stay as healthy as possible.

"I was doing everything," he said. "I was doing sauna, cold plunge, weightlifting, Pilates. I would dance and also do football training."

Van Der Beek died on February 11.

Bob Weir, 78

Weir was one of the founding members of the Grateful Dead.

The singer-songwriter wrote and/or sang on songs like "Sugar Magnolia," "Playing in the Band," "Truckin,'" "I Need a Miracle," and "The Other One."

After the Grateful Dead disbanded in 1995, Weir went on to form several other bands, including Kingfish, Bobby and the Midnites, RatDog, The Other Ones, and, alongside John Mayer, Dead & Company.

In the summer of 2025, Weir was diagnosed with cancer.

Weir died on January 10.

Victor Willis, 74

Willis was the lead singer of the iconic disco band the Village People.

Along with being the lead vocalist and dressing as the police officer (and sometimes naval officer), Willis was also the cowriter on many of the band's hits, including "In the Navy," "Macho Man," and the song that will keep the Village People in pop culture lore until the end of time, "Y.M.C.A."

Willis left the band to embark on a solo career in 1979, then re-formed the Village People in 2017.

Willis died on June 30 following a "short but aggressive illness," according to the Village People Facebook page.

Frederick Wiseman, 96

For over five decades, Wiseman's brand of non-fiction storytelling put a spotlight on everyday people.

From high schoolers to hospital workers to Air Force cadets training for nuclear war, Wiseman's close to 50-film catalogue is an unvarnished reflection of America over the last half century.

Wiseman died on February 16. No cause was given.

John Berger spent a meaningful portion of his life thinking, with precision and care, about how to look at the world—an effort he detailed in numerous essays and books, among them Ways of Seeing and About Looking. “Reading them, you often feel you’re standing next to him in the museum or even looking through his eyes at a painting or a sculpture,” writes A.O. Scott. “You pay attention to his attention.” Scott, an attentive reader himself, brings Berger’s lifelong project into our famously distractable era; his consideration of Berger is a primer for observation and study, a gentle nudge to focus, lest we lose sight of something essential.

Right now, we’re in the midst of an attention crisis, individually and collectively snared in an infinite scroll of disruption and distraction. Berger saw this crisis coming and foresaw its consequences. In 1978, writing about photography and its impact on the modern world, he argued that the dominance of images “creates an eternal present of immediate expectation: Memory ceases to be necessary or desirable. With the loss of memory, the continuities of meaning and judgment are also lost to us.” That diagnosis seems even truer today, as the functions of remembering, judging and interpreting are increasingly offloaded from human minds and communities into the ether of social media feeds and artificial intelligence. We’re in danger of forgetting how to look.

A temporary fundraising space at the Armazém Regimental in Lagos has raised €8,349 for Cadela Carlota & Companhia, helping to support the care of abandoned dogs and cats in the

The post Algarve animal rescue benefits from €8,300 fundraiser appeared first on Portugal Resident.

par Guan Jianbin

La réunion annuelle du Club de discussion de Valdai constitue depuis longtemps une tribune importante permettant au président russe Vladimir Poutine d’expliquer la logique qui sous-tend la politique étrangère de la Russie et de faire connaître les intentions stratégiques du pays. Le «discours de Valdai» de cette année s’est révélé moins passionné et plus mesuré, alliant un récit historique de grande envergure à des limites stratégiques clairement définies.

En lisant entre les lignes des remarques soigneusement calibrées de Poutine, on peut discerner son évaluation stratégique de l’avenir des relations de la Russie avec l’Occident et de l’évolution de l’ordre géopolitique mondial — un équilibre entre la dissuasion par la force et une ambiguïté diplomatique délibérée.

Depuis la création du Club de discussion de Valdai en 2004, Poutine y a participé presque chaque année, que ce soit pour prononcer un discours, assister à un déjeuner, prendre part à une séance de questions-réponses ou participer à des tables rondes. Ses interventions sont devenues une tradition importante de la diplomatie russe et une fenêtre essentielle permettant au monde extérieur de mieux cerner sa pensée stratégique. Un examen des différents «discours de Valdai» prononcés par Poutine révèle l’évolution de la stratégie de politique étrangère de la Russie sur plus de deux décennies, retrace les contours changeants de son analyse des affaires étrangères et met en lumière la trajectoire de l’évolution de sa perception de «l’Occident».

De «l’Occident unique» aux «deux Occidents»

L’un des messages importants véhiculés par le discours de Poutine en 2026 a été la définition d’une ligne rouge claire face à la volonté de l’Occident de parvenir à la «défaite stratégique» de la Russie. Il a averti que la poursuite d’une telle défaite serait extrêmement dangereuse et pourrait faire basculer le conflit russo-ukrainien dans une phase encore plus brutale et incontrôlable. Il ne s’agissait pas simplement d’une intimidation verbale ; cela représentait la ligne rouge que Poutine a fixée pour la survie du pays.

Selon la logique des dirigeants russes, l’usure sur le champ de bataille, les sanctions prolongées et la pression géopolitique sont des coûts qu’une grande puissance peut supporter dans un affrontement stratégique. Mais la «défaite stratégique» — c’est-à-dire un changement de régime, la désintégration de l’État ou la perte de la position géopolitique de la Russie — constitue une ligne rouge intangible. En tant que puissance nucléaire, une fois que la Russie sera acculée, il n’y aura plus aucune marge de manœuvre pour faire reculer une nouvelle escalade. La position exprimée par Poutine était claire : la Russie peut accepter une impasse prolongée et supporter les sanctions et l’endiguement occidentaux, mais elle n’acceptera jamais d’être vaincue de manière totale ni contrainte à la soumission. Si l’Occident insiste pour franchir cette ligne rouge, il portera la responsabilité de toutes les conséquences catastrophiques qui s’ensuivront.

Le recours continu de Poutine au concept des «deux Occidents», qu’il avait pour la première fois mis en avant en 2022, revêt une importance particulière : il distingue les forces de l’élite néolibérale, qui poursuivent une nouvelle forme de colonialisme, de la sphère civilisationnelle occidentale traditionnelle. Lors de la réunion de Valdai en 2022, il avait affirmé qu’«il existe au moins deux Occidents différents : l’un est traditionnel, doté d’un patrimoine culturel très riche ; l’autre est agressif et néocolonial». En réitérant cette distinction, Poutine a cherché à préciser que la Russie n’est pas en guerre contre la civilisation occidentale dans son ensemble. Son opposition vise plutôt les forces qui mènent des politiques d’endiguement, d’encerclement et de coercition hégémonique. De cette manière, Moscou tente de se créer un espace diplomatique et de préserver une marge de manœuvre stratégique.

Cette déclaration visait également à contester le discours, cultivé en Occident depuis de nombreuses années, selon lequel la Russie serait «en guerre contre le monde entier». La Russie identifie soigneusement ses adversaires et limite sa confrontation aux forces hégémoniques occidentales qui prônent l’unilatéralisme et le monopole géopolitique — et non aux citoyens occidentaux ordinaires. D’une part, cette stratégie vise à diviser le camp occidental et à affaiblir le consensus interne contre la Russie. D’autre part, elle laisse la porte ouverte à un futur dialogue entre la Russie et l’Europe ainsi qu’à un éventuel apaisement des tensions russo-américaines, offrant ainsi à Moscou une plus grande souplesse dans ses calculs diplomatiques.

De «l’intégration à l’Occident» à «l’équilibre face à l’Occident»

Un examen des discours successifs de Poutine à Valdai montre clairement que, durant les premières années de son règne, la Russie a activement envoyé des signaux de coopération aux États-Unis et à l’Europe et cherché à s’intégrer au système occidental. Elle n’a pas reçu la réponse qu’elle attendait. Au contraire, elle a été confrontée à des pressions géopolitiques persistantes, à des confrontations militaires, à des sanctions économiques et à ce qu’elle percevait comme une infiltration idéologique. À mesure que les attentes russes restaient les unes après les autres insatisfaites, sa perception de l’Occident a évolué, passant de l’espoir et de la confiance à la déception, puis finalement vers un équilibre stratégique et la confrontation.

De 2004 à 2012, Poutine a accepté l’ordre international existant et a activement recherché la coopération avec l’Occident, tout en défendant la souveraineté de la Russie et son statut de grande puissance. Il s’est opposé à l’élargissement de l’OTAN, à l’ingérence de forces extérieures dans les affaires intérieures de la Russie et à la propagation des «révolutions de couleur». Il a présenté la Russie comme une puissance eurasienne, soulignant qu’elle ne souhaitait ni dépendre de l’Occident ni s’y opposer. Il cherchait plutôt à établir une relation de partenariat entre égaux, fondée sur le respect mutuel.

Dans le même temps, Poutine a insisté sur le fait que l’Europe de l’Est et les anciennes républiques soviétiques constituaient la sphère d’intérêts principale de la Russie. Il a averti que l’élargissement effréné de l’OTAN vers l’Est saperait l’architecture de sécurité européenne, a critiqué l’unilatéralisme et les deux poids deux mesures, et a remis en question la légitimité d’un système de règles dominé par l’Occident. Pour autant, la Russie n’avait nullement l’intention de servir de fer de lance à un mouvement «anti-occidental». Poutine a présenté des propositions visant à créer un espace européen commun et à développer un partenariat modernisé avec l’Occident.

De 2013 à 2017, dans un contexte de troubles en Ukraine et d’annexion de la Crimée par la Russie, l’opposition de Moscou à l’élargissement de l’OTAN est passée de la dénonciation verbale à la confrontation géopolitique. Lors du Forum de Valdai de 2013, Poutine a attribué le désordre des affaires internationales à l’arrogance institutionnelle des vainqueurs de la Guerre froide et a critiqué ce qu’il a qualifié de déclin moral de certains pays occidentaux. Dans son discours de 2016, il a réaffirmé que la Russie n’avait aucune intention de rivaliser pour l’hégémonie mondiale et a appelé à une sécurité égale et indivisible pour tous les pays. En 2017, Poutine a tiré les leçons des relations entre la Russie et l’Occident, affirmant que la plus grande erreur de la Russie avait été sa «confiance excessive» envers l’Occident, qui avait interprété cette confiance comme une faiblesse et en avait tiré parti.

De 2018 à 2021, l’ordre du jour du Forum de Valdai s’est élargi, passant du «désordre de l’Occident» à la «montée de l’Orient» et à la «transformation mondiale». Il ne s’agissait pas simplement d’un déplacement du centre de gravité géographique du monde. Cela reflétait également la tendance croissante de la Russie à considérer l’Orient comme un centre de pouvoir et un point de référence civilisationnel, tout en affirmant son identité en tant que civilisation indépendante.

À mesure que les contradictions entre la Russie et l’Occident s’intensifiaient, le ton des discours de Poutine est passé de la «recherche de la coopération» à la «reconnaissance de la confrontation et à l’établissement de lignes rouges». En 2021, il a fait valoir qu’après la fin de la Guerre froide, certains pays avaient tenté d’exclure complètement la Russie, alors même que sa puissance nationale globale n’avait pas décliné. La Russie ne se contentait plus d’accepter passivement les arrangements imposés par l’ordre international ; elle souhaitait participer à l’élaboration des règles. Poutine a déclaré sans détour que le monde unipolaire dominé par l’Occident avait pris fin, et que des notions telles que les «valeurs universelles» et un «ordre fondé sur des règles» étaient des instruments d’hégémonie. Il a proposé un «système eurasien de sécurité égalitaire et indivisible» et a souligné que la Russie ne se faisait plus d’illusions quant à son intégration à l’Occident.

Le thème de la réunion annuelle de Valdai de 2022 était «Un monde post-hégémonique : justice et sécurité pour tous». Poutine a déclaré que l’humanité traversait la décennie la plus dangereuse, la plus imprévisible et la plus lourde de conséquences depuis la fin de la Seconde Guerre mondiale, et que le monde se trouvait à un tournant historique, dans la transition d’un ordre à un autre. Il a dénoncé l’«ordre fondé sur des règles» comme un prolongement de la pensée coloniale, arguant que l’Occident lui-même était une entité complexe et diversifiée en son sein et que le système néolibéral était entré dans une crise théorique et systémique profonde. Dans le même temps, il a réaffirmé que la Russie ne remettait pas en cause la civilisation occidentale légitime et ne cherchait pas la confrontation avec l’Occident pour elle-même. Toutes les actions de la Russie, a-t-il soutenu, étaient motivées par la nécessité de défendre son droit à la survie et au développement.

De 2023 à 2024, Poutine a déclaré que la Russie avait définitivement rompu avec sa dépendance vis-à-vis de l’Europe, accéléré son recentrage vers l’Est, reconstruit des chaînes d’approvisionnement industrielles autonomes et élargi son réseau géopolitique de partenaires. Selon l’évaluation de Moscou, la puissance globale de l’Europe était en déclin et son autonomie stratégique restait insuffisante. La Russie devait donc se tourner de plus en plus vers des plateformes de coopération émergentes telles que les BRICS et l’Organisation de coopération de Shanghai.

En 2023, puis à nouveau en 2024, Poutine a systématiquement exposé six principes régissant le nouveau type de relations internationales prôné par la Russie : la coopération ouverte ; la diversité des civilisations ; une large représentation dans la gouvernance mondiale ; une sécurité égale pour tous ; l’équité et la justice internationales ; et le respect du droit de chaque pays à choisir sa propre voie de développement. Il a également fait valoir que les sanctions, l’isolement et l’endiguement ne pourraient pas freiner le développement de la Russie et que les instruments traditionnels de l’hégémonie occidentale perdaient progressivement de leur efficacité.

Lors de la réunion de 2025, le ton de Poutine est devenu plus rationnel et plus modéré, mettant davantage l’accent sur la gestion des risques et la désescalade. Il a déclaré que la normalisation des relations entre les États-Unis et la Russie servirait les intérêts nationaux de cette dernière et que Moscou n’avait pas complètement fermé la porte au dialogue. Dans le même temps, il a averti que les livraisons européennes de missiles à longue portée à l’Ukraine ne feraient qu’accroître les risques d’escalade et ne changeraient en rien la situation sur le champ de bataille. Il a appelé l’Europe à renoncer à la confrontation entre blocs et à rétablir un équilibre sécuritaire sur l’ensemble du continent eurasien.

De «se tourner vers l’Ouest» à «se tourner vers l’Est»

Dans l’ordre international, l’Orient s’oppose à l’Occident. Depuis des siècles, la Russie est engagée dans un débat de longue haleine sur son identité civilisationnelle : est-elle occidentale ou orientale ? La Russie occupe une position géopolitique et civilisationnelle particulière. Du point de vue occidental, elle appartient à l’Orient ; du point de vue oriental, elle appartient à l’Occident. Pendant la majeure partie de son histoire, elle a oscillé entre ces deux sphères civilisationnelles.

Comme l’a écrit Surkov, ancien conseiller principal de Poutine et penseur conservateur, dans Les cent ans de solitude de la Russie :

«La Russie a passé quatre siècles à se diriger vers l’Est et quatre siècles à se diriger vers l’Ouest. Elle n’a jamais pris racine ni à l’Est ni à l’Ouest. Ces deux voies ont désormais été parcourues. La Russie doit explorer une troisième voie, une troisième civilisation, un troisième monde, une troisième Rome…»

L’attirance de la Russie pour l’Occident a constitué un projet identitaire poursuivi à travers les générations successives. L’intégration à l’Occident fut autrefois une aspiration historique chère aux Russes. Des efforts de Pierre le Grand pour «apprendre de l’Europe occidentale» aux premières tentatives de Poutine pour «se rapprocher de l’Occident», l’occidentalisation est restée un fil conducteur central du développement de la Russie. Pourtant, l’histoire a montré à maintes reprises qu’un ralliement total à l’Occident a peu de chances d’aboutir à une véritable égalité ou acceptation. À l’époque d’Eltsine, la Russie a adopté les modèles occidentaux presque dans leur intégralité, pour finalement voir son espace géopolitique progressivement restreint par l’expansion continue de l’OTAN vers l’Est.

Au cours de son premier mandat présidentiel, Poutine considérait la Russie comme faisant partie de la civilisation européenne et avait fait de «l’intégration à l’Occident» une priorité de sa politique étrangère. Il a toutefois systématiquement rejeté l’idée de remodeler le système politique russe selon les normes occidentales. Les attentes diplomatiques ayant été déçues à maintes reprises, la perception que la Russie avait de l’Occident est devenue de plus en plus négative.

Lors du Forum de Valdai de cette année, on a demandé à Poutine si l’Union européenne devait être démantelée. Sur un ton taquin, il a répondu : «Ce n’est pas nécessaire. Elle s’effondrera d’elle-même». Cette remarque reflétait l’analyse russe selon laquelle les difficultés actuelles de l’Occident n’étaient pas simplement des crises locales ou temporaires, mais la preuve d’un déclin systémique au niveau institutionnel. L’angle d’analyse de Moscou s’est élargi, passant du «déclin de la puissance américaine» au «déclin du camp occidental dans son ensemble».

Depuis le déclenchement de la crise ukrainienne, les relations entre la Russie et l’Occident sont plongées dans une atmosphère de «nouvelle guerre froide». Les deux parties se considèrent de plus en plus comme des menaces pour leur sécurité, tandis que leurs liens économiques traditionnels continuent de s’affaiblir. La Russie en est venue à reconnaître que la possibilité réaliste de s’intégrer à l’Occident a pratiquement disparu. Des termes tels que «non-occidental» et «post-occidental» ont par conséquent pris une place de plus en plus importante dans le vocabulaire politique russe.

Aujourd’hui, une réorientation stratégique globale est devenue une caractéristique déterminante de la politique étrangère russe. Dans un contexte de tensions persistantes dans les relations de la Russie avec les États-Unis et l’Europe, Moscou développe vigoureusement sa coopération avec la région Asie-Pacifique et les pays émergents. Concrètement, elle a choisi de se tourner vers l’Est après s’être heurtée à des obstacles en Occident, dans l’espoir de parvenir à un résultat diplomatique où «lorsque l’Occident n’offre pas de lumière, l’Orient le fait».

Cependant, même si le centre de gravité stratégique de la Russie se déplace vers l’Est, l’Occident reste une question que Moscou ne peut éviter. Se tourner vers l’Est ne signifie pas abandonner complètement l’Occident. Les liens géopolitiques, énergétiques et historiques entre la Russie et l’Europe continuent d’exister en tant que réalités objectives.

Les discours successifs de Poutine à Valdai donnent un aperçu de l’incertitude et des questionnements de longue date du pays quant à son identité nationale. De la «recherche d’une intégration avec l’Occident» à «l’équilibre stratégique face à l’Occident», et du «non-occidental» au «post-occidental», la quête d’identité du pays entre l’Orient et l’Occident continuera d’influencer l’évolution de l’ordre mondial.

Dans les années à venir, la stratégie hybride de la Russie en matière de politique étrangère — alliant dissuasion vis-à-vis de l’Occident et expansion vers l’Est — ainsi que sa diplomatie flexible orientée simultanément dans ces deux directions, continueront de façonner les arrangements de sécurité eurasiens et l’avènement d’un monde davantage multipolaire.

Publié à l’origine par China Beyond the Wall.
Traduction: Reseau International

Portugal is among the European countries where breast cancer incidence has risen most sharply among younger women over the past two decades, according to new OECD and European Commission data.

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Helicopters rescued people stranded on rooftops as torrential rain swept across eastern Spain on Monday. Floods and storms killed at least four people, and shelter-in-place orders remained in force for more than 80,000 people. The downpour from Storm Adam cut off several towns along the Mediterranean coast as rivers overflowed their banks and streets turned into rivers. More than 2,000 people were evacuated, mainly in Oliva, and authorities carried out nearly 496 rescues in Valencia and Alicante, the Civil Guard police said

Without becoming official, BRICS’ role in resolving conflicts remains reduced.

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Recently, I delivered a presentation at the Russian Academy of Sciences on the role of BRICS in addressing the conflict in the Middle East. The discussion raised a fundamental question about the group’s international relevance: to what extent can an increasingly influential association of emerging powers contribute to resolving a major geopolitical crisis when its members hold divergent positions and maintain competing regional interests?

The answer requires a realistic assessment of BRICS’ institutional character and the political considerations shaping its members’ foreign policies.

The expansion of BRICS has increased its economic weight and diplomatic reach. Nevertheless, the group remains primarily a platform for intergovernmental coordination rather than a formal international organization equipped with binding decision-making mechanisms and a unified foreign policy. Its members maintain regular consultations, pursue economic cooperation, and issue joint declarations, but these activities do not automatically translate into coordinated action during armed conflicts.

The Middle East illustrates this limitation particularly clearly. Iran and the United Arab Emirates belong to BRICS while occupying opposing positions in the current military confrontation. Tehran considers American military infrastructure in the region a central element of the threat it faces, while the UAE seeks to protect its territory and critical infrastructure from Iranian missiles and drones. The presence of American forces on Emirati soil places Abu Dhabi in a particularly sensitive position, regardless of whether Iran considers the country itself its principal adversary.

Other members face similarly complex calculations. Egypt maintains important relations with Israel, while India combines longstanding ties with Iran with a strategic partnership with Israel. Meanwhile, China’s rivalry with India remains an important feature of Asian geopolitics, despite diplomatic efforts to stabilize bilateral relations. These differences prevent BRICS from adopting a common strategic position on every major international crisis.

The frequently invoked objective of establishing a multipolar world order does little to eliminate these contradictions. Multipolarity itself carries different meanings across the group’s membership. Brazilian foreign policy discourse often associates it with multilateral institutions and international governance, including the United Nations. Russia, China, and Iran, however, place greater emphasis on redistributing global power and reducing the capacity of Western states to impose their strategic preferences on other countries.

Consequently, BRICS lacks a fully shared geopolitical doctrine. Its cohesion rests primarily on the combined economic and political weight of its members and their recognition that the international system cannot be transformed without their participation. This common interest provides a foundation for cooperation, although it remains insufficient to establish a unified approach to every regional conflict.

These structural limitations define what BRICS can realistically accomplish in the Middle East. The group cannot be expected to endorse Iran’s military position collectively, nor is it likely to become a unified negotiating intermediary. The interests of its Arab members, particularly the UAE, make such an arrangement politically implausible. Likewise, most BRICS countries do not support eliminating the State of Israel.

However, significant opportunities for coordinated diplomatic action remain. Members can oppose attacks against civilians, condemn violations of international humanitarian law, and demand accountability for the destruction affecting Palestine, Lebanon, and Iran. Such positions can establish common ground without requiring every member to adopt identical strategic objectives.

Joint declarations at BRICS summits have already provided a framework for expressing humanitarian concerns. The challenge is to translate diplomatic language into practical measures, including coordinated initiatives for humanitarian assistance, sustained international pressure against violations of international law, and diplomatic efforts to prevent further escalation.

Whether BRICS can pursue these objectives effectively depends on decisions about its institutional future. If its members want the group to exercise greater influence over international crises, they will need to develop clearer procedures, establish more concrete long-term priorities, and identify areas where collective action is possible despite strategic disagreements.

The Middle East conflict therefore presents BRICS with a significant test. Its capacity to influence the international order will depend not only on the combined power of its members, but also on their willingness to convert shared interests into sustained political action.

Ukraine got no early warning from its partners of the first wave of Russian ballistic missiles on the night of 18–19 October, President Volodymyr Zelenskyy told US senators on 19 October. He also said Starlink and Starshield terminals still stop working above certain speeds on parts of the front, and that Washington has explained neither problem. In the same video call, according to a transcript obtained by Axios, he said US Defense Secretary Pete Hegseth is not signing off on deliveries of Patriot interceptors and AIM-9X missiles for NASAMS that NATO countries have already paid for.

This comes as the US presses Kyiv to stop its strikes on Russian oil refineries, which Trump has blamed for high fuel prices at home. Washington supplies both the early launch warnings and the Patriot interceptors Ukraine needs against Russian ballistic missiles, and Zelenskyy says both are now failing at once, as Russia keeps firing ballistic missiles at Ukraine’s grid ahead of winter. If neither the warnings nor the interceptors come through, Ukrainian cities would face winter strikes with less notice and fewer means to stop them.

On the morning of 20 October, Zelenskyy wrote that he had spoken with US Secretary of State Marco Rubio about interceptors against ballistic missiles, early warning of Russian ballistic attacks, and restoring Starlink and Starshield. He thanked Rubio for his readiness to help and his clear position, and said they had agreed to speak again soon. He did not say whether anything had been resolved.

Patriots paid for, not signed

“We have almost no Patriot interceptors left from the US partners,” Zelenskyy told the senators.

Hegseth “has the contracts for Patriot missiles on his desk,” a Ukrainian official told the Kyiv Independent, adding that allies had already paid for them. Another senior official called the batch “significant.” One of the main channels for Ukraine’s Patriot supply is NATO’s PURL mechanism, under which allies fund purchases of US weapons for Ukraine, a senior Ukrainian military official told the outlet.

On 19 October, Zelenskyy wrote that some types of vital supplies were being delayed at the US Department of War, as the Trump administration also calls the Pentagon. He added that some political agreements had not been carried out at the working level.

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Musk pushed Trump to slow Starlink in Ukraine, weakening air defenses as Russian drones attacked cities – The Telegraph

A NATO official told the Kyiv Independent that PURL deliveries, including air defense, were continuing. Another said some shipments could face delays, but that political reasons were unlikely to explain them. A US government official called Ukraine’s claims “not true.” The Pentagon did not respond to the outlet.

No warning for Kyiv hours after Zelenskyy said US alerts were back

On 18 October, Zelenskyy said on NBC that US warnings of ballistic launches had resumed after three days without them. That night, Russia launched two ballistic waves at Ukraine, and information from partners did not arrive before the first, Air Force spokesperson Yurii Ihnat said. Zelenskyy told the senators Ukraine had not received US warnings on three occasions in the past week. “We have received no clear explanation from Washington,” he said.

“All of this suggests that some political decision has been made to slow down support for us,” Zelenskyy said.

Zelenskyy offered a 30-day pause on refinery strikes for Patriots

Zelenskyy told the senators he had offered US envoys Steve Witkoff and Jared Kushner a 30-day halt on strikes against Russian refineries. In return, the US would supply Patriot interceptors to cover that period. He said the envoys had shown no openness to the idea.

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Trump calls Ukraine’s renewed refinery strikes “a disgrace” after Russia’s 39-missile strike on its energy sites

On 20 October, Norway announced talks in Oslo that day between Zelenskyy, Norwegian Prime Minister Jonas Gahr Støre, and Finnish President Alexander Stubb, with Witkoff attending in person and Kushner by video.

Senators back Kyiv. Trump says intelligence still flows

Senator Thom Tillis said he and his colleagues remain committed to standing with Ukraine and its European allies, while Senator Richard Blumenthal wrote that bipartisan support was “clear and unequivocal” and would be expressed “in upcoming action.”

US President Donald Trump told reporters on 19 October that Washington is still sharing intelligence with Ukraine and that he did not know who ordered the throttling of Starlink, Axios reported.

“Zelensky doesn’t know what he is talking about,” Trump said.